Not exact matches
Unemployment, Marginal Attachment and Labor Force Participation in Canada and the United States Stephen Jones, McMaster University Craig Riddell, University of British Columbia Jones and Riddell build on two previous papers: one
by David Card and Riddell (originally published in Small Differences that
Matter) that studies the reasons for higher rates of unemployment in Canada than the U.S. in the 1980s, the other
by Jones and Riddell which uses data from the U.S. Labor Force Survey to study the differences in rates of job
creation for people who are counted as unemployed versus those who are counted as out of the labor force.
It
matters not so much HOW the universe was created (although the first version
creation in Genesis is interestingly similar in some ways to the modern scientific view, going from light — the big bang — to simple then more increasingly complex life, but I digress) what
matter is that it was created
by a loving God.
you cant put your finger on it, cant smell it, or taste it, but your soul will rejoice, if you have one left... this is your connection to the world, to the universe... nothing else really
matters at all... we see all of this
creation, and we've got the math and science to figure out a tenth of it, but if we cant realize that it was put here ultimatly out of love, and saved
by the love of ONE true God, then we are blind even to that tenth... God is great, and may he bless you athiest, muslim, christian, jew, gay, whatever... God is Love, but rest assure He is also our Judge, the Judge of our hearts, hope you get them right.
first, i do agree that the
creation of the universe from
matter is completely explainable
by science.
In order to escape the confines of the physical
creation with it's laws that pertain to everything consisting of
matter, as a spiritually firstborn son of the Most High, He too has to be redeemed
by the Passover covenant.
The Faith Movement offers a perspective of
creation through evolution
by which we can show clearly the transcendent existence of God and the essential distinction between
matter and spirit.
The freedom for decision in the
creation makes those who are created causative agents also, so that God is the chief causative agency not the only one, whose action makes possible, and also is affected
by, the creaturely decisions that (in Whitehead's phrase) «
matter and have consequences.»
This is not just a
matter of property rights; as Creator, God can be trusted much more than the
creation that is marred and deformed
by sin and selfishness.
This function, which is God's giving of an initial aim to each new occasion, is more like the individual
creation of each human soul than the single act
by which
matter was created.
Science and natural history as we know them simply did not exist, even though they owe a debt to the positive value given to space, time,
matter and history
by the biblical affirmation of
creation.
For example, the Bible says that time was created
by God when He created the universe.19 Stephen Hawking, George Ellis, and Roger Penrose extended the equations for general relativity to include space and time, demonstrating that time began at the formation of the universe.20 Of course, the biggest coup of the Bible was to declare that the universe had a beginning21 through an expanding universe model.22 The New Testament even declares that the visible
creation was made from what was not visible and that dimensions of length, width and height were created
by God.23 In addition, the Bible refuted steady - state theory (saying that the
creation of
matter and energy has ended) 24 long before science made that determination.
With more and more attention necessarily riveted on
matters of morality and ethics, it is hardly a surprise that we ask about moral content as a measure of the meaning of any God - talk, and test the potency of faith claims
by the difference they make for human well - being and the well - being of the wider
creation.
Theologically, it really doesn't
matter whether an all - knowing God would choose to predestine most of his
creation to eternal torture, or just know that
by specifying such a tight requirement (Jesus — through word of mouth — or Hell), most of humanity would end up in Hell.
One seemed to deny the Creator
by divinizing
matter and the forces of nature, and the other appeared to deny the Creator and the goodness of
creation by insisting that only mind and spirit are good and real.
Perhaps I am comforted
by the thought that mind - stuff,
matter, and natural laws are
creations of God.
The finished work is reviewed
by Moses and the conclusion of the
matter is set in language strongly reminiscent of the account of
Creation, where «God saw everything that he had made, and behold, it was very good» (Gen. 1:31).
I want to know if they think physicist Paul Davie is right about the obvious
creation of universe governing physical laws, if Einstein was right in a God presence and what they think about quantum mechanics that goes back to von Neumann, where one is led
by its logic (as Wigner and Peierls were) to the conclusion that not everything is just
matter in motion.
The third section, fifty percent longer than the first two together, considers several theological and philosophical questions raised
by the relation between sacred theology and contemporary evolutionary theory, They include the distinction between spirit and
matter, the unity of spirit and
matter, the concepts of becoming, of cause and of operation, the
creation of the spiritual soul, the insights of Aristotelian scholasticism, and the biblical narrative of man's origin as it relates to the theory of evolution.
«We speak on this subject very cautiously and diffidently,» he writes, «rather
by way of discussion than coming to definite conclusions... We suppose that the goodness of God will restore the whole
creation to unity in the end... If anyone thinks that
matter will be utterly destroyed, it passes my comprehension how all these substances can live and exist without material bodies, since to live without material substance is the privilege of God alone... Another perhaps may say that in the consummation all
matter will be so purified that it may be thought of as a kind of ethereal substance... But only God knows.»
Matter is created out of energy so what force ordered
creation by exact rules?
For the one who was destined as King of
Creation from the first poising of
matter can not be ultimately frustrated
by human sin.
Postulating the
creation of
matter leads to a very different perspective on the contingency of our world, compared to the conception of a world formed
by a demiurge.
Creation is the fusion of novel form with inherited
matter by the self - creative decision of the emergent creature.
Reinhold Niebuhr, writing in these pages nearly 50 Easter seasons ago, reflected on these
matters: «The whole
creation groaneth and travaileth; and if God is love rather than power, it follows that He gains his victories
by pain rather than
by force.»
Just as the most intense energy of the male and the most enduring persistence of the female principle form the unlimited power of nature, as love and life consist in separating and uniting, in restlessness and steadiness, in energy and being, so the creative and the receptive forces work to produce the perfect
creation of genius: the more
matter is formed
by the creative force, the more intense the struggle, the greater the effect.
Clearly, the understanding of these
matters that underlies the demand for justice in the specifically political sense is closely related to our distinctively modern historical consciousness,
by which I mean our consciousness of ourselves as historical subjects who bear full responsibility for creating ourselves and one another in and through our
creation of society and culture.
The theory of the «
creation» of the universe most commonly held
by physicists is that of an initial «Big Bang», a sort of explosion of
matter — energy in which time and space themselves began.
You think the miracles of
creation (existence) in Genesis are less credible than a quantum flux out of a weak gravitational field resulted in organic
matter simply
by adding a time function.
A religion in which that is forgotten, no
matter how ecstatic or active or reasonable, replaces God
by its own
creation of an image of God....
«Nothing else truly
matters: not the NHS, now in its most severe crisis since its
creation; not the real challenge of the modern economy, the new technological revolutions of AI and Big Data; not the upgrade of our education system to prepare people for this new world; not investment in communities left behind
by globalisation; not the rising burden of serious crime; or bulging prison populations; or social care; not even, irony of ironies, a genuine policy to control immigration.
One of the further possibilities opened up
by advanced computing in this laser research is the
creation of antimatter — the mirror nemesis of the ordinary
matter that makes our existence.
Basically, Rahner sees
matter as guided upward and outward
by the creative impulse of what Christians term the Holy Spirit, who is Creator not just at some hypothetical moment of
creation, but necessarily present in
creation at every moment with a vivifying and ever - expansive action.
GONYEA: With the taxi driver - obviously, your most famous
creation is that character, Travis Bickle, played
by, of course, Robert De Niro, but many of your films have - while they have varied in subject
matter, in a panel discussion following a screening this week of «First Reformed,» you talked about how you keep returning to, kind of, a version of Travis Bickle's character.
The office serves as a support system in
matters concerning the socio - economic and cultural diversity represented
by the district's student population — this includes compliance and policy issues as well as the
creation and support of magnet spaces within the district.
Regarding resources, you can use Pronoun's marketplace (or the ones offered
by Reedsy or Bibliocrunch, for that
matter) to find publishing professionals to help you with any aspect of publishing, even if you don't use their book
creation tools.
To people who feel let down
by the Vita, you have the right to express your anger — anticipating some eventual future comments — but there is no need to insult the developers making this game so please let people enjoy family games such as PS Vita Pets; you can see there is some heart being invested in its
creation, and that's what
matters the most;)
2Tru4u, look up the game Limit Theory, that game is being worked on
by one person and looks fucking great, its a
matter of how good are you with your tools and how much time and effort youre putting into the game, do nt forget that these guys have been working on this game in silence for like 2 or more years, they are also perfectionists so obviously their
creation is gonna be fantastic, also, did you even read their update note?
Through utilizing printed
matter, these artists and curators have found alternative routes
by which the politics surrounding the presentation and
creation of art become at least as relevant as the work itself.
It's this preemptive announcement - making approach that Dyer dug into, caricaturing Fried's tone, and ending
by saying, bitingly, that someday Fried «will cross the border from criticism to the
creation of a real work of art... called Kiss Marks on the Mirror: Why Michael Fried
Matters as a Writer Even More Than He Did Before.»
A hundred years after the
creation of the Dada movement «s characteristic collage aesthetic, the Volta NY fair is championing the political nature of collage in a curated exhibition, The Aesthetics of
Matter, organized
by renowned artist Mickalene Thomas and her partner Racquel Chevremont, an art advisor and collector.
By attempting to understand characteristics of different life systems and their associations with our own entity as my subject
matter, I intend to introduce new visual dialogue and meanings for ephemera in life to define conflict associated with contradictions inherent in nature and society, such as physical fragility and danger, ephemeral and perpetual,
creation and extinction.
Committed to cultivating conversations
by a multiplicity of voices to create an open and inclusive space for dialogue and engagement with art, the gallery has invited artists, small presses, libraries, and organizations to collaborate in the
creation of this exhibition to interrogate the concept of family across various selections of printed
matter, film, video, and photography.
Interesting original subject
matter, rigorous research, a unique perspective and a design that is informed and shaped
by the content are important in the
creation of a good design book.
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated
by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed
Matter, [w / Josh Thorpe], Printed
Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized
by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and
Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed
Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Some works incorporate stylistic devices and subject
matters that seem dated, passé or quasi-extinct; others capture traumatic moments of the historical past; some are recreations of previous works, creating the sensation that they are pursued
by a lost or distant original; there are ghostly images and morbid symbols of the past as ruins and apocalyptic landscapes; and, finally, there are
creations that analyze the role that archives play in collective memory and personal obsession.
Knoblauch et al (2018) «Methane production as key to the greenhouse gas budget of thawing permafrost» The findings of this paper are already a
matter of dispute between you and me, in that my not inconsiderable assessments of this paper and its context in UVMarch2018 @ 365 and @ 378 and @ 393 & @ 406 which show zero «Skyrocketry» are already dismissed
by you as «exaggeration, flawed cherry - picking and seemingly endless Strawman
creation» although the rationale you present underlying such comment is mostly non-existent and nowhere approaching adequate.
For all the doubters, you really should be praying that humans are not thermodynamic in nature, made of
matter with electronic functioning fields, capable of en - masse engaging in rapid WWII style physical transformations that defy current logic and are not already showing signs of massive lower social edge redundancies via drug addiction and upper social edge wealth
creation by nefarious means.
The Baltimore Green Forum is Co-sponsored
by Simplicity
Matters Earth Institute, Transition Baltimore, Network of Spiritual Progressives in MD, Baltimore Jewish Environmental Network, Baltimore Climate Action Network, Maryland League of Conservation Voters Education Fund, Inc., Parks & People, Greater Baltimore Group of the Sierra Club, Heathcote Community,
Creation Care Group of the Presbytery of Baltimore, and Chesapeake Sustainable Business Alliance
The mistake is to think that high energy means higher heat
creation in
matter by raising its temperature, these higher energies just don't do that because it takes absorption of Heat to raise temperature.
«Collection» means a collection of literary or artistic works, such as encyclopedias and anthologies, or performances, phonograms or broadcasts, or other works or subject
matter other than works listed in Section 1 (f) below, which,
by reason of the selection and arrangement of their contents, constitute intellectual
creations, in which the Work is included in its entirety in unmodified form along with one or more other contributions, each constituting separate and independent works in themselves, which together are assembled into a collective whole.