Sentences with phrase «materials and colors draws»

For one thing, its unique selection of materials and colors draws upon the world of luxury boating for inspiration, and rather than conventional passenger doors, it features two massive, upward - swinging «gull - wing» doors, with no real B - pillars.

Not exact matches

Natural materials, interior colors inspired by nature and planters filled with Zen rock gardens and live plants further draw nature into the work environment.

From her early daycare days of finger - painting and messing around with sand, through coloring and cutting, and now up to learning how to sew and knit and make complex collages, she is drawn to create using color and materials and shapes.

Preschool activities range from drawing shapes and images using crayons, water color and other resourceful materials such as leaves and flowers, to story telling.

Toddlers are keen to attractive colors and materials that they can use to draw, paint or sculpt.

I was initially drawn to this skirt because of it's bold color, accentuated pleats and neoprene material, and because I don't have a lot of pink in my closet, I decided to go out on a limb and purchase it for fun.

What first drew me to this unique brand was its great use of materials and lovely color combinations, but what made me...

We don't watch horror or experimental films for finely drawn character studies but for their particular attention to what film theorists call «excess,» the stuff (color, music) that goes beyond the imperatives of most cinema, whether it's the excess that takes monstrous or supernatural shape in horror, or the material, structural, and textural excess of experimental films.

Architecture Art using found and recycled objects Color theory Abstraction Conceptual art Drawing styles Figure drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of work provides a lesson by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to thinking Drawing styles Figure drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of work provides a lesson by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to thinking drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of work provides a lesson by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to thinking drawing Natural forms Portraiture Structures Each unit of work provides a lesson by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to thinking skills.

Its precisely crafted detail, innovative and high - quality color and material appointments, state - of - the - art technology, and clever storage features draw inspiration from contemporary extreme sports gear and lifestyles.

The Fortwo Coupe makes the most of its hard plastics and average quality materials with a fun interior design and bright colors that draw your attention away from the basic fittings.

The dashboard draws inspiration from larger models such as the E-Class and S - Class, offering a free - standing Widescreen display, air vents in a sporty turbine - look, 64 - color ambient lighting, as well as improved materials and new color combinations.

Previous experience is unnecessary: Her book gives you all the tools you'll need to become a daily painter, with well - organized and encouraging advice divided into chapters on: «Materials,» «Subject Matters,» «Color Mixing,» «Values,» «Drawing and Proportion,» «Composition» and more.

Create reference materials and documentation of game characters for licensees including 3D character posing, multi-view drawing, and color coordination.

His methods and materials range from deceptively simple drawings on paper of squares, lines, and dots, sometimes in light pastel colors; to collage and assemblage work with folds and cuts; to artist's books that are like works of sculpture.

The surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.

From the «modular» shaped canvases of pristine color fields tapped from the minimal canon, to rudimentary line drawings on found cardboard and post-its, to saturated, unprimed canvases, unceremoniously stitched together, Bradley's evocations of exalted and disposable culture lend equivalency to the discrete elements as they champion the materials of their making.

Works that are about the pleasures of paint, drawing, surface, material, color, feeling, sensuality, pure visual language, visual ideas, plastic space, beauty, and intuitive expressions are by and large left out.

Enriching these color drawings is related material, including musical scores, rare books, and autograph manuscripts as well as more than thirty performance photographs documenting finished sets.

Alison O'Daniel engages materials and color in a tactile practice that extends across drawing, films, sculpture and performance to explore perceptual, emotional and bodily comprehension.

Standout artists in the show include Tomashi Jackson, who uses Josef Albers's 1963 text Interaction of Color to explore the history of racial segregation in her painterly assemblages; David Shrobe, who creates surreal portraits by combining his figurative paintings and drawings with found materials; and Kennedy Yanko, who makes abstract sculptures by blending rubbery skins of poured paint and crumpled paper with bits of marble and scrap metal.

His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar, and asphalt — scraped, carved and cut and drawn upon with a rudimentary, spontaneous line.

In his figurative and landscape work, the rich and vibrant colors draw on the African diaspora, while his abstracts are composed of found materials, reliefs, and dimensionality.

Over the course of the eleven sessions we will discuss materials, the manipulation of paint, drawing with the brush, tonal massing of volumes in terms of light and shade, color principles and the organization of the palette.

Horn drew my attention as an artist who offers new approaches to abstraction, material, color, surface, memory, history, and language.»

This new volume is a smaller - format reprint that includes all material from the original book — exceptional color and black - and - white drawings and model photographs — and the original introduction by Ulrich Franzen, along with two new texts, a reintroduction by architectural historian and educator Alberto Pérez - Gómez, and an essay by Kim Shkapich, director of the Architecture Archive at The Cooper Union.

He says that the Hirshhorn piece will likely be another «pull painting,» a technique developed by the artist that involves building up layers of colored paper and then sanding, cutting, peeling, and stripping away material to reveal a wall drawing.

She works with both traditional and non-traditional materials in a contemplative painting and drawing practice that explores the surface, objecthood, color, language, spatial relationships, and the spirit of materiality.

Paintings in mortar by Duhirwe Rushemeza allude to native materials in Rwanda, while collage and impasto by Ademola Olugebefola draw on the colors of St. Thomas.

Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.

Each artist approaches the impossible task of taking on the celestial infinite with very different sensibilities and materials: black and white analog photographs, muted but richly saturated color, collage, charcoal drawings based on negatives and video / performance.

Using techniques and materials ranging from pop colored inks, gradient monoprinting, loose watercolors, acrylic paint, crayon, and sharpie crosshatching, Lederer creates images that walk the line between wry playfulness, and deep - seated fears, all the while deconstructing the picture plane and drawing parallels between the digital and the analog.

But while Owens's work certainly plays on the conventions of Color Field, she draws from a wide range of source materials, including embroidery and Asian landscape painting, frequently commingling vaporous washes of color with frankly goofy representational elemColor Field, she draws from a wide range of source materials, including embroidery and Asian landscape painting, frequently commingling vaporous washes of color with frankly goofy representational elemcolor with frankly goofy representational elements.

But Irwin notes the medium of his fluorescent works, for instance, as «Light + Shadow + Reflection + Color» — displacing emphasis away from the materials themselves, and drawing our attention to the act of perception itself.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

«I'm drawn to their use of industrial materials, resins, plastics, and fiberglass; along with color palettes drawn from psychedelia and custom car culture.

For the past ten years I have engaged with many elements of the artist's studio — painting, drawing, materials, color systems, process trials, process notes, logistics, accounting, order, chaos, books, and art history's visual records — and have made the studio in the round the subject of my paintings.

Stemper uses mixed media and combines linoleum prints; archival inkjet prints; found and altered text; colored pencil; pen & ink drawing; maps and actual natural materials relevant to the content of the books.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

During the winter of 1953/54, former Bauhaus professor Josef Albers (1888 - 1976) taught a three - part introductory course on drawing, material studies and color studies at the newly founded Hochschule für Gestaltung (HfG) in Ulm — courses which anticipated his now classic text Interaction of Color (1color studies at the newly founded Hochschule für Gestaltung (HfG) in Ulm — courses which anticipated his now classic text Interaction of Color (1Color (1963).

I then recompose the photographs with other materials, such as Color - aid, vintage wallpaper, and even old drawings from my student days.

Most of the materials used in the wall drawings are five - and - dime simple: pencils, colored ink, crayons, brushes, paper.

The exhibit, Frank Stella: Experiment and Change includes paintings, drawings, prints and sculptures that showcase the artist's evolving use of colors, shapes, shaped canvas, materials and techniques.

Spanning painting, drawing, printmaking, and sculpture the show explores «individual approaches to form, color, composition, material exploration and conceptual impetus within hard - edge and gestural abstraction.»

Most of the portraits they've completed have been in black - and - white Conté crayon, but as they've progressed, splashes of color have made it in, and they've expanded their materials to include colored paper, nodding to some of the drawings on view.

The fifty - seven works in the exhibition can be divided more or less equally into three related groups: eighteen oil paintings done on linen, all measuring 22 x 28 inches; nineteen oils done on paper, all measuring 22 x 30 inches; twenty drawings on paper, most of which measure around 11 x 14 inches, and done in a wide range of materials, including gouache, colored pencil, crayon, ink, and graphite.

Jennifer Bartlett: House House 02 December 2006 - Dean Ruck Material Drawings 15 July 2006 - Darryl Lauster Blue and White 15 July 2006 - Nicole Phungrasamee Fein Drawings 20 May 2006 - Christopher French Color Culture 20 May 2006 - Michael Petry The Treasure of Memory 06 May 2006 - Egg Hunt 15 April 2006 - Dana Harper 08 April 2006 - Joseph Havel Insomnia 04 March 2006 - Hilary Wilder Bequia, Evening at Turtle Grove 21 January 2006 - Darryl Lauster A Seat at the Table 01 January 2006 - Terry Winters Selected Editions from ULAE - Timothy Greenfield - Sanders XXX - Luca Buvoli Infinitely Definite - Shallow Space - Peter Miller Mongolia -

And that's not to mention David Smith's odd - ball ceramic sculpture and a small, very choice wall - hung fairly recent Stella, from his continuing «Scarlatti Series,» a swirl of extruded, delicately colored high - tech material, engaged by «drawing» with silvery metAnd that's not to mention David Smith's odd - ball ceramic sculpture and a small, very choice wall - hung fairly recent Stella, from his continuing «Scarlatti Series,» a swirl of extruded, delicately colored high - tech material, engaged by «drawing» with silvery metand a small, very choice wall - hung fairly recent Stella, from his continuing «Scarlatti Series,» a swirl of extruded, delicately colored high - tech material, engaged by «drawing» with silvery metal.

- 24 hour a day step by step tutorial videos - A wonderful range of mediums - acrylics, colored pencils, drawing, oils, pastels and watercolor - Lessons that teach about tools and materials example, making color charts and what specific brushes and tools and equipment do - A range of positive and edifying personalities as teachers - A wide range of projects and / or subject matter - A love of and belief in what each one has come together to do for other artists — to help others become better artists

«The three women rock insouciant shapes using monochromatic color, humble materials, and simple drawing techniques.»