Sentences with phrase «media in a visual way»

Many authors create buzz for their books by sharing text - based teasers with their fans on social media in a visual way.

Not exact matches

This book goes way beyond this sort of tactical application and explains what happens in customers» minds when they're exposed to media, visuals, textual content... and virtually everything that goes into making a brand successful.
The visual impact of images sent instantly through electronic media networks shapes the consciousness of the global community in such a way that the local becomes the global and the global local.
This Children in Need Assembly introduces the concepts of «needs» through humour about» 21st century problems» before considering real life problems and a powerful media experiment that shows privilege in a wholly visual way.
And millions of years into the rituals of adolescent development for our species, today's teenager processes information in a profoundly different way due to the «mosaic» visual patterns of the electronic media to which they seem native.
Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos
NEA member and Valley Regional High School library media specialist Kristie Schmidt provides a visual explanation to her students of what would happen if the censors got their way: An empty bookshelf in their library and a list of what's missing.
8» touch screen, Analogue clock, Auto speed limiter, Blind spot monitoring with closing vehicle sensor and reverse traffic detection, Front Parking Aid, HDD Navigation System with touch - screen and traffic message channel, Incontrol pro service, Incontrol remote premium, Jaguar Voice front, LCD instrument dials, Multi function trip computer, Power boot opening and closing, Rear parking aid with visual display, Speed sensitive variable PAS, Bluetooth connectivity including audio streaming, DAB digital radio module, Digital TV, InControl app, InControl protect, Media interface, Meridian surround audio system, Radio + MP3 compatible CD / DVD player with hard drive, Adaptive LED Headlights, Approach Illumination, Auto dimming rear view mirror, Auto high beam, Auto - dipping door mirrors in reverse gear, Automatic headlamp activation, Body coloured bumpers, Electric adjustable door mirrors, Electric folding auto dimming door mirrors with memory, Electric front / rear windows / one touch operation, Electric panoramic sunroof with electric sunblind, Front aerodynamic splitter, Headlight washers, Heated door mirrors, Heated front windscreen and timer, Heated rear window with timer, Laminated front side windows, Laminated windscreen, LED tail lights, R - sport body kit, Rain sensor windscreen wipers, Rear spoiler, Solar control glass, Tinted rear windows, Twin exhaust tailpipes with chrome finishers, 18 way electrically adjustable front seats with massage function, driver / passenger memory and heated / cooled front / rear seats, 18 way electrically adjustable heated and cooled sports front seats with driver and passenger memory, 3 spoke softgrain leather steering wheel, Air conditioning with 4 zone climate control, Door puddle lights, Driver and passenger sunvisors with illuminated vanity mirrors, Driver's footrest, Footwell courtesy lights front and rear, Front centre armrest with power point and storage, Front head restraints, Gear shift indicator, Heated steering wheel, Illuminated glovebox, Interior mood lighting, Isofix on outer rear seats, Jaguar sense, JaguarDrive selector, Multifunction steering wheel, Premium carpet mats, Reach / rake electric adjustable steering column + entry / exit tilt away, Rear centre armrest with 2 cupholders + storage, Rear coat hooks, Rear head restraints, Softgrain leather trim to upper facia / door top roll / door pannier / door armrest / centre console lid, Softgrain leather upholstery, Sports pedals, Sports seats, Stainless steel kick plates, Steering wheel gearshift paddles, Suedecloth premium headlining, Twin front cupholders, Two 12V sockets in rear, Highway pack - XJ, ABS / EBD, Active bonnet, Driver / Front Passenger airbags, Electronic parking brake, Front and rear curtain airbags, Front side airbags, Pedestrian contact sensing and deployable bonnet, Seatbelt warning, Three 3 point rear seatbelts, Trac DSC (Dynamic Stability Control with 3 setting levels), Tyre pressure monitoring system, WHIPS whiplash protection system - front, Alarm / immobiliser, Drive away door locking, Keyless entry, Keyless Start, Remote central locking + deadlocks, Adaptive dynamics, Diesel particulate filter, Self levelling rear air suspension, Contrast stitching, 18» Alloy space saver spare wheel
Adaptive cruise control with queue assist and intelligent emergency brake, Bluetooth telephone connection, Dynamic response, Front parking aid with visual display, Gesture tailgate, HDD Premium navigation including voice control; TMC with touch screen and media storage, InControl secure, Mist sensor, Push button starter, Rear park distance control, Speed limiter, Speed sensitive power steering, TFT Virtual Instrument Panel, Trip computer, Bluetooth audio streaming, DAB Digital radio, InControl protect, MP3 compatible radio / single CD player, Rear USB port, USB / aux input socket, Acoustic windscreen, Adaptive brake lights, Automatic headlights with high beam assist, Body coloured side sills and bumpers, Daytime running lights, Door / quarter lights in toughened plate glass, Electric front / rear windows / one touch operation, Electric heated; adjustable; folding door mirrors with memory + approach lamp, Follow me home headlights, Front fog lights, Gloss black exterior trim, Headlight washers, Heated rear window, Heated washer jets, Heated windscreen, Illuminated Aluminium Tread Plates with Range Rover lettering, Laminated front side windows, Laminated windscreen, LED rear lamps, Rain sensor windscreen wipers, Rear wash / wipe, Remote window closing, Roof rack preparation, Twin bright tailpipes, 2 way active front head restraints, 2 way rear head restraints, Autobiography Oxford perforated Leather upholstery, Automatic air recirculation, Bag hook in luggage compartment, Centre armrest with cubby box, Centre cooler storage box, Climate control memory, Courtesy lights, Customer configurable interior mood lighting, Driver's footrest, Front and rear cupholders, Front and rear premium carpet mats, Front door storage bin, Front map lights, Front seat back map pockets, Front stowage pocket, Front / rear passenger grab handles, Glovebox, Illuminated vanity mirrors, Isofix child seat preparation, Leather heated steering wheel, Luggage compartment lighting, Multifunction steering wheel, Pollen filter, Reach / rake electric adjustable steering column + entry / exit tilt away, Rear centre armrest, Roller blind loadspace cover, Roof mounted stowage nets, Sports pedals, Three 12V accessory power outlets, InControl connect Pack - Range rover, 3 point seatbelts on all seats,Anti - lock Brake System + Electronic Brakeforce Distribution + Emergency Brake Assit, Auto lock system when vehicle in motion, Auto locking differential, CBC -(Cornering brake control), Curtain airbags,DSC - Dynamic Stability Control, Dual horn, Dual stage Driver / Passenger Airbags, Electric child locks, Electronic parking brake, Electronic traction control, Front seatbelt pretensioners, Front side airbags, Gradient acceleration control, Height adjustable front seatbelts, Hill descent control, Roll stability control, Seatbelt warning, Torque vectoring brake, Trailer stability assist, Tyre pressure monitoring system, Keyless entry, Locking wheel nuts, Perimetric and volumetric anti theft alarm, Remote locking, Adaptive dynamics, All terrain progress control, Diesel particulate filter, Electronic air suspension, Terrain Response 2 Auto, Twin speed transfer box
Analogue clock, Automatic speed limiter, Blind spot monitoring with closing vehicle sensor and reverse traffic detection, Front Parking Aid, HDD Navigation System with touch - screen and traffic message channel, Incontrol pro service, Incontrol remote premium, Jaguar Voice front, LCD instrument dials, Multi function trip computer, Power boot opening and closing, Rear parking aid with visual display, Reversing camera, Speed sensitive variable power assisted steering, Bluetooth connectivity including audio streaming, DAB digital radio module, Digital TV, InControl app, InControl protect, Media interface, Radio + MP3 compatible CD / DVD player with hard drive, Adaptive LED Headlights, Approach Illumination, Automatic dimming rear view mirror, Automatic headlamp activation, Body coloured bumpers, Chrome radiator grille and surround, Chrome side power vents, Chrome window side surround, Electric adjustable door mirrors, Electric folding auto dimming door mirrors with memory, Electric front / rear windows / one touch operation, Electric panoramic sunroof with electric sunblind, Headlight washers, Heated door mirrors, Heated front windscreen and timer, Heated rear window with timer, Laminated front side windows, Laminated windscreen, LED tail lights, Rain sensor windscreen wipers, Solar control glass, Tinted rear windows, Twin exhaust tailpipes with chrome finishers, 14 way electrically adjustable front seats with massage; driver + passenger memory and heated / cooled front + rear seats, 4 way adjustable front seat lumbar support, Air conditioning with 4 zone climate control, Door puddle lights, Driver and passenger sunvisors with illuminated vanity mirrors, Driver's footrest, Footwell courtesy lights front and rear, Front centre armrest with power point and storage, Front head restraints, Gear shift indicator, Heated steering wheel, Illuminated glovebox, Interior mood lighting, Isofix on outer rear seats, Jaguar sense, JaguarDrive selector, Multifunction steering wheel, Premium carpet mats, Reach / rake electric adjustable steering column + entry / exit tilt away, Rear centre armrest with 2 cupholders + storage, Rear coat hooks, Rear head restraints, Softgrain leather trim to upper facia / door top roll / door pannier / door armrest / centre console lid, Softgrain leather upholstery, Stainless steel kick plates, Steering wheel gearshift paddles, Suedecloth premium headlining, Twin front cupholders, Two 12V sockets in rear, Active bonnet,Anti - lock Brake System and Electronic Brakeforce Distribution, Driver / Front Passenger airbags, Electronic parking brake, Front and rear curtain airbags, Front side airbags, Pedestrian contact sensing and deployable bonnet, Seatbelt warning, Three 3 point rear seatbelts, Trac DSC (Dynamic Stability Control with 3 setting levels), Tyre pressure monitoring system, WHIPS whiplash protection system - front, Alarm / immobiliser, Drive away door locking, Keyless entry, Keyless Start, Remote central locking + deadlocks, Adaptive dynamics, Diesel particulate filter, Self levelling rear air suspension, Contrast stitching, Alloy space saver spare wheel
8» touch screen, Analogue clock, Automatic speed limiter, Front Parking Aid, HDD Navigation System with touch - screen and traffic message channel, Jaguar Voice front, LCD instrument dials, Multi function trip computer, Power boot opening and closing, Rear parking aid with visual display, Reversing camera, Speed sensitive variable power assisted steering, Bluetooth connectivity including audio streaming, DAB digital radio module, Media interface, Radio + MP3 compatible CD / DVD player with hard drive, Approach Illumination, Automatic dimming rear view mirror, Automatic headlamp activation, Body coloured bumpers, Chrome side power vents, Electric adjustable door mirrors, Electric folding auto dimming door mirrors with memory, Electric front / rear windows / one touch operation, Electric panoramic sunroof with electric sunblind, Headlamps - Adaptive Front Lighting; with cornering lamps and intelligent high beam, Headlamps - Xenon; with washers & Front LED Signature lights, Heated door mirrors, Heated front windscreen and timer, Heated rear window with timer, Laminated front side windows, Laminated windscreen, LED tail lights, Rain sensor windscreen wipers, Solar control glass, Tinted rear windows, Twin exhaust tailpipes with chrome finishers, 4 way adjustable front seat lumbar support, Air conditioning with 4 zone climate control, Door puddle lights, Driver and passenger sunvisors with illuminated vanity mirrors, Driver's footrest, Electric adjustment to headrests; seat cushion extension and seat bolsters, Footwell courtesy lights front and rear, Front centre armrest with power point and storage, Front head restraints, Gear shift indicator, Heated steering wheel, Illuminated glovebox, Interior mood lighting, Jaguar sense, JaguarDrive selector, Multifunction steering wheel, Reach / rake electric adjustable steering column + entry / exit tilt away, Rear bench seat, Rear centre armrest with 2 cupholders + storage, Rear coat hooks, Rear head restraints, Softgrain leather trim to upper facia / door top roll / door pannier / door armrest / centre console lid, Stainless steel kick plates, Steering wheel gearshift paddles, Twin front cupholders, Two 12V sockets in rear, Active bonnet,Anti - lock Brake System and Electronic Brakeforce Distribution, Driver / Front Passenger airbags, Electronic parking brake, Front side airbags, Pedestrian contact sensing and deployable bonnet, Seatbelt warning, Side curtain airbags, Three 3 point rear seatbelts, Trac DSC (Dynamic Stability Control with 3 setting levels), Tyre pressure monitoring system, WHIPS whiplash protection system - front, Alarm / immobiliser, Drive away door locking, Keyless entry, Keyless Start, Remote central locking + deadlocks, Ultrasonic intrusion sensing + passive sounder with battery back up, Adaptive dynamics, Self levelling rear air suspension, Alloy space saver spare wheel
8» touch screen, Analogue clock, Automatic speed limiter, Front Parking Aid, HDD Navigation System with touch - screen and traffic message channel, Jaguar Voice front, LCD instrument dials, Multi function trip computer, Power boot opening and closing, Rear parking aid with visual display, Reversing camera, Speed sensitive variable power assisted steering, Bluetooth connectivity including audio streaming, DAB digital radio module, Media interface, Meridian surround audio system, Radio + MP3 compatible CD / DVD player with hard drive, Approach Illumination, Automatic dimming rear view mirror, Automatic headlamp activation, Body coloured bumpers, Chrome side power vents, Electric adjustable door mirrors, Electric folding auto dimming door mirrors with memory, Electric front / rear windows / one touch operation, Electric panoramic sunroof with electric sunblind, Headlamps - Adaptive Front Lighting; with cornering lamps and intelligent high beam, Headlamps - Xenon; with washers & Front LED Signature lights, Heated door mirrors, Heated front windscreen and timer, Heated rear window with timer, Laminated front side windows, Laminated windscreen, LED tail lights, Rain sensor windscreen wipers, Solar control glass, Tinted rear windows, Twin exhaust tailpipes with chrome finishers, 4 way adjustable front seat lumbar support, Air conditioning with 4 zone climate control, Door puddle lights, Driver and passenger sunvisors with illuminated vanity mirrors, Driver's footrest, Electric adjustment to headrests; seat cushion extension and seat bolsters, Footwell courtesy lights front and rear, Front centre armrest with power point and storage, Front head restraints, Heated steering wheel, Illuminated glovebox, Interior mood lighting, Jaguar sense, JaguarDrive selector, Multifunction steering wheel, Premium carpet mats, Reach / rake electric adjustable steering column + entry / exit tilt away, Rear bench seat, Rear centre armrest with 2 cupholders + storage, Rear coat hooks, Rear head restraints, Softgrain leather trim to upper facia / door top roll / door pannier / door armrest / centre console lid, Softgrain leather upholstery, Stainless steel kick plates, Steering wheel gearshift paddles, Twin front cupholders, Two 12V sockets in rear, Active bonnet,Anti - lock Brake System and Electronic Brakeforce Distribution, Driver / Front Passenger airbags, Electronic parking brake, Front side airbags, Pedestrian contact sensing and deployable bonnet, Side curtain airbags, Three 3 point rear seatbelts, Trac DSC (Dynamic Stability Control with 3 setting levels), Tyre pressure monitoring system, WHIPS whiplash protection system - front, Drive away door locking, Keyless entry, Keyless Start, Remote central locking + deadlocks, Ultrasonic intrusion sensing + passive sounder with battery back up, Adaptive dynamics, Self levelling rear air suspension, Alloy space saver spare wheel
; or you may need to declutter — I'm not saying throw things out — I'm referring to removing distractions that will get in your way (it could be visuals around you, TV, outside activities, you may need a social media and email diet — limiting yourself to much shorter times searching, playing, responding)... anything that pulls you away from your mission of writing the book.
Daniel Merlin Goodbrey: For students from an interactive media design background I've run hypercomic projects as a way to develop their understanding of interactive narratives and push their skills in terms of software and visual design.
Turning the DCA galleries into this myriad of conceptual spaces, the array of artworks across visual media embody some aspect of «shonkiness» or «awkwardness» in ways that lend to an overall subversion of the mainstream and hegemonic in the modern art world.
Arns obtained her PhD from the Humboldt University in Berlin in 2004 with a thesis focused on paradigmatic shifts in the way artists in (ex --RRB- Yugoslavia and Russia refected upon the historical avant - garde and notions of utopia in visual and media art projects during the 1980s and 1990s.
«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.
Her scholarship is invested in the ways that durational media have altered the reception of visual art in the post 1968 period.
Dr. Pauwels is currently completing her first book on the American artist Napoleon Sarony, whose complex legacy as a printmaker and photographer illuminates the ways in which commercial art and mass media shaped artistic practice and visual experience in the late nineteenth - century United States.
Jeroen Jongeleen (NL, 1969) is an experimental visual artist, operating in various media, but always focused on how we deal with public space: the way we define, frame, limit and controle it.
A research affiliate in the Art Culture Technology Program at MIT, her scholarship is invested in the ways that durational media have altered the reception of visual art in the post 1968 period.
Exploring the conventions and rhetoric of the images in the mass media, operating both on the gallery wall and the printed page in poster, book and magazine form, Burgin revels in straddling the boundaries between «visual art» and «theory», «image» and «narrative», in a way that makes reader and text interact, work together and create constant and engaged dialogue.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
She lived in Paris (1982 — 86), graduated from highschool in West - Berlin in 1988, studied Russian literature, Eastern European studies, political science, and art history in Berlin and Amsterdam (1988 — 96) and in 2004 obtained her PhD from the Humboldt University in Berlin, with a thesis focusing on a paradigmatic shift in the way artists reflected the historical avant - garde and the notion of utopia in visual and media art projects of the 1980s and 1990s in (ex --RRB- Yugoslavia and Russia.
In artworks like I Am A White Agitator and Amelia Falling (2016) Willis Thomas employs language and familiar imagery from the Civil Rights era, appropriating historical visual media and stripping it of its context to open up questions of cultural stereotypes, and the way the media perpetuates them.
Cruz Azaceta is a devotee of the visual experiment who often develops parallel series in several media at the same time, combining materials in totally unexpected ways, such as with his extended series of photographs mounted on twisted metal bolts.
Mizuik brings over a decade of experience creating opportunities for visual artists to develop new work and build their careers, establishing industry relationships in technology and media to support innovations in artistic practice and exploring new ways to engage audiences in visual arts.
Focusing on the ways in which contemporary art is socially formed and formative, the gallery initiates local, national and international projects, including exhibitions by visiting international artists through the Audain Visual Artists in Residence Program (such as by Marjetica Potrč, YOUNG - HAE CHANG HEAVY INDUSTRIES, Raqs Media Collective, Claire Fontaine, and Antoni Muntadas).
Similarly, Frances Goodman has explored the desires, compulsions, insecurities, and obsessions hidden in our use of language, saying that «After working with a number of media I eventually found that words and language had the uncanny ability to unnerve and get under people's skins, in a way that visual images and modes could not... sometimes [words] are simple and clear, and yet they are often full of innuendoes and subtexts».
The show includes UK and US artists who explore gaps and slippages in a range of media — some who work closely with language, sound and performance as well as those whose practices strike an otherworldly chord in a purely visual way.
As it bridges the concerns of traditional markmaking, new media, and the visual cultures of science, Schneckloth seeks to discover ways in which drawing operates as a site of trans - disciplinary inquiry.
In any case, their work sensibly evokes these concerns as they are played - out colloquially, in singular ways through visual art, rather than how these issues are commonly portrayed in media outletIn any case, their work sensibly evokes these concerns as they are played - out colloquially, in singular ways through visual art, rather than how these issues are commonly portrayed in media outletin singular ways through visual art, rather than how these issues are commonly portrayed in media outletin media outlets.
All - media artists, sculptors, and photographers have created visual works interpreting a «figurative» theme in multiple ways: thorough the human form, or by exploring a broader interpretation of the theme, such as figures of speech.
All - media artists, sculptors, and photographers are invited to create visual works that interpret the theme «Figuratively Speaking» in two different ways: by depicting human forms, faces and features in representational or abstract works (portraiture, sculpture and all subject matter including people); or works which depict a broader interpretation of the theme, such as figurative language and figures of speech.
As Google explains by way of an example, a message from your airline reminding you to check in for a flight can now take advantage of rich media and interactivity to provide a full check - in experience, complete with boarding pass, visual flight updates, and terminal maps on demand, all directly within the messaging experience.
It's like a marketing campaign — the message is delivered in many different waysin print, broadcast, social media, visual displays, events, and so on.
Supporting media richness theory (Daft & Lengel, 1986), participants who used Skype as a medium of communication had the opportunity to enrich their interaction in a way that no other communication platform allows: in real time, with audio and visual support.
While Instagram is a great way to connect with clients through visual media, the platform is owned by Facebook; however, both Twitter and Snapchat are also popular in the real estate world, and, when used well, can be great ways to connect with new and existing clients.
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