You don't need all the end
matter in a print book that you have in an e-book.
Not exact matches
The former undertook to supply
books and
printed matter for the churches
in the colonies, while the latter sent out missionaries to work with the king's subjects and with the natives.
Let us begin then by looking at some reasons why the Bible,
in spite of the mass of
printed matter that comes pouring from the presses, is still the most important
book in existence and why reading it is one of the most important things that any person today can do.
The labels don't
matter, Christian, Muslim, Buddist... at least they have beliefs and stick with them rather than using God to pump up
book sales (or maybe she just likes to see her name
in print) Here's a thought.
I totally agree with Diana Kennedy's assessment of Sterling's work: «I know of no other
book in print today, or
in the past for that
matter, that explains so meticulously the ingredients and history of the foods of Yucatán.»
I totally agree with Diana Kennedy's assessment of Sterling's work: «I know of no other
book in print today, or
in the past for that
matter, that explains so meticulously the ingredients and history of the foods of
(6) supply, including on loan by libraries, of
books (including brochures, leaflets and similar
printed matter, children's picture, drawing or colouring
books, music
printed or
in manuscript form, maps and hydrographic or similar charts), newspapers and periodicals, other than material wholly or predominantly devoted to advertising;
Published
in Chicago Tribune on June 05, 2016 — Print headline: «The power of belonging - In his latest book «Tribe,» Sebastian Junger says that for soldiers, the bonds of combat can matter more than bullets&raqu
in Chicago Tribune on June 05, 2016 —
Print headline: «The power of belonging -
In his latest book «Tribe,» Sebastian Junger says that for soldiers, the bonds of combat can matter more than bullets&raqu
In his latest
book «Tribe,» Sebastian Junger says that for soldiers, the bonds of combat can
matter more than bullets»
But then I see new
books — good
books — by writers
in the region whose names I'm just beginning to recognize, and others by authors long familiar to me, and still others by people I've never heard of, and my confidence grows that no
matter where the rest of the country is heading with the
printed word, the South is moving
in the right direction, and picking up speed.
I don't have a particular dog
in the
print - vs - eBook fight; I like
print books and haven't yet felt the need to buy an eReader, but I see the appeal of eBooks and am generally just glad that people are reading, no
matter the format.
During the short time it was originally
in print, it got some really nice reviews — good enough to encourage me to self - publish the
book (after giving the
matter a LOT of thought).
Yes, the world still loves
books, no
matter what version they are
in:
printed or electronic.
Starting with the second (and easier) question: we are positive that readers» preferences
matter because they are the end - consumers and if they would demand
books to be
printed in an eco-friendly manner it will provide a significant incentive for publishers to move forward and adopt greener practices.
Fans of
print books, who have long lived in fear that their neighborhood bookstore will be rendered obsolete by the ubiquity of ebooks in a matter of years, can take comfort in new numbers from Nielsen Books & Consumer showing that ebooks were outsold by both hardcovers and paperbacks in the first half of
books, who have long lived
in fear that their neighborhood bookstore will be rendered obsolete by the ubiquity of ebooks
in a
matter of years, can take comfort
in new numbers from Nielsen
Books & Consumer showing that ebooks were outsold by both hardcovers and paperbacks in the first half of
Books & Consumer showing that ebooks were outsold by both hardcovers and paperbacks
in the first half of 2014.
To make
matters worse, custom fonts are not universally supported by eReaders, making it impossible to, perhaps, use that one font you have always loved so much and used
in your
print layout of the
book.
No
matter where you take the
print book, no
matter what room you read it
in, it will remain
in the same form and have the same affordances as it did on the day it was first stacked
in the bookstore.
Over a third (36 %) of UK
book buyers buy both e-
books and
print books and 42 % of these say that they will always buy the cheapest version of the
book no
matter which format it is
in.
So no
matter where you are, if you've got 1) a complete
book and PDF export from Pressbooks
in 5.5 × 8.5, 6 × 9, 4.25 × 7 or 5 × 8 trim size and 2) a ready - for -
print book cover, then we can help get your
book printed and sent to your door.
b) Unless a Video Stills License is procured, you may not use «stills» derived from Footage
in ebook covers, or
printed book covers, or any type of
printed matter.
I also updated the
print files for all my other fiction
books with the name changes as part of the series
in the back
matter and took the opportunity to update my Author Bio and other small things while I was there.
My complaint is with the way Amazon handled
print books in this
matter, not with the Amazon - Macmillan ebook pricing dispute, over which I still haven't developed an informed opinion because it is so fricking complicated.
Read more: Front
matter — what to include
in the front of your
book» Read more: Book trim size — how to choose the right trim size» And even more: Is your image high enough resolution for printing?&ra
book» Read more:
Book trim size — how to choose the right trim size» And even more: Is your image high enough resolution for printing?&ra
Book trim size — how to choose the right trim size» And even more: Is your image high enough resolution for
printing?»
How an author produces ready - to - go
book production files — whether for
print or e-
book — is a
matter of individual ability, the complexity of the
book design, and the professionalism required
in the final product.
As a
matter of note, my
book has been published
in print by Partridge publishing
in Singapore.
Here
in Brazil,
books are zero rated, no
matter if
printed here or imported, so I can buy
books and magazines anywhere
in the world and I do not have to worry about taxes, as they do not exist.
By utilizing
print - on - demand, the author was able to conceptualize the alternate
book and bring it to a physical
print edition
in a
matter of weeks; with digital publishing, the process is even more streamlined.
Every ebook, no
matter how much like a
print book it may seem, is a web page that we read on the simplified browser embedded
in our e-reader of choice.
We keep making the case that the split that
matters when trying to foretell the future of the
book business (and everybody
in it) is not «
print» versus «digital», but «bought online» versus «bought
in stores».
2 — Put back
matter in your ebooks and
print books, a call to action, an invitation, and a thank you.
I think for
printing books it's a different
matter, I saw a forum post where Ted admitted he and Legend Press took on too much back
in 2008, and that though difficult at the time he acknowledged critics like at Absolute Write had a useful purpose to serve
in the community.
POD or
Print on Demand publishing is the commonly used term for the digital way of publishing that enables a
book to be
printed and bound
in a
matter of minutes.
Lots of great work is rejected every day due to marketing concerns, and the cold, hard truth is that if your
book doesn't look like something that can easily move thousands of copies
in its first three months
in print, it doesn't
matter how good it is: mainstream publishers will think it's not worth their time and effort.
Coffee table
books, or anything else with a lot of illustrations, I agree works better
in print, but for straight text it doesn't
matter to me.
As a
matter of fact, just this week I had somebody email me and say, «is your
book, Marketing Your Book on Amazon, available in print?&ra
book, Marketing Your
Book on Amazon, available in print?&ra
Book on Amazon, available
in print?»
What
matters is getting the
book they have written into the hands of as many readers as possible
in whatever form,
print, digital, audio.
No
matter how the market for e-reader devices evolves, there are long - term questions about how soon e-
books will overtake
print books in popularity.
For
print, Amazon's FREE «create space» will have your
book ready for
print in a
matter of days.
Now authors can easily create a
book and have it out for sale
in a
matter of minutes, either electronically or
in print.
This may not
matter much when the cover is displayed on your own ePublisher's download page for your
book, but it comes
in handy when you use the cover art to represent your work on other Web sites or
in printed matter.
INTERVIEWS Nick Harkaway: A Little Bit Quantum / 12 Ada Palmer: Beyond the Exponential Age / 26 MAIN STORIES / 5 2018 Hugo Awards Ballot • 1943 Retro Hugo Awards • ENMU Special Collections Library Update • Vaughn Wins PKD Award • 2017 BSFA Winners • Groff and Miéville Win Guggenheim Fellowships • 2017 Aurealis Awards Winners • 2017 Kitschies Winners • Ditmar Awards Winners THE DATA FILE / 7 2018 Sturgeon Award Finalists • Prometheus Award Finalists • Greer Wins Pulitzer • Neukom Awards Shortlist • Robinson Named Nebula Awards Toastmaster • Charon's Features Named • Rebellion SFF Commissioning Team • Bradbury Studies NEH Grant • Amazing Stories Returns to
Print • LeVar Burton Reads • Mythic Delirium Closes • Publishing News • People & Publishing Continues: Media • Workshop News • World Conventions News • Announcements • Awards News • Financial News • International Rights • Other Rights • Publications Received • Catalogs Received PEOPLE & PUBLISHING / 8 Notes on milestones, awards,
books sold, etc., with news this issue about Liz Bourke & Charlotte Cuffe, Thomas Pynchon, J.R.R. Tolkien, Jesmyn Ward, James Tiptree, Jr., Michael Bishop, Tad Williams, and many others SPECIAL FEATURES Commentary: Cory Doctorow: The Engagement - Maximization Presidency / 25 Rainforest Writers Village / 57 Chinese SF New Year Gala / 58 SF in SF with Michael Moorcock / 61 CONVENTIONS 2018 International Conference on the Fantastic in the Arts / 28 2018 Williamson Lectureship / 31 2018 Writers and Illustrators of the Future Awards / 32 Norwescon 41 / 33 The Outer Dark Symposium / 34 LISTINGS Magazines Received: March / 36 Books Received: March / 37 British Books Received: February / 48 Bestsellers / 50 OBITUARIES / 63 Philip Kerr • Ahmed Khalid Towfik • David Bischoff • Appreciation for Peter Nicholls by Neil Gaiman, John Clute, and Jack Dann EDITORIAL MATTERS / 66 Locus • Visitors • This Issue / Next
books sold, etc., with news this issue about Liz Bourke & Charlotte Cuffe, Thomas Pynchon, J.R.R. Tolkien, Jesmyn Ward, James Tiptree, Jr., Michael Bishop, Tad Williams, and many others SPECIAL FEATURES Commentary: Cory Doctorow: The Engagement - Maximization Presidency / 25 Rainforest Writers Village / 57 Chinese SF New Year Gala / 58 SF
in SF with Michael Moorcock / 61 CONVENTIONS 2018 International Conference on the Fantastic
in the Arts / 28 2018 Williamson Lectureship / 31 2018 Writers and Illustrators of the Future Awards / 32 Norwescon 41 / 33 The Outer Dark Symposium / 34 LISTINGS Magazines Received: March / 36
Books Received: March / 37 British Books Received: February / 48 Bestsellers / 50 OBITUARIES / 63 Philip Kerr • Ahmed Khalid Towfik • David Bischoff • Appreciation for Peter Nicholls by Neil Gaiman, John Clute, and Jack Dann EDITORIAL MATTERS / 66 Locus • Visitors • This Issue / Next
Books Received: March / 37 British
Books Received: February / 48 Bestsellers / 50 OBITUARIES / 63 Philip Kerr • Ahmed Khalid Towfik • David Bischoff • Appreciation for Peter Nicholls by Neil Gaiman, John Clute, and Jack Dann EDITORIAL MATTERS / 66 Locus • Visitors • This Issue / Next
Books Received: February / 48 Bestsellers / 50 OBITUARIES / 63 Philip Kerr • Ahmed Khalid Towfik • David Bischoff • Appreciation for Peter Nicholls by Neil Gaiman, John Clute, and Jack Dann EDITORIAL
MATTERS / 66 Locus • Visitors • This Issue / Next Issue
I * think * the point I'm failing to make was offered
in response to your comment: «No
matter whether your
book is a
print book or an e-
book, you have the huge marketing task of letting readers know it exists, then convincing them your
book is informative and / or entertaining enough to buy — when there are hundreds of thousands of other
books out there.
Nevertheless, e-
book prices around the world are still undercutting
print book prices, and the
matter is compounded by the fact that
in 2014, e-books will account for 13 % of all publishing revenue, compared to 3 %
in 2010.
I doubt I'll buy any more
print books in the future, no
matter how interesting they may look.
Pro-tip: If you're searching for a good
book production tool to make your book, the Reedsy Book Editor can format and convert your manuscript into professional ePub and print - ready files in a matter of seco
book production tool to make your
book, the Reedsy Book Editor can format and convert your manuscript into professional ePub and print - ready files in a matter of seco
book, the Reedsy
Book Editor can format and convert your manuscript into professional ePub and print - ready files in a matter of seco
Book Editor can format and convert your manuscript into professional ePub and
print - ready files
in a
matter of seconds.
Having an author website, or business cards or bookmarks, or a certain number of
print books included
in the package totally doesn't
matter if you have an ugly cover; everything additional won't save you.
«As we have seen with music, photos and video,
books and other
printed matter are slated to appear on a wide array of devices that offer tradeoffs
in such factors as screen size and battery life.
Book Launch: The Avant - garde Won't Give Up: Cobra and Its Legacy at
Printed Matter Despite a recent exhibition about it
in 2015 at New York's Blum & Poe gallery, the short - lived Cobra movement remains one of the most underrated and mysterious avant - garde happenings of the 20th century.
Opening: NY Art
Book Fair at MoMA PS1 One of the fall's most notable art - world events
in New York is
Printed Matter's NY Art
Book Fair, which takes place every September at MoMA PS1.
Conveyor Studio is a production house that specializes
in small - run editions of artist
books, zines, and other
printed matter related to photography.
The commitment to
books at Hauser & Wirth Los Angeles can also be seen
in the
Book &
Printed Matter Lab, a separate project space and initiative of Hauser & Wirth Publishers, devoted to exploring the important place that
books and
prints occupy
in the practice of artists.