Sentences with phrase «materials as an art director»

I clearly remember how excited I was in the early 1990s when I realized that what I had been doing (designing printing materials as an art director of a large commercial printing company) with a team of forty highly skilled people and millions of dollars of equipment could now be done by a single person working at their desk.

Not exact matches

Ahmed worked in the NYC Department of Cultural Affairs as Director of Material Donations for the Materials for the Arts program from 2007 to 2011.

Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.

The French New Wave encouraged directors to treat their footage as raw material, and make collage art from it.

This material and archival footage is augmented by testimonials from Francis Ford Coppola, Mel Brooks, Danny DeVito (who also served as the film's executive producer), and a new generation of art directors and production designers who were inspired by Harold and Lillian.

It may not have sounded like much on the surface (another reason why it probably didn't do very well with audiences or most critics) but legendary director Hill (the man behind such classics as «The Warriors,» «48 HRS» and «Streets of Fire») brought both his impeccable technical gifts and a genuine sense of personal style to the proceedings that elevated the material to something that came far closer to what one might refer to as «art» than one might rightly expect from a genre picture these days.

With only one actual bonus feature to speak of — the six - part behind - the - scenes featurette «The Director's Notebook: The Cinematic Sleight of Hand — and a glorified photo gallery («The Art of The Prestige») acting purely as supplemental fodder, I feel genuinely cheated by the lack of behind - the - scenes material included in this single - disc effort.

Laura served as the Art Director for 5414 Productions» first documentary A SECOND KNOCK AT THE DOOR, and was instrumental in establishing the overall aesthetic of ASKATD's movie poster, marketing materials, etc.Since graduating with a Bachelor of Fine Arts in Graphic Design, Laura has worked as a designer and illustrator for a wide range of clients.

On Level 2, «Between Object and Architecture» looks at the way post-1960s artists employed geometric shapes and ordinary building materials like bricks or cubes, and includes artists from Latin America and China as well as Europe, emphasizing the museum's commitment to what Frances Morris, the director of the Tate Modern, called «a more global story of art.»

Organized by Ann Butler, Director of Library & Archives at CCS Bard, Reading Context inaugurates the Collection Teaching Gallery as a place where a diverse range of collection materials representing the wealth of available resources at CCS Bard and the Hessel Museum come together to support and enable research activities and forms of curatorial inquiry which ultimately support a contextual reading of contemporary art.

19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists Film Screening and Panel Discussion James Castle: Portrait of an Artist A film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creatioArt Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creatioart, used soot, saliva, and found materials such as ads and food wrappers for his creations.

Anthea Hamilton — renowned for her bold and humorous works that often include references from the worlds of art, fashion, design and popular culture - has designed seven costumes in collaboration with Jonathan Anderson, LOEWE's Creative Director, that incorporate the colours and the shapes of different varieties of squash or pumpkin; many of the silhouettes of the costumes, made with materials such as hand - painted leather or painted silk crepon, were inspired in designs from the 1970s.

Since the artworld has become relatively borderless, and recently fashion has also swung towards Cianciolo's rough - edged mix - and - match style, she's been included in Greater New York (2015), participated in this year's Whitney Biennial and, after showing with Bridget Donahue (Fluxus - like boxes containing her archival materials), has another gallery show, in London, with Modern Art — whose director, Stuart Shave, began his career as a dealer in the 1990s by showing work that drew on skater, graffiti and fashion subcultures: a perfect circle.

Curated by independent scholar Susan Harris with Grey Art Gallery director Lynn Gumpert, the exhibition features approximately 35 major paintings and over 50 gouaches, prints, and drawings, as well as numerous sketchbooks, films, maquettes, source materials, and ephemera.

Since Islamic art spans 13 centuries and three continents from the Western Mediterranean to South Asia, any encyclopedic art worth its salt should want to devote «prime real estate,» as DMA director Agustín Arteaga dubs the gallery's ground - floor location near the admissions desk, to a long - term loan of one of the world's most important private collections of the material, on view through April 28, 2019.

Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artisArt at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artisart from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.

Andrea Barnwell Brownlee, Ph.D., director of the Spelman College Museum of Fine Art, described the opportunity to present «Material Girls: Contemporary Black Women Artists» as a privilege and explained that it complements the museum's unique mission to focus on art by and about women of Africa and the African DiaspoArt, described the opportunity to present «Material Girls: Contemporary Black Women Artists» as a privilege and explained that it complements the museum's unique mission to focus on art by and about women of Africa and the African Diaspoart by and about women of Africa and the African Diaspora.

Simon Wallis, director of Hepworth Wakefield which houses the city's excellent art collection as well as a very fine store of Hepworth material, says:

«This material is really a colored dirt, but it holds within it the colors of the sun and sky as well as that of plants and viscera,» he tells gallery director Harry A. Naar, an art professor at Rider, in a interview that appears in the exhibition catalog.