Sentences with phrase «matter paintings using»

In the 1950s he began making his first matter paintings using materials such as marble dust and resin.

Not exact matches

I could go on, but the fact of the matter is, if you use just the bible to map out a timeline it's a little wonky but doable because for over 2000 years its had revisions and edits so that it would make more sense, if you want to really look the history of the world through geology, ice core samples and what not, it'll paint a very different picture.

She loves to paint and get messy no matter which art medium we use!

It started with the shaming of women who use pain relievers during childbirth, and then expanded into painting women who don't breast feed as monsters, no matter how difficult or inconvenient it is for them to do it.

I use the chalk paint from Walmart if that matters.

and im very frustrated, I cant not get the brush strokes to go away no matter what I way or paint or what I use!

I had this spray paint from another project (I would share but it was kind of a fail) I love using spray paint on furniture and everything other painting project for that matter because it is so easy and it is durable.

I prefer making my chalk paint mixed using satin, but since you will use poly over the finish it really does not matter what sheen of paint you use to make the chalk paint.

It really doesn't matter what finish of paint you use — flat, satin, or semi since once you add the CCP it will turn the paint flat.

You can use any sheen of paint to make chalk paint, but no matter what sheen you use, once you add the CCP it will flatten the finish so it will not be the normal semi-gloss.

This would happen no matter what type of paint you were using.

The recreations aren't particularly realistic (lots of painted backdrops and such) and the dialogue is poorly dubbed regardless of what language you watch it in (I chose English because that's apparently what the actors were using), but none of that really matters.

When I was very young I used to paint only for pleasure, I had some exhibitions, and it didn't matter too much If I could sell or not.

In coloured pencil painting we don't of course use masking fluid, but it is possible to preserve the colour of the paper, no matter how much colour you layer on top.

Intricately detailed works, with dynamic and organic shapes spiraling across the canvas, each painting is mixed media, combining the artist's use of plastics (an ironic and intentional nod to the subject matter) with paint and digital effects.

Most artists until this turning point painted according to Classical Realism methods, using realistic perspective, shading, and other techniques to create recognizable scenes and subject matter.

He uses this epic subject matter that is scrawled on his walls (paintings).

This series, Exit / Dark Matter, which Parrino made in the 1990s, comprises 41 ink, graphite, and spray - paint drawings and paintings on vellum, using images he appropriated (to use that quintessentially»80s word) from comic books, artists like Goya and Robert Smithson, bikers, rock musicians, the killer Charles Manson, and various faces and events, all of which depict action and riot.

Taking up the iconography and subject matter inherent to Western culture and making use of crude painting techniques blended with the vandalistic language of graffiti, Lister appropriates and reformats codes and languages in order to create a new proposal of grotesque contours brimming with creative energy.

It seems like African American painters are among the few who still use painting as a political platform... Even though it's abstraction, your work straightforwardly tackles very difficult subject matter: issues of race, economic disparity, AIDS.

Influenced by Goya's infamous Black Paintings, a series of fourteen powerfully haunting murals, striking in both their dark subject matter and palette, Wiley has restricted his use of color and incorporated barren landscapes into these new canvases.

Morley often finds his subject matter in different types of photographs (including pictures of old - master paintings, family portraits and images from travel brochures and calendars), which he transfers to the canvas using a grid system.

Lu said, «in my opinion, from the ancient time to the present day, every painter uses paint to depict the world other than the paint — no matter figure, still life, landscape, and other things.

Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28

Martin's specific process of using acrylic lends her work a highly - sophisticated tonality; colors absorb and reflect light, adding a particular luminescence that appears to dissolve the painted surface, no matter how textured and corporeal, into atmospheric light.

As a proactive member of the feminist art movement, she began adopting the photographic techniques and subject matter used in pornography to create a series of paintings that presented a different narrative from the fetishized one promoted by the porn industry.

Using «trash» from the streets, the artist made works that combined the grittiness of the world with abstract expressionist painting and taboo subject matter.

Using painting, drawing, and abstraction as markers of a space outside verbal description, Jessica Dickinson examines the slow exchanges between perception, matter, and psychology that develop in peripheral spaces.

By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.

An early 20th - century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones.

Matter and Force presents select works from the Kemper Museum Permanent Collection that allow viewers to ponder the physical elements — dirt, clay, wood, paint — that artists use to harmonize material substance with creative vision.

I used to be very into cartoons and even with my color palette I was trying to figure out a way to seduce the viewer into looking at paintings with heavy subject matter without wanting to turn away.

In Ligon's paintings, the instability of his medium — oil crayon used with letter stencils — transforms the texts he quotes, making them abstract, difficult to read, and layered in meaning, much like the subject matter that he appropriates.

Prince's first joke painting, made in 1986 but one that he has revisited time again, belies this preference for using found subject matter.

The Opening Reception is from 7:30 p.m. to 10:30 p.m. Merritt's work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit.

Kevin Basl, Alicia Dietz, David Keefe, Jessica Putnam Phillips, Ehren Tool, and Eli Wright use this shared experience as subject matter through media ranging from painting and drawing to printmaking, sculpture, ceramics, and writing.

Legs are the subject matter of choice of Cousin's oeuvre that examines the human condition and the history of painting through a mixture of figurative and geometric elements rendered in a distinctively painterly style using a bold colour palette and with particular attention to the symbolic meaning of the visual forms depicted in her work.

«The technique I use is adapting to a subject matter — I like to work with charcoal, ink, coffee, spray paint, acrylic and gesso.

From there, it's a matter of using paint (or a dry media such as pastels) to bring out its character.

Using printmaking, painting, and papermaking processes, Liu samples and juxtaposes cultural references and the natural environment in an attempt to reconcile matters of biography and place.

Singh uses clay, copper wire, and paint, as well as living matter such as soil, plants, and mushrooms to create miniature forms that seem to grow from crevices and nail holes in the gallery walls, blurring the distinction between organic and synthetic.

His activism led him to create large scale history paintings, using subject matter that includes interrogations, torture scenes and riots of the 1980s and early 90s.

But what would distinguish Mr. Churchman's work, even without the few discreet references to Buddhist philosophy, is that instead of infusing his painting with the speed and evanescence of its subject matter, he uses his painting to slow down that matter.

Born in 1983 in the Sabra and Shatila refugee camp in Lebanon, Abdul Rahman Katanani spent his childhood painting, using the realities of the Palestinian refugees» everyday life in the camp as his subject matter.

In the contrary what is welcome are works that use the matter of painting and develop questions in regards to its conception.

Using thinned - down oil paints, Reynolds attains the rich density of colour, but is able to capture the translucence and delicacy of her subject matter.

The exhibition poses a relationship of visual analogy between Wesley's paintings and Andre's sculpture, looking at how each artist uses systematic approaches to different materials and subject matter.

Since the 1950s, when Tàpies started to introduce everyday substances and materials into his painting, he has used a constrained pallet of raw natural colour; burnt black, earth brown, wine red, rust red, the gold of sand or marble — colours and matter also suggestive of alchemy and the changing of elements.

Using bold gestures in paint, Porter addresses the specific character of people, places, and things as they are — from two matter - of - fact yet tender paintings of the family's Golden Retriever Bruno, to portraits of his young daughters in the familiar architecture of their home, surrounded by furniture and furnishings that likewise become active members of the scene.

Even in Péladan's time two schools of thought existed, artists such as Jean - Auguste - Dominique Ingres thought, «To create a work of art one must have a certain elevation of soul and faith in God,» 1 while Gustave Courbet discouraged young painters from using mystical, religious, and Christian subject matter, advocating that painting should represent what the artists can observe, not the invisible and nonexistent.