Sentences with phrase «maybe show us some of your work»

And then maybe show us some of your work afterwards!

Not exact matches

Maybe we need to do the absolutely necessary internal work of showing ourselves mercy, of lifting our own heads, of not beating ourselves up, of healing our divided hearts, of receiving the gift of peace on the inside.

to show this, i would like to have any human who believes that hitler was doing «gods work» to come over and let me give them a acid shower, or just not feed them, or maybe kill all the people they know in front of them and them not feed them.

Yes, if we're really worried about «those gays», maybe we should start volunteering some time to deliver meals to AIDS patients, work in a shelter for LGBT youth or that sort of thing and show «those people» a healthy dose of the love of Jesus coming their way.

Maybe he likes to upset the equilibrium of the team just to show how good he is at scraping through even though he puts the spanner in the works himself?

RW wouldnt be needed if Welbeck was fit, Ox progressed and Theo stayed fit but is our weak spot but if Campbell can keep progressing then maybe take a gamble on him until the summer, god knows he could do the same as Bellerin / Francis and breakout this season... he has shown glimpes of class and work rate is 4thbest at the club to Sanchez / Ramsey / Ozil imo, wings is the hardest position and Hector n him have gradually got an understanding on the wing with eachother now!

Now, especially since Hazard has shown his ability to run matches — he can beat opponents, score goals and create chances for his team - mates — he's moved into the class of players whose lack of defensive work - rate can be tolerated, and maybe even encouraged.

Hopefully this book would provide me with the know how to perfect the craft and then maybe I could show off my handy work instead of hiding it in the cupboard!!

If you have hours of unedited video, you might want to show the kids how to work the remote (or if they are teens maybe get them going on editing it).

But when you show that the vast majority of this budget is allocated to pensions not benefit fraud, and that by putting no money there you're essentially signing up to work for the rest of your life, murmurs of «well maybe we'll put something there» start to be heard.

«Maybe we should say no new non-profits should be allowed to do this kind of work, and maybe we should phase out the non-profits,» DiNapoli said Friday during an interview with Susan Arbetter on the Capitol Pressroom radio Maybe we should say no new non-profits should be allowed to do this kind of work, and maybe we should phase out the non-profits,» DiNapoli said Friday during an interview with Susan Arbetter on the Capitol Pressroom radio maybe we should phase out the non-profits,» DiNapoli said Friday during an interview with Susan Arbetter on the Capitol Pressroom radio show.

I can see that maybe some people don't like to show potential weaknesses of their work, but I strongly object to this kind of thinking.

Maybe it's a podcast or a playlist of songs that you only listen to you while you run, your favorite TV show that you'll only watch from the treadmill, brunch with girlfriends after yoga class, or a special dessert you only allow yourself on days you've worked out.

I'm working on an idea for maybe a new show that's kind of like a talk show.

It's funny you mention how out of place Hobart is, because he's the one who seems to do the actual detective work or shows some degree of competency in the «Real World» — maybe with the exception of Tatum Manning, though maybe that makes sense as you have the American v. The... other guy.

Maybe Ridley can show Nicholson how a screenwriter truly engaged and respectful of his subject can create great work that doesn't need to hide behind flimsy excuses.

Or maybe you recognize him as the hardest working man in show business, popping up in all kinds of roles in all kinds of shows from micro-budgeted indie films to the soap opera «General Hospital» to his recent portrayal of twins in HBO's «The Deuce» series.

That was a long process trying to see the light of day from that, but it didn't end up working out, so now I'm just back to the grind trying to find maybe a show to do.

Maybe full «Breaking Bad» scripts are considered trade secrets or something, but the writer's room is the fulcrum of any great TV show and I treasure those glimpses of how they work.

I think caring is demonstrated through such actions as having high expectations, spending time with the student and not ignoring them, encouraging them, showing attention to maybe things like a poor quality of work, or being late, or missing school.

In the vast majority of cases, that means enrolling in a school leadership program, completing all the necessary courses and showing an acceptable level of competency in class and — maybe — internship work.

I certainly would not have been happy, but maybe Zelda's attitude was that art imitates life ergo a work of fiction should show «real» life — all aspects.

But this latest study is just the most recent of a long line of work showing that removing a quarter of the dog's endocrine system might not be in the dog's best interest — and maybe not even in the best interests of rescues and shelters.

I saw you I think on the Today Show or maybe Good Morning America... I was at work so I am not sure however I love animals and think that it is great that you are taking all of these dogs in and caring for them.

, Mapping Megan... while this is a good way to go, you have to make sure that you know what it takes to build a personal brand (i.e. if you don't enjoy being the star of the show, maybe a more general name would work.)

I'm working now to bring some back — maybe some of this will show up in a future free stuff friday?

Blur Studio is one of the most famous and most valued CGI team for movie projects (Deadpool) and many videogames trailer in CGI (Batman Arkham Knight, Dishonored 2, The Division, etc.), so if Lauren Mary Kim really worked for Shadow of Mordor 2, it's quite sure Warner Bros. will show us a CGI announcement trailer, maybe during E3 2016.

I don't have any prescription, I think just show it and see what happens and hopefully, maybe it'll make people rethink their preconceptions about the value of art and what works and what doesn't.

* A couple of really good galleries in premium places that invite you to have a solo exhibition or group showing once a year; * one or two pop up shows a year in a suitable spot in a town near you (empty shops in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who worked in visual merchandising / interior design / blogging to be my agent in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.

Both shows open this week, but what one curator a few months ago called an art - world «battle royale» — the two megadealers competing over the work of a super-profitable artist — has settled into something else, and just maybe what Koons wanted all along: the beginning of a Year of Koons, culminating in summer 2014's full - career retrospective at the Whitney Museum — its last exhibition in its Madison Avenue headquarters before moving to the bottom of the High Line.

Some of the work in this show I thought might be of historical value, fit for a study collection somewhere or of interest to somebody who has assembled a huge collection of the greatest Christensens and wants to surround them with work showing where they came from, maybe even where they went.

It was inconceivable for the Getty curators not to have any women in their shows and, since I was one of the women working at that time who was taken seriously, I was suddenly in maybe eight museum shows and I had three solo shows.

Last year, when the gallery held the show «Yes, No, Maybe: Artists Working at Crown Point Press,» it featured the final - edition print of «Green» from its collection alongside these three preliminary impressions or proofs.

If an artist was showing with a gallery and the gallery couldn't sell any of the work, maybe that might be regarded as some kind of failure.

In a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artists.

There's a cruel irony, or maybe a last - ditch flame of hope, to the title of the current show at Inverleith House, «I still believe in miracles», which celebrates 30 years of the gallery and features works by a diverse roster of artists who have previously exhibited there, including Jim Lambie, Isa Genzken, Lucy McKenzie and Lawrence Weiner.

Robert Storr (Rail): After having seen your show at P.S. 1, I had no idea you painted in that idiom at all at the beginning of your career (maybe partly because I got to know your work when I came to New York in the late 1970s).

While she's best known for her work in front of the camera as an actress and fashion model, Tilda Swinton is no stranger to the art world, having long shown a preference for challenging avant - garde films (some of which she helped to produce) and even venturing into performance art in her 1995 piece The Maybe first shown at London's Serpentine Gallery.

That question is kind of posed to me in a way of like when I have a show or, say this show, or I guess maybe in the U.S. [I get asked], «How is your work received in Europe as an African American?

«Richard Prince, when he showed me this work,» Brant continued, «told me that he believes that this issue of Life had the images that inspired the Marlboro ads, which ultimately, of course, he appropriated to create maybe one of his most iconic series, although the guy is still so goddamn prolific, I don't even know if that's appropriate to say.»

More than that though, it was a show motivated by the things we were hearing from our peers so it was nice to be able to articulate that idea using their work and maybe excise a bit of the frustration.

«People loan their art work out for various museum shows throughout the world, so maybe it comes out of their storage for a while, and then maybe it goes into their homes,» said Andrea Hazen, an art adviser with Hazen Partners Art Advisory.

I honestly felt pretty uncomfortable with the idea of having a «solo show» (as maybe one could tell by my focus on also highlighting the printer I worked with).

You said you wanted it to be focused, but was that also a function of the amount of space you had to show in each venue and maybe the availability of the works?

Are there any particular pieces that stand out for you in the exhibition or maybe works you were unaware of until you began to do research for the show?

Sure, this weekend there are pop - up outdoor sculpture shows, rooftop parties, an art fair, and a Fat Joe concert (seriously), but at the end of the day, BOS is an opportunity to visit with artists and discuss their work (and maybe even buy some!).

This show was a culmination of, or maybe a first glimpse at a shift in Gonçalo's work that has been developing over the past few years.

So maybe quarterly or twice a year or whatever have a training session that's open to anybody who wants to come down, and you demonstrate the features, you show the use cases of what lawyers might actually do, and you give them some hands - on experience to work with it.

You still have to take the day off of work to show up to court (maybe more than once) or you'll need to hire a traffic attorney which might cost more than the ticket itself.

But maybe this is another example of people who do good work getting more work dumped on them, because the Student Comment forms we make available in our classes show that students in Lico's driving safety classes are entertained by him and his classes.