In Koyama's canvases, the simplest rotating devices of
mechanical nature come apart and expand against a dark background.
Not exact matches
They do not know that at this very moment scientific thinkers have abandoned that older
mechanical picture of
nature and have
come to see, even to insist, that science does not exhaustively describe the whole range of experience nor everything in the world of
nature.
For Whitehead himself
comes to focus more on the problem of reconciling a «scientific» picture of
nature dead,
mechanical, devoid of quality, and the world of humanism that «science» dismisses as a wistful pathetic fallacy.