Not exact matches
Some things that probably factor into the industry's disagreement: Peter Jackson adapted books fifty years old and respected as great literature, the Potter books were being written alongside the first movies; Lord of the Rings centered on
adult characters and played to a wider audience with PG - 13 ratings, the first Potter movies were PG, skewed younger, and starred kids (though anyone can see the
films matured and so did the fans, many already wrote the series off); finally, where Jackson provided one distinct vision and a cast of respected performers, Potter had a rotating director roster (all of them secondary to Rowling) and limited opportunities
for its accomplished actors, giving the brunt of the work to the three kids and spectacle.
«John Hughes
for Adults» is a look into this
mature film rather than his teen - aimed
films.
Hoot isn't really trying to recapture a sense of nostalgia
for these sorts of vacuous, sometimes - preachy little
films, but it does appear to be made by people that haven't really
matured past that era in terms of what they think of when they conceive of movies aimed at young
adults.
Though they're ostensibly
for «
adults» with their gross - out humor and themes, there's nothing
mature about the way in which these
films operate.
Say what you will the R - rated superhero flick — like
for instance that it falls in line with many of the same familiar tropes it purports to mock — but the gleefully violent and «
adult» - oriented box office smash opened the flood gates
for more of its R - rated ilk, showing studios through the ever influential power of green (not Green Lantern mind you), that audiences were more than receptive to «
mature» content in their superhero
films.
For some in the right age group,
maturing alongside Harry can be life - defining — tracking their own growth by seeing Daniel Radcliffe, Emma Watson and Rupert Grint, among other young actors on the
films, transform from precocious children to charming
adults over the course of the series.
Hitfix: «My immediate takeaway from Jason Reitman's «Labor Day,» which kicks off the Telluride Film Festival this afternoon at the annual patrons screening, was that it was an unexpected
mature step
for the filmmaker who has offered up such self - aware films as «Thank You For Smoking,» «Juno,» «Up in the Air» and «Young Adult.&raq
for the filmmaker who has offered up such self - aware
films as «Thank You
For Smoking,» «Juno,» «Up in the Air» and «Young Adult.&raq
For Smoking,» «Juno,» «Up in the Air» and «Young
Adult.»
Ephemeral (The Countenance) by Addison Moore 4.8 stars — 88 Reviews Kindle Price: $ 3.99 Text - to - Speech and Lending: Enabled ** Addison Moore's Celestra Series has been optioned
for film by 20th Century Fox ** Here's the set - up: Young
Adult /
Mature Situations In the grand scheme of things, you'll be dead a lot longer than you'll ever be -LSB-...]