Some 26 years later, they now rule the roost of the London salvage scene, with both a warehouse trove of reclaimed products and a design studio that specialises in refurbishing top - end properties using rescued
materials in a modern context.
Not exact matches
In the meantime, it seems we have to look again at traditional,
modern and future
materials and ask what is the most sustainable combination for a particular
context.
«From the chemical standpoint,» the critical difference between «efficient» native diets and diets characterized by the «displacing foods of
modern commerce,» according to Dr. Price, was that «all the efficient dietaries were found to contain two to six times as high a factor of safety
in the matter of bodybuilding
material, as the displacing foods» (emphasis added).11 The foods that served a «bodybuilding» purpose varied substantially according to the group and location studied, but
in all instances, traditional societies emphasized the most nutrient - dense land and sea animal and plant foods that could be obtained
in their
context, ranging from the exceptionally high - vitamin dairy products, whole rye sourdough bread and occasional meat of the isolated Swiss to the fish, cereals and sweet potatoes of Kenya's Maragoli tribe.
But the teachers» complaints go far beyond compensation, and when viewed
in the
context of their other demands, it's clear that the strike gets at the heart of some of the biggest issues facing America's children: access to effective teachers, high - quality learning
materials, and
modern facilities.
2011 Manny Silverman Gallery, Los Angeles, CA Some Assembly Required: Assemblage & Collage, Jack Rutberg Fine Arts, Los Angeles, CA Fragments: 1915 - 2011,
Modern and Contemporary Collage, ACA Galleries, New York, NY Remix: Selections from the International Collage Center, Samek Art Gallery, Bucknell University, Lewisburg, PA; Katonah Museum of Art, Katonah, NY
In Context: Celebrating Pioneering Los Angeles Artist Betye Saar, Roberts & Tilton, Los Angeles, CA
Material Witness, Venessa German, Hannelore Baron, Donna Sharrett, Pavel Zoubok Gallery, New York, NY
While a few recent publications — like the essays by Richard Flood, Frances Morris, Robert Lumley, and Karen Pinkus
in the catalogue of the 2001 exhibition «Zero to Infinity: Arte Povera 1962 - 1972,» co-organized by the Walker Art Center and Tate
Modern, or the overview Arte Povera (1999), edited and illuminatingly introduced by Carolyn Christov - Bakargiev — have begun to consider arte povera
in a broader social
context, the field is still plagued by the idea that its artists were primarily enamored of low, or literally «poor,»
materials, and by the argument that arte povera's antitechnological bent is a misinterpretation of American Minimalism.
We look forward to being back and showing more of this historical
material in the
context of contemporary and
modern art
in the future.»