Watching Rian Johnson grow as a filmmaker, I truly believe he continues to
mature as a storyteller with each film, and it's unquestionably evident here in Looper.
Not exact matches
Postwar masterpieces like Stevens's Shane, Wyler's The Best Years of Our Lives and Capra's It's a Wonderful Life take on fresh intimacy
as the
mature works of
storytellers who could no longer merely entertain.