Sentences with phrase «meanings of art spaces»

Not exact matches

«There's a lot of stress out there for a lot of art spaces, I mean Red Gate's about to have to move and the Beaumont's got $ 100,000 in property taxes it has to pay a year,» he said.

At Wadleigh, that means not losing our space for the arts,» added Nanton, the parent of an 11th grade student.

I don't mean a space filled with gold - plated walls or million - dollar art, per say, but rather a sense of care and dedication.

I mentioned this in a previous post, but, as reminder, Garden Center growARTS artisan training program provides a space for individuals of all abilities to create stunning pieces of art as a means of self - expression and as an alternative path to self - employment.

Happy's art is meant to transplant the viewer into that same mind space of wonder and possibility.

Cubism and its multiple viewpoints show how Art has now returned to a wall and Braque and Picasso's work show how they have now fractured space and how the importance of creating an illusion of space on a 2D surface was not a priority but instead it was the overall meaning and idea that is important.

«I realized that a lot of teachers want to do more work in the arts and recognize the importance of the arts, but don't have the physical capabilities, meaning the schools don't encourage that type of work in the spaces,» she says.

Five years ago, we tore down every wall we could and moved the art team to the northern wall of windows, which meant they all needed space heaters under their desks.

Happy's art is meant to transplant the viewer into that same mind space of wonder and possibility.

This means deliberately choosing what's essential and letting go of the rest so that you can create space for your art business to evolve.

«If the exhibition space has been the means to back up works of art it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim Hae - ju, Art Sonje deputy directart it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim Hae - ju, Art Sonje deputy directArt Sonje deputy director.

The artist's studio, a classic trope from art history, here takes the form of an inventory, not a peek behind the scenes but an attempt to create a cartographical representation of what this space and its constituents mean to Wolfgang Tillmans.

«If the exhibition space has been the means to back up works of art it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

, The Watkins Gallery, American University, Washington, DC New Talent, Signal 66, Washington, DC Art Romp 11, Studio 7 Gallery, Washington, DC Eye Street Gallery, Washington, DC Colleen Kelsey, Brenda Moore in Dialogue, Watkins Gallery, DC Passages, Studio 7 Gallery, Washington, DC Meaning in the Mundane, Levy Gallery, Moore College of Art and Design, Philadelphia, PA Curve, the Art of Female Desire, Signal 66, Washington, DC 2000 Art Romp 10, Studio 7 Gallery, Washington, DC Project Space, Washington, DC First Sight, Watkins Gallery, American University, Washington, DC Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1999 4th Annual Invitational Exhibition, Zone One Gallery, Philadelphia, PA Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1996 Alumni Exhibition, Levy Gallery, MCAD, Philadelphia, PA 1991 Eight in the Atrium, Levy Gallery, MCAD, Philadelphia, PA Student Impetus: an Exhibition of Works from the Women of MCAD, The Provident Building, Philadelphia, PA

For this project we encourage you to consider: how can we use and encounter art directly, outside of traditional gallery spaces or studios, as a means to communicate ideas and issues in our everyday lives?

«Humans don't organize the space; space is meant to organize the human, which is another way of acknowledging the power of the desert landscape directly outside,» Alan Gilbert wrote for Art Agenda.

Fostering dialogue about the meaning and value of contemporary art, Slanguage has used their studio space and resources to cultivate relationships between diverse artists, students, communities, and organizations.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

In these sites, she frames the strategies of display — from the works» labels to their location — to bring attention to the ways spaces shape the meaning and reception of art after it leaves the studio.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

They were supported by probably the most influential art critic in the twentieth century Clement Greenberg, who emphasised the importance of the formal properties of art — such as colour, line and space — over subject or meaning

My earlier allusions to Bushwick art spaces weren't to draw similarities between the two locales, but rather meant to highlight the rarity of comparably mature artist - run spaces in New York — remember the late 2000s, when the term «pop - up» was coined (and then consequently overused to death)?

Using wry humor to upset expectations about so - called high art and the meaning of its placement in a commercial space, the works are also indicative of the importance language plays in the artist's practice.

In fact, these works were part of a far larger project to absolutely instrumentalize art and its rational capacities and apply its forms and spaces to a project of uncompromising progressivism — a total transformation of life by all possible means, whether by designing architecture for life in outer space, developing artistic technology for the resurrection of the dead, or evolving new sensory organs for our bodies.

«We can divide the main gallery into eight spaces and give a reasonable size for everyone to work in... we want it to be part of an ongoing process which means we want them to get to know each other, show in each other's spaces, in the future develop contacts, and really build a much, much bigger integration of the art scenes here and in Berlin.

Beeler Gallery's new Director of Exhibitions Jo - ey Tang will speak with his predecessors Dr. Natalie Marsh (Director and Chief Curator of the Gund Gallery, Kenyon College), Michael Goodson (Senior Curator, Wexner Center for the Arts) and James Voorhies (Dean of Fine Arts, California College of the Arts), as well as Assistant Director of Exhibitions and former Interim Director of Exhibitions Ian Ruffino about the unique role of galleries within an art school context, the evolution of Beeler Gallery, and what it means to «take over» a space from a predecessor.

Since it opened in 1995, SITE Santa Fe, an exhibition space for international contemporary art, has pushed the boundaries of what it means to be a museum.

Their examination of space in contemporary art therefore led to a careful selection of works: the concept of space that forms the object of this project is diverse, all - encompassing, starting from the original meaning of the word — an available place for the objects of reality, which are identified by their way they are arranged or positioned and possess physical dimensions, hence are susceptible of being moved.

By an association of ideas, and by a metaphorical shift of meaning, the exhibition concept also includes the possibility for space to become, within contemporary art, a relational, anthropological, architectural, astronomical, poetic, oneiric, naturalistic place.

Pablo Picasso may have made his greatest mark elsewhere — dismantling space, meanings, and the very materials of art.

The Poetics of Space interrogates the meaning of space apropos art and poetry, intimate spaces such as a house or a room, and small parts of them such as furniture, and their position within the wider world of landsSpace interrogates the meaning of space apropos art and poetry, intimate spaces such as a house or a room, and small parts of them such as furniture, and their position within the wider world of landsspace apropos art and poetry, intimate spaces such as a house or a room, and small parts of them such as furniture, and their position within the wider world of landscape.

Six socially conscious artists are invited to engage vendors, customers and the Market itself in their artistic processes as a means of co-generating experiences centered on the life that unfolds outside Cuchifritos Gallery, the art space of the Artist Alliance Inc..

How these spaces become invested or re-invested with meaning is of the primary importance to Coley, whose art examines the complexity and layers of signification selected places and buildings may possess.

The exigencies of life and art mean galleries come and go (and there is a perverse pride around the temporality of exhibition spaces, as if the shorter the time it ran the cooler it must have been); though this felt more like a punctuation, a marked shift from the London of the early century that re-defined itself as one of the centres of the European, and global, art world.

In the same way that «like» and «friend» can mean one of several things, so too can a credit card become an art space.

Whistler, whose work opened the doors to abstract painting, was also the first artist to use the exhibition space as an additional means of artistic expression as well as to intentionally act so to arise attention on his work such as in 1883, when he used art critics» harsh comments on his work as captions for etchings at an exhibition.

The independent art festival will engage with 30 Berlin - based project spaces, including Import Projects, Agora, Kinderhook & Caracas and Center, all in their own ways considering the notion of «project space» and what it can mean.

As expressed in his artist statement for The Museum of Modern Art's Fourteen Americans exhibition, Noguchi firmly believed «it is the sculptor who orders and animates space, gives it meaning.»

Here at the Clyfford Still Museum, we are so fortunate to not only have a state - of - the - art building that has been designed with all of these standards in mind, but also to have a space that was built specifically to showcase the works of Still as they are meant to be displayed.

In addition to an art historical overview, American history, political and social movements are also illuminated by means of video and music fragments in the exhibition space.

Kunsthalle KLUB is a space devoted to education in the field of contemporary visual art by means of lectures, discussions and various presentations.

Milton favored those turbulent interlocking forms of Rubens that prefigure the abstract art that interested him, and he talked of Ruben's high space — aspirational space — which I took to mean the sense of ascendancy, the forms moving up and out; a feature of much Baroque painting, but not really present in Rembrandt.

But then I ran into these artists — I mean also going back to Sol [LeWitt]-- for whom the very idea of art was on the level of intellectual or critical propositions and said, «Well, you know, there are people in the world who are driven by thinking about art as an ideational space.»

Her multi-faceted practice, which investigates the relationship between architecture, power, gender, space, surveillance, and control, is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom.

Deploying mediums such as creative writing, visual and performance art and audio narrative, White Collar Black Body provides a space to unpack and affirm layers of Black identity and ultimately dissect the heart of what it means to be Black at work in 21st century America.

Cannily incorporating a wide range of visual vocabularies drawn from the realms of cinema, advertising, communications, and the history of art alike, and strategically structuring both architectural environments and the editing of images and sounds in order to take in the viewer and overwhelm the senses, Aitken exposes audiences to ideas — and to each other, in communal spaces — by means of a nearly hypnotic aesthetic.

Responding to context, both in geographic and intellectual terms, Nawi is committed to a curatorial practice that serves artists and communities, nurtures a conceptualization of what it means to be «off center,» and creates a space for open discourse around art and ideas.

Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologof Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologof the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, CologOf this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologof Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologof the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne

Applications for the Strategic Projects of the Biennale or for curators (curator groups) which will take place in the exhibition spaces provided by the organizers of the Biennale, the National Centre for Contemporary Arts (NCCA), the Moscow Museum of Modern Art (MMOMA), are received regardless of financial means.