Sentences with phrase «meaning of art in»

Students will examine the historical, social, and technological factors that contribute to understanding the function and meaning of art in this course.

It symbolizes what Golden calls «an over-20-year constant conversation about art and art - making and the meaning of art in the context of life» with an artist who has influenced her as a curator perhaps more than any other.

A more serious question concerns the longevity of his works and thus his reputation as an artist, and - by implication - the meaning of art in the 21st century.

He focused on the modernism of Pablo Picasso and Georges Braque, and published an influential 1929 essay on the meaning of art in The Listener.

Work in the collection often deals with race, gender and sexual identity, as well as the meaning of art in contemporary society.

Born in 1936 in Tokyo, Takamatsu formed part of an active circle of artists in post-war Japan aiming to rediscover both the form and the meaning of art in a rapidly changing landscape of industry and reconstruction.

Di Modca has expressed opposition to the idea as he contends the positional installation relationship alters the meaning of his art in ways that is unintended, reported The New York Times.

MCNYC has an open yet critical approach to the possible meanings of art in contemporary society.

Not exact matches

Which means this uptick in Art of the Deal - style pushiness — if it's a real phenomenon — probably isn't a good thing for the men employing it, their negotiating partners, or their companies.

All three of these corporations have embraced the art of reinvention as a means to combat increasing competition, low crude prices, or to keep up with the latest developments in technology.

Effective communication isn't just about talking; leaders who master the art of listening authentically will have uncanny, X-Men-like ability to listen intuitively to the other person's story, asking questions, and searching conversations for depth, meaning and understanding with their needs in mind.

The prime location in Manhattan's Gramercy neighborhood also means the stores are close to corporate professionals and students — the school of Visual Arts and Baruch College are a block away.

«Skill set» just means skill («A skill is a skill — that is it,» wrote Stephanie Hamm - Wieczkiewick from Litfield Park, Ariz. in support of getting rid of the word), «curate» is too often an unnecessarily pretentious way of saying «select» («It used to have a special significance reserved mainly for fine art and museums.

«There's a lot of stress out there for a lot of art spaces, I mean Red Gate's about to have to move and the Beaumont's got $ 100,000 in property taxes it has to pay a year,» he said.

This means that the park will be torn down and a brand new, state - of - the - art playground will be put in the same spot.

Shipments containing cash or other means of payment, precious metals, art work, jewelry, watches, precious stones or other articles of value or securities for which, in the event of damage, no stoppage and no cancellation and replacement procedure can be carried out; for the avoidance of doubt the following valuable goods are exempted from this rule: Shipments using the Registered Mail special service, which contain stamps, telephone cards, vouchers for goods and low - value goods in these classes (e.g. fashion jewelry and promotional articles), up to an actual value of 30 Special Drawing Rights of the International Monetary Fund (SDR) per shipment, and individual tickets and entrance tickets;

In the Middle Byzantine period, from about 1000, it came to represent more specifically the throne prepared for the Second Coming of Christ, a meaning it has retained in Eastern Orthodox art to the presenIn the Middle Byzantine period, from about 1000, it came to represent more specifically the throne prepared for the Second Coming of Christ, a meaning it has retained in Eastern Orthodox art to the presenin Eastern Orthodox art to the present.

Unless it was meant for us as a new system to drop Republican systems for the Royalist systems that are taking place now that Jordan and Morocco both Royelists are planed to join GCC as one with a change to the name of the GCC since the Royalist empire will be extending to countries outer of the Arabian Gulf Countries... What ever it is all we need is freedom of rights, justice, peace, equality and to live in prosperity... Egypt is not in the heart of Egyptions only but as well in the heart of every Arabic nation, Egyptions were our teachers in our schools and Egypt was the university of our Yemeni students... Egypt was the source of islamic educations, Egypt was the face of all arts, books, papers, TV plays and movies to all of Arabian speaking countries... Egypt is our Arabian Icon so please please other nations are becoming larger and stronger in the area on your account as a living icon for the Arabian Unity what ever our faiths or beliefs are we are brothers in blood, culture and language, God Bless to All.Amen.

Christ step up the Catholic Church when he said in Matthew 16 «Thou art Peter (which means «rock» in aramaic) and upon this rock I will build my church, and the gates of hell shall not prevail against it».

I have by no means mastered the art of slowing down, but I have a few exercises to help move my heart in that direction.

1) Just because you do not understand the cultural reference within the art of the statue, does not mean that the art has less value, nor that the statue is, in fact, «sticking it's tongue out at you».

In a time when the richness of play (from recreational activity to the arts) is available to an increasing number of Americans, and when some are finding sources of pleasure, meaning, and power within such experiences, Christian theology is being challenged to reassess its suspicions of play.

Until the recent past the main emphasis has been on apologetics, catechesis and other reasoned approaches, but there are complementary steps to be taken towards the expressive and inspirational by featuring less rational and doctrinal means, such assacred art, that can in their distinct manner explore the way of beauty.1

The contention is not that they are art for art's sake, to be enjoyed with no thought of meaning, but that their meaning is to be found in their own form and content, not in anything outside of themselves.

The doctrine that sexuality is a primary means of communication bears upon our appraisal of the new freedom of sexual language and imagery in the literature and art of our century.

Here then is a theology that either means nothing certainly identifiable (without supernatural grace or high genius in the art of reconnecting with experience concepts carefully divested of relation to it) or else means that the world might exactly as well not have existed, or as well have existed with far more evil or less good in it than it actually presents.

God himself passes through «Self - annihilation» in Jesus» passion, and, as a result of that passion, and by repeating Jesus» passion in the actuality of experience, the Christian can discover a new and joyous humanity, a humanity that is born only by means of the death of God: «Thou art a Man, God is no more» (The Everlasting Gospel).

A book on practical theology now preoccupies me in the same way that an earlier struggle for public criteria in fundamental theology concerned me in the early «70s and the struggle for criteria of meaning and truth in the disclosures of the beautiful and the holy in the classic works of art and religion preoccupied me in the late «70s.

«To try to grasp the essence of such phenomenon by means of physiology, psychology, sociology, economics, linguistics, art or any other study is false; it misses the one unique and irreducible element in it - the element of the sacred».

In an important commentary on Newman's work, Rosenberg concluded that painting was for Newman a way of «practicing» the sublime, not of «conveying» it («Meaning and Abstract Art,» the New Yorker [January 1, 19721, p. 46)

Any specification of the responsibilities that accompany our basic rights, any articulation of the content of the «laws of nature,» any acknowledgement that the Church might be necessary for the state to judge and fulfill its obligations to the «power in heaven,» or any specification of the meaning of «nature and nature's God» — though article 1, sec. 8 of the Constitution may provide a clue when it empowers Congress «to promote the Progress of Science and the useful Arts.»

Images and objects can symbolize a personal search for meaning, and in the sanctuaries of museums people may almost genuflect before such art works.

Both the impact and the meaning of art are embodied in the execution.

«Education is the guidance of the individual towards a comprehension of the art of life and by the art of life I mean the most complete achievement of varied activity expressing the potentialities of that living creature in the face of its actual environment.»

(Translation is an art in which complete success is impossible, since it is rarely that corresponding words in different languages cover precisely the same range of meanings.)

An art work embodies such a proposition (or, in the case of music, a predicative pattern only2), and the proposition (or its part) is the real meaning of the art, distinguishable from the physical artifact itself.

Nevertheless, Sherburne, his colleagues, and even the particular Whitehead of Process and Reality, in their devotion to rationalizing the meaning of the world, including the world of art objects, fail to appreciate the aesthetic power of the experienced world.

The conflict arises - with religion and much else - when art is understood exclusively in terms of «individual creativity,» meaning self - expression.

Tillich's claim that religion and art are rooted in one theonomous Logos is just the sort of claim about «meaning» that deconstruction wants to interrogate.

In understanding the work of art as a language - event, an image - event, the hermeneutics of Hans - Georg Gadamer and Paul Ricoeur offered a critique of the formalists» tendency to make «meaning» a static object.

The meaning of the liberal arts as educating the «free adult male» was transformed into a program of enhancing human freedom, but this was always perceived in terms of forming and shaping a person.

That is why students in liberal arts colleges are rightly concerned about the reality of the freedom their education is meant to exemplify and promote.

I finished my degree with a fairly good liberal arts education (which means a dangerous smattering of familiarity with the art, the history, the literature, the science, and the religions of our world along with my own course of study in communications).

In our view, a liberal arts approach also emphasises a respect for the past; the significance of grammar, logic and rhetoric; and the notion, popularised by the historian Christopher Dawson, that ideas develop within cultures, which means that a grand narrative must necessarily underpin the curriculum.

We can rue and remember with nostalgia the time when «Catholic» meant generally one sort of writer, but in my view both the Church and its literature are far better off with far more practitioners making far more sorts of art.

The images and conventions of the art forms (e.g. the editing technique involving long shots, close - ups, panning and montage in cinema, TV and radio) have one meaning in some cultures and a different or no meaning in others.

In time it came to involve art forms of all kinds, (heiroglyphics, drawings and carvings, images, tools, etc.) and for all purposes (ranging from what we would call economic (making a living) to what we could call religious (giving him a sense of meaning in life)-RRBIn time it came to involve art forms of all kinds, (heiroglyphics, drawings and carvings, images, tools, etc.) and for all purposes (ranging from what we would call economic (making a living) to what we could call religious (giving him a sense of meaning in life)-RRBin life)-RRB-.

The task of religious leaders is to call their people to live citizenship as discipleship, which in this instance means using the arts of persuasion rather than the anarchic tactics of disruption to do the work of justice.

If in one's mind art and truth are so juxtaposed that the increase of one means the decrease of the other, then art must forfeit the contest for the sake of the Gospel.

I propose that the more helpful understanding of the relationship between the arts and religion is in the suggestion that religion, understood etymologically, is that form of human expression that seeks to tie all things together and to provide an environment of meaning to the otherwise randomness of events.