Sentences with phrase «means audiences of all ages»

But this feature adaptation has no narrative ties to the animated series, which means audiences of all ages can go into the movie without having to know anything except that this is another clever LEGO movie with a fantastic voice cast behind it.

Not exact matches

As for the lack of association between age and mean rated favorability of the target audiences» response, this finding indicates that, whatever participants may have believed to be true concerning the stigma they would experience were they to share their involvement in online dating with others, those others» reactions did not vary with the age of the participant.

We reiterate that this is a Red Band trailer, which means it is not suitable for audiences under the age of 17.

Lionsgate didn't muck around with getting these books to screen, and it makes a certain amount of sense — it meant the actors» ages weren't a problem, and they didn't have to worry about audience interest waning.

By contrast, Spacey's Lester, jerking off in a shower and lusting after his teenage daughter's nymphet cheerleader pal (see: Election for a better snapshot), is meant as post-modern icon: the inner dude embracing the stupid»70s teen chowderhead, who remains the taffy moral centre for an audience of middle - aged men remembering what it's like to get stoned, bang minors, and listen to Pink Floyd and The Who.

The real laugh is that the film's ostensible moral is to act your age while virtually every joke is stolen from a genre intended for stars and audiences ten - plus years younger than anyone involved, meaning all the sexual insecurity and juvenilia is infected with considerably more than the usual touch of the pathetic.

Winner of the Grand Jury Prize and Audience Award at the 2014 Sundance Film Festival, the semi-autobiographical Whiplash is a visceral, adrenaline - pumping musical drama that raises — but does not resolve — the age - old question of whether the end justifies the means.

But anyone can see within five minutes that this mild and dawdling picture from writer - director Ron Shelton is the sort of trifle meant for a retirement - age audience who just want to spend a pleasant and uneventful hour - and - a-half with a few name actors of a certain age.

Still, the lack of language may also mean it may have a broader appeal to audiences of all ages and cultures.

That doesn't mean that sequential art narratives telling teen - friendly stories didn't exist before American Born Chinese; on the contrary, plenty of graphic novels published before 2006 contain coming - of - age stories ideal for a teen audience.

posted at Writer Avoiding Writing, saying, «Marketing your book using an age - range for your audience is difficult enough when you consider the shifting definitions of say, Young Adult work, but now New Adult is on the scene, what does this mean for indie authors and readers?

These titles were released back when you couldn't Google info about upcoming games and before I became a subscriber to Nintendo Power, at that age when a game's box art was the best means of grabbing an initial audience.

The younger members of that audience may be ruled out: my six and eight year - old sons would love Miitomo but its social and data - collecting aspects mean Nintendo has placed a minimum age limit of 13 on the app.

Lawler wants to understand why images make us feel differently, depending on who we are, and what that difference means for the work of art in the age of so many diverse audiences.

Yet, in an age when parenting is less available, when marriage has almost become a thing of the past, and when children are being turned into commodity machines, it may make sense to reflect, as Plotz (1999) pointed out, that America is obsessed with youth because corporations are obsessed with youth: early intervention means netting an eager consumer audience for life.