Sentences with phrase «media by both feminists»

May 9, the fiftieth anniversary of the birth control pill's approval, is being celebrated in the mainstream media by both feminists and environmentalists enamored of zero population growth.

Not exact matches

Taught by the media and radical feminists to be ashamed about their maternal, nurturing and intuitive side, mothers are too often afraid to follow and act on their intuition even though it tells them that a youth sports system which too often emphasizes winning and competition over fun and skill development, treats children as young as six as adults and cruelly and unfairly saddles so many as failures before they have even reached puberty because they weren't lucky enough to be «early bloomers» or have a January birthday, is not the kind of nurturing, caring and, above all, inclusive environment mothers believe their children need to grow into confident, competent, empathetic, emotionally and psychologically healthy adults.
We provide a unique perspective on male violence against women, pop culture, politics, current events, sexuality, gender, and many other issues that are often underrepresented or misrepresented by mainstream, progressive, and feminist media sources.
We provide a unique perspective on male violence against women, pop culture, politics, current events, sexuality, gender, and many other issues that are often underrepresented or misrepresented by mainstream, progressive, and feminist media sources.
I was about to reply, but Dia is saying it loud and clear: I want to not be shit on by feminists, games media and mainstream media for being a gamer.
It expands the notion of alternative space by investigating «sites» that are not physical locations, such as Ariadne, a social network of feminist media resources.
From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.
As photographs circulate in online realms — on social media and through digital platforms, where they are shaped and affected both by human decisions and algorithms — can we discern a feminist approach?
Drawing from Marxist, feminist, and radical black theory, Hannah Black's works are driven by voiceovers and intertitles that illuminate fissures in history and evoke the feelings of alienation and vulnerability that are amplified by social media and the profit structures of capitalism.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
This presentation is made possible in part with public funds from the New York State Council for the Arts» Electronic Media and Film Presentation Funds grant program, administered by The ARTS Council of the Southern Finger Lakes and Women and Performance: a journal of feminist theory.
[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
An international, cross-generational selection of artists reflect upon the nuances of the female «self» as constructed or inspired by cinema and pop culture, printed media and fashion, feminist notions, racial politics, cultural traditions and personal concerns.
For TRACTION, Isaac Julien will be joined in conversation by feminist writer, film critic, LGBT activist, and UC Santa Cruz professor of film and digital media B. Ruby Rich.
A fearless pioneer whose performances were fueled by feminist indignation of the vulnerable position of women in American society, her work has been a harbinger of experiments in social practice, new media, interactive and net - based art decades before technology and digital culture would re-shape our experience of reality.
Strongly influenced by the origins of activist, feminist and socially engaged art, Pilgrim works in a wide range of media including live performance, film, text, workshops and musical composition.
Although they are best known for the radical feminist works they made in the 1970s, Ms de Corral has chosen to emphasise their prophetic qualities by selecting some of their word - based works that criticise the abuse of power in the media.
For more than 35 years, she has been a canonical fixture in the world of new media art, a field pioneered largely by German men, and of feminist video, occupied primarily by American women.
From a feminist point of view, Hershman Leeson created and performed works that illuminated a changing environment influenced by television, advertising, and new media.
The exhibition features 13 paintings, drawings, sculptures and mixed media works by innovative feminist artist Judy Chicago (b. 1939).
The exhibition includes a site - specific installation by feminist pioneer Mary Beth Edelson, part of an ongoing series of collage projects initiated years after her renowned collage posters of the 1970s; a series of preparatory collages by Marlene McCarty produced for her large - scale drawings of young women who committed patricide; and a series of mixed - media collages by veteran feminist artist Anita Steckel that places the artist within drawings by Tom of Finland, exploring the possibility of alternate forms of cross-gender desire and visual pleasure.
Hershman's solo media projects addressing feminist art practices are well known, but the impact of this short - lived but influential organization deserves a second look, especially considering it facilitated projects by a slew of important contemporary artists, from Michael Asher to Eleanor Antin.
Influenced by the folk aesthetics and history of her surroundings, Norton's work employs music, video, mixed media, and performance as her country - music alter ego Ninnie, in a manner that combines feminist thought with local and vernacular imagery inspired by the cultural traditions of the rural South and specifically of her native Kentucky.
We provide a unique perspective on male violence against women, pop culture, politics, current events, sexuality, gender, and many other issues that are often underrepresented or misrepresented by mainstream, progressive, and feminist media sources.
We provide a unique perspective on male violence against women, pop culture, politics, current events, sexuality, gender, and many other issues that are often underrepresented or misrepresented by mainstream, progressive, and feminist media sources.
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