Sentences with phrase «meaning of the story change»

Not exact matches

[01:10] Introduction [02:45] James welcomes Tony to the podcast [03:35] Tony's leap year birthday [04:15] Unshakeable delivers the specific facts you need to know [04:45] What James learned from Unshakeable [05:25] Most people panic when the stock market drops [05:45] Getting rid of your fear of investing [06:15] Last January was the worst opening, but it was a correction [06:45] You are losing money when you sell on corrections [06:55] Bear markets come every 5 years on average [07:10] The greatest opportunity for a millennial [07:40] Waiting for corrections to invest [08:05] Warren Buffet's advice for investors [08:55] If you miss the top 10 trading days a year... [09:25] Three different investor scenarios over a 20 year period [10:40] The best trading days come after the worst [11:45] Investing in the current world [12:05] What Clinton and Bush think of the current situation [12:45] The office is far bigger than the occupant [13:35] Information helps reduce fear [14:25] James's story of the billionaire upset over another's wealth [14:45] What money really is [15:05] The story of Adolphe Merkle [16:05] The story of Chuck Feeney [16:55] The importance of the right mindset [17:15] What fuels Tony [19:15] Find something you care about more than yourself [20:25] Make your mission to surround yourself with the right people [21:25] Suffering made Tony hungry for more [23:25] By feeding his mind, Tony found strength [24:15] Great ideas don't interrupt you, you have to pursue them [25:05] Never - ending hunger is what matters [25:25] Richard Branson is the epitome of hunger and drive [25:40] Hunger is the common denominator [26:30] What you can do starting right now [26:55] Success leaves clues [28:10] What it means to take massive action [28:30] Taking action commits you to following through [29:40] If you do nothing you'll learn nothing [30:20] There must be an emotional purpose behind what you're doing [30:40] How does Tony ignite creativity in his own life [32:00] «How is not as important as «why» [32:40] What and why unleash the psyche [33:25] Breaking the habit of focusing on «how» [35:50] Deep Practice [35:10] Your desired outcome will determine your action [36:00] The difference between «what» and «why» [37:00] Learning how to chunk and group [37:40] Don't mistake movement for achievement [38:30] Tony doesn't negotiate with his mind [39:30] Change your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom foChange your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom fochange your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom for you?

But one of the principles of Reform Judaism is that revelation is a continuous process, which means that it's perfectly «kosher» for our understandings of scripture to continue evolving and changing — and also means that it's incumbent on each of us to learn enough to determine how to understand this story for ourselves.

As a product of this ministry and being grateful that they were there when I needed them, I am the addict changed on the video and when I got clean I became a F > R > O > G this means to FULLY > RELY > ON > GOD this is what this ministry is doing each and every day I am available to speak and let you know what we are doing and what has been done if any of you are interested and yes you can share this via e-mail when looking at the blog copy and paste the address to the email and the link will take them directly to the story We are all grateful for your support many thanks again from a F > R > O > G who was changed and helped by this ministry.

One of the tragedies of mainline churches that lost so many members in the 1970s was that their leadership was better equipped to offer them computer - produced documentation of their decline than to help find meaning in the changing story of each community.

I used to puzzle over the meaning of the story which appears in the early part of John's gospel about Jesus changing water into wine.

Phrygian to me i sense that you are struggling with issues in your mind that you cant reconcile and these issues are affecting what you believe in your heart and therefore your faith in God.I had something similar happen to me recently regarding the story of the demon possessed man at one point the demons begged Jesus to cast them into the pigs does that mean that Jesus was implicated with the work of satan.It cast my mind into doubt and then i began to question who God is.I prayed and sort the holy spirit for an answer the answer i got was that Gods character never changes he is always holy righteous and sovereign why else would satan ask for his permission.So the answer was that he allowed satans purpose to prevail so that we can see that satans intention is always to destroy it may well have been that the pigs were his anyway.As they were for the gentile nations who offered the pigs to their demon Gods.Just as satan can not change who he is the destroyer the thief the liar God can not change who he is when we realise that despite what we see going on in the world God is still the same yesterday today and forever.The time is coming when those that have hurt others will be judged for there wickedness as we serve a holy and just God.Just as it was in the times of Noah so it is with this this generation that as the wickedness reachs its zenith then the Lord will return to judge the nations.He is coming again and we need to be ready it is not a time to be caught sleeping.brentnz

Each day, for 31 days, adoptive mothers, birthmothers, mothers - to - be and adoptees shared their Mother's Day and Birthmother's Day stories in their own words and told how adoption has changed the meaning of motherhood for them.

To make a long story short, the use of words like «history» or «revolution» began to change at the end of the 18th century (at least in Germany) and the meaning of these words revealed a new outlook, or a new time (Neuzeit)-- what he calls «historical time».

«We have seriously underestimated the effects of climate change on the most well - known groups, which means those other groups, reptiles, amphibians, fish, plants, the story is going to be much, much worse in terms of what we think the threat is from climate change already,» he said.

A network of projects that teach children in poor coastal communities how to surf and tell stories as a means of environmental activism, Beyond the Surface is a powerful example of how sport can inspire massive social change.

I had meant to share more stories, however we also discovered that in our absence the site has updated some of the coding which we are trying to fix - I am sure you will notice the changes, please bear with us.

He told the story of how awful humans are to other humans (I mean prawns), and journeyed through the eyes of a blithering idiot who started out steamrolling over the aliens for the Man, then had a change of heart, completing the transformation by literally turning into one of them.

In this coming - of - age story about youths discovering the meaning of traditions against the fast - changing streets in Seoul, Jun, a Japanese freelance reporter finds a hidden Korean bakery in Seoul.

«The goalposts are moved as the story or contents of the film change, and having several layers of approval — often from people who neither understand nor care about the game adaptation — means that schedules can be thrown off by no fault of of the developers, and all the time they're facing down an unchanging release day.

I am interested in the change from the period when the meaning of art and form in art was in making complex experience simple and lucid, as is still the case in «Knife in the Water» [Roman Polanski, 1962] or «Bandits of Orgosolo» [Vittorio De Seta, 1960], to the current acceptance of art as technique, the technique which in a movie like «This Sporting Life» [Lindsay Anderson, 1963] makes a simple, though psychologically confused, story look complex, and modern because inexplicable.

We talk about the film's various strengths, the rich themes woven into the story, the meteoric rise of director Ryan Coogler, the incredible villain, how it compares to other Marvel movies (there are more than a few insults lobbed at Doctor Strange), how Marvel movies changed after the dissolution of the story group, what Black Panther means for the future of the MCU and for blockbusters in general, and more.

Kilmer's performance works because he's fit to undergo the changes of the screenplay so quickly, and he makes us understand what the changes mean in the context of the story and his character.

is the story of a couple's solitude being violently destroyed - but it's also full Biblical connections that completely change its meaning.

It shows you how artists have developed a window on a flat space through first of all basic means of overlapping, placement, symmetry and story telling and how this changed with Giotto and Masaccio (use of light and dark shading) and how Brunelleschi brought the grid and camera obscura to develop a window to the world in his paintings.

A story in the Sept. 23 issue of Education Week that described how teachers are using the presidential - impeachment inquiry to teach about the U.S. Constitution inadvertently changed the meaning of one observer's comments.

Finally, we must change the narrative of what it means to be a teacher from the current story that paints uncaring educators as the problem of American education to one in which teachers are recognized as the crucial nation builders that they are.

Talk to any author who works with a legacy publisher and you'll hear horror stories about changes made that completely changed the meaning of the sentence / paragraph.

There's the obvious issue of being able to change font sizes (my 56 - year - old eyes suck), but in addition: I like the compactness of the reading experience; I seem to be able to scan a story better (that is speed up and slow down the reading process); it's also awesome to set up a catalog of highlighted text with book apps; and I can jump from my phone to my iPad to my Kindle and then to my laptop, meaning that wherever I am whatever I want to read is always with me.

While DC Comics has reinvented and upgraded its characters and story lines over the years to keep up with a changing culture and new generations of reader fans that have come along, the technology behind this re-release will mean greater access for fans of any ilk, no matter the geographical barriers to purchasing the comics on issue day.

I mean, do we really have to play this game, where because I'm who I am and you're who you are, we pretend that the word «fuck» doesn't exist, and while we're at it, that the action that underlies the word doesn't exist, and I just puke up a bunch of junk about how some teacher changed my life by teaching me how Shakespeare was actually the world's first rapper, or about the time I was doing community service with a bunch of homeless teenagers dying of cancer or something and felt the deep call of selfless action, or else I pull out all the stops and give you the play - by - play sob story of what happened to my dad, or some other terrible heartbreak of a thing that makes you feel so bummed out you figure, what the hell, we've got quotas after all, and this kid's gotten screwed over enough, so you give me the big old stamp of approval and a fat envelope in the mail come April?

When I say look «beyond», I don't mean to what future innovations will change the way we tell stories, I mean look at what has necessitated the rise of the ebook, and how this is likely to continue to impact our business in myriad ways.

Related reading: Having just spoken at O'Reilly Tools of Change's Author (R) evolution Day (#ARDay) on DRM and more, Cory Doctorow looks at this story and writes: Indie booksellers sue Amazon and big publishers over DRM (but have no idea what «DRM» and «open source» mean).

The different characters and their personalities mean that the mood of the story can change drastically, one moment you may be watching through the eyes of Sabrina as she seduces old flames and the next moment you are underground with a human and undead as she passionately tries to protect her love.

Written in lyrical prose, If I Forget You is at once a great love story, a novel of marriage, manners, and family, a meditation on the nature of art, a moving elegy to what it means to love and to lose, and how the choices we make can change our lives forever.

She breaks a lot of writing «rules» that sometimes takes me out of the stories (like changing world facts to cover up plot holes, or overusing the same three adverbs with every dialogue tag), but that doesn't mean I can't enjoy her stories!

Monster.com: Susan's «I'm Covered» Story: The freedom to change jobs or start a business One Woman Shop: Digital Nomad Profile: Susan Shain of Travel Junkette PointsAway: PointsAway Q&A with Travel Junkette Romancing the Planet: Interview — Susan Shain of TravelJunkette.com; What Happiness Means to You The Professional Hobo: A Week - In - The - Life of Susan, Travel Junkette, in Nicaragua UChic: Need More Adventure in Your Life?

Dayna Reggero of The Climate Listening Project and The Story We Want, is a savvy, smart woman who is making an impact in helping us understand what climate change means to r...

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

This changes as the story looks into the meaning of creation, the purpose.

The compact nature of the story also means there's a constant chopping and changing of characters which is good in as much as it lets you experience a lot of the games roster in a seamless fashion, but then conversely having only one or two bouts as each fighter before being swapped to the next means you can never really gain any sense of rhythm or familiarity with a combatants move set.

The sci - fi and futuristic approach to the story and gameplay is, however, a fantastic change of pace, and these advancements in technology mean that you'll be able to utilize state of the art, futuristic weaponry and gear, which I will touch on later.

When you fail to do that, the other cyborg jumps off the building failing your objective, which in Quantic Dream form would mean that the story would change based off of that.

The game features four endings which change depending on the player's performance, meaning the biggest House of the Dead fans will have to try and play through the game four times and intentionally play at varying degrees of success to see all the story content the game provides.

Ash of Gods features a unique roguelike storytelling style where the story changes based on player actions and reactions, where even the death of important characters won't mean the end of your story.

Accounts of the show tend to focus on how Hammons revisited the gallery on multiple occasions to contribute additional framed materials and reposition those artworks already included, and on how his last - minute changes to the show's installation meant the works featured in the catalogue did not match up with the works on view, as if the real story was about Hammons and his enigmatic ways.

I mean I am not in the scientific community but I read stories of advances made in all scientific fields reported in the news all the time and I can only imagine that it would be strange to learn that with a supposed crisis looming over us that nobody in any schools are working to strive for changes in the field of electricity.

A Greenpeace video tells the story of Indonesia's threatened forests New York Times reporter Justin Gillis is out this morning with «With Deaths of Forests, a Loss of Key Climate Protectors,» a recommended read for anyone concerned about how climate change is affecting the planet and what it means for the present and future.

It's a good PR gimmick for the Guardian, and I mean that is a positive way: the story will get lots of ink and will be picked up by the international wire services like AP and Reuters, spreading the word far and wide, and the blogosphere will pick it up as well, and the news of the Guardian's picks will be useful in helping to make more and more people aware of the very real problems of climate change and global warming.

And climate change is like a symptom of the story of our time, meaning our energy choices right now come with a lot of emissions of greenhouse gases and if we don't have a lot of new [choices] we're going to have a lot of warming.

My point was that, if we accept this basic story (it's too simple, even as an account of how cultural cognition works; but that's in the nature of «models» & should give us pause only when the simplification detracts from rather than enhances our ability to predict and manage the dynamics of the phenomenon in question), then there's no reason to view the valences of the cultural meanings attached to crediting climate change risk as fixed or immutable.

In sum, by inverting the cultural meanings attached to such evidence, the geoengineering news story made the hierarchical individualists more inclined to believe and egalitarian communitarians more inclined to be skeptical of climate change.

But psychologically, the hypothesis was that these two kinds of stories would determine the meaning that people attached to the evidence on climate change.

The meaning of the carbon limit story was the one that tends to make more individualistic people resist evidence on climate change.

Choice 1: How much money do we want to spend today on reducing carbon dioxide emission without having a reasonable idea of: a) how much climate will change under business as usual, b) what the impacts of those changes will be, c) the cost of those impacts, d) how much it will cost to significantly change the future, e) whether that cost will exceed the benefits of reducing climate change, f) whether we can trust the scientists charged with developing answers to these questions, who have abandoned the ethic of telling the truth, the whole truth and nothing but, with all the doubts, caveats, ifs, ands and buts; and who instead seek lots of publicity by telling scary stories, making simplified dramatic statements and making little mention of their doubts, g) whether other countries will negate our efforts, h) the meaning of the word hubris, when we think we are wise enough to predict what society will need a half - century or more in the future?

Many of the stories on radio, television, and in print issued following President Donald Trump's decision to pull the United States out of the costly Paris climate agreement claimed America's absence from the accord means China has ascended as one of the world's leaders in the battle against human - caused climate change.