Sentences with phrase «media in their art making»

Despite the ever - increasing dominance of photography and new media in art making, Richter has always foreseen a future for painting.

These sixteen artists engage the environment in varied ways and display distinctly different approaches to the use of objects and media in their art making.

The artists featured in Environment and Object: Recent African Art engage the environment in varied ways and display distinctly different approaches to the use of objects and media in their art making.

Not exact matches

Whether it is the art of couscous in North Africa, balancing flavors in the Thai kitchen, mastering spice traditions in India, techniques for roasting and using chiles in Oaxaca, variations of paella in Spain, cheese - making in Sicily, or the secrets of Peruvian ceviche, The World Culinary Arts Digital Media Project: Savoring the Best of World Flavors seeks out the gold standards of selected elements of world culinary traditions.

She left a desk job in tech and design to pursue art as a vocation, making mixed media two - dimensional art, playing music, and teaching kids.

When she's not on her yoga mat, she can be found making mixed media art, digging in the dirt, or vacuuming up cat hair.

With WOW women You have a site where you are able to discus current issues, what's currently happening within the media be it art or music, film, or diverse topic's, make new friends all in one Transparent safe place.

Portland Open Studios creates a unique educational opportunity for the public to witness the process of art in the making, learn about media and materials, and the business of creative endeavor.

What Refn's referring to is the way that every step of the production process - from pre - to post — is now broadcast via social media; directors, stars, journalists, and everyone in - between are informing their potential viewing public of how a piece of art is made.

ACE Eddie = ACE Eddie Awards (Jan. 26, 2018) ADG = Art Directors Guild Awards (Jan. 27, 2018) AFI = American Film Institute Awards (Dec. 7, 2017) African American = African American Film Critics Association Awards (Dec. 12, 2017) Alliance of Women = Alliance of Women Film Journalists Awards (Jan. 9, 2018) Atlanta = Atlanta Film Critics Circle Awards (Dec. 10, 2017) Annie = Annie Awards (Feb. 3, 2018) ASC = American Society of Cinematographers Awards (Feb. 17, 2018) Austin = Austin Film Critics Association Awards (Jan. 8, 2018) Australia = Australian Academy Awards (Jan. 5, 2018) BAFTA = BAFTA Awards (Feb. 18, 2018) Black = Black Film Critics Circle Awards (Dec. 18, 2017) Black Reel = Black Reel Awards (Feb. 22, 2018) Boston = Boston Society of Film Critics Awards (Dec. 10, 2017) Boston Online = Boston Online Film Critics Association Awards (Dec. 9, 2017) CAS = Cinema Audio Society Awards (Feb. 24, 2018) CDG = Costume Designers Guild Awards (Feb. 20, 2018) Chicago = Chicago Film Critics Association Awards (Dec. 10, 2017) Chicago Indie = Chicago Independent Film Critics Circle Awards (Dec. 30, 2017) Columbus = Columbus Film Critics Association Awards (Jan. 4, 2018) Critics» Choice = Critics» Choice Awards (Jan. 11, 2018) Critics» Choice Doc = Critics» Choice Documentary Awards (Nov. 2, 2017) Dallas - Fort Worth = Dallas - Fort Worth Film Critics Association Awards (Dec. 13, 2017) Denver = Denver Film Critics Society Awards (Jan. 16, 2018) Detroit = Detroit Film Critics Society Awards (Dec. 7, 2017) DGA = Directors Guild of America Awards (Feb. 3, 2018) Dublin = Dublin Film Critics Circle Awards (Dec. 14, 2017) European Film = European Film Awards (Dec. 9, 2017) Florida = Florida Film Critics Circle Awards (Dec. 23, 2017) Georgia = Georgia Film Critics Association Awards (Jan. 12, 2018) Golden Globe = Golden Globe Awards (Jan. 7, 2018) Gotham = Gotham Independent Film Awards (Nov. 27, 2017) Grammy = Grammy Awards (Jan. 28, 2018) Hawaii = Hawaii Film Critics Society Awards (Jan. 12, 2018) HMMA = Hollywood Music in Media Awards (Nov. 17, 2017) Hollywood = Hollywood Film Awards (Nov. 5, 2017) Houston = Houston Film Critics Society Awards (Jan. 6, 2018) IDA Doc = International Documentary Association Awards (Dec. 9, 2017) Independent Spirit = Film Independent Spirit Awards (March 3, 2018) Indiana = Indiana Film Journalists Association Awards (Dec. 17, 2017) Iowa = Iowa Film Critics Association Awards (Jan. 9, 2018) Las Vegas = Las Vegas Film Critics Society Awards (Dec. 18, 2017) Kansas City = Kansas City Film Critics Circle Awards (Dec. 17, 2017) LGBTQ = Society of LGBTQ Entertainment Critics (a.k.a. GALECA)'s Dorian Awards (Jan. 31, 2018) London = London Film Critics Circle Awards (Jan. 28, 2018) Los Angeles = Los Angeles Film Critics Association Awards (Dec. 3, 2017) Los Angeles Online = Los Angeles Online Film Critics Society Awards (Dec. 19, 2017) Memphis Online = Memphis Online Film Critics Awards (Dec. 11, 2017) MPSE = Motion Picture Sound Editors Awards (Feb. 18, 2018) MUHS = Make - Up Artists and Hair Stylists Guild Awards (Feb. 24, 2018) Music Critics = International Film Music Critics Association Awards (Feb. 22, 2018) Music Supervisors = Guild of Music Supervisors Awards (Feb. 8, 2018) NAACP = NAACP Image Awards (Jan. 15, 2018) NBR = National Board of Review (Nov. 28, 2017) Nevada = Nevada Film Critics Society Awards (Dec. 22, 2017) New Mexico = New Mexico Film Critics Awards (Dec. 10, 2017) New York = New York Film Critics Circle Awards (Nov. 30, 2017) New York Online = New York Film Critics Online Awards (Dec. 10, 2017) North Carolina = North Carolina Film Critics Association Awards (Jan. 2, 2018) North Texas = North Texas Film Critics Association Awards (Dec. 17, 2017) NSFC = National Society of Film Critics Awards (Jan. 6, 2018) Oklahoma = Oklahoma Film Critics Circle Awards (Jan. 2, 2018) Online = Online Film Critics Society Awards (Dec. 28, 2017) PGA = Producers Guild of America Awards (Jan. 20, 2018) Philadelphia = Philadelphia Film Critics Circle Awards (Dec. 10, 2017) Phoenix = Phoenix Film Critics Society Awards (Dec. 19, 2017) Phoenix Critic = Phoenix Critics Circle Awards (Dec. 16, 2017) SAG = Screen Actors Guild Awards (Jan. 21, 2018) San Diego = San Diego Film Critics Society Awards (Dec. 11, 2017) San Francisco = San Francisco Film Critics Circle Awards (Dec. 10, 2017) Satellite = Satellite Awards (Feb. 11, 2018) Seattle = Seattle Film Critics Society Awards (Dec. 18, 2017) Southeast = Southeast Film Critics Association Awards (Dec. 18, 2017) St. Louis = St. Louis Film Critics Association Awards (Dec. 17, 2017) Toronto = Toronto Film Critics Association Awards (Dec. 10, 2017) USC Scripter = USC Scripter Awards (Feb. 10, 2018) Utah = Utah Film Critics Association Awards (Dec. 17, 2017) Vancouver = Vancouver Film Critics Circle Awards (Dec. 18, 2017) VES = Visual Effects Society Awards (Feb. 13, 2018) Washington D.C. = Washington D.C. Area Film Critics Association Awards (Dec. 8, 2017) WGA = Writers Guild of America Awards (Feb. 11, 2018) Women = Women Film Critics Circle Awards (Dec. 22, 2017)

The award, established in 1986, is given every year to a person or entity that has made a major contribution to LGBTQ representation in film, television, or the media arts.

After earning a B.A. in Media Arts from the Dublin Institution of Technology, he made the choice to follow in his father's footsteps.

As a graduate, you will make an impact in schools, nonprofits, NGOs, technology, media, research, policy, and the arts.

Job roles, salaries and qualifications required in the performing arts, media and broadcasting industry, covers topics in: fashion model, lighting technician, make - up artist, photographer, photographic technician, prop maker, stagehand, sound studio engineer, wardrobe assistant, web content manager, web designer, web developer, web editor.

In a new MiddleWeb blog, Close Reading the Media, Frank Baker breaks down the art of movie making and shares lots of resources.

San Francisco, CA, November 14, 2011 — VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, offers a wide variety of unique art books and manga (graphic) releases — several of them brand new series — that make ideal gift selections for even the most discriminating fan this holiday season.

In this post, I'll talk about a few things I saw on the Internet about making art — primarily through the visual and the written media — and why we should make art.

When you sign with Avon Impulse, you are acquiring a team responsible for art, copy, marketing, social media support, and publicity — and more: A foreign rights staff determined to make your book available in other languages; a legal team protecting your work from piracy; a the subrights group pitching your romance novel to the book clubs.

Let's examine three of these tasks in greater detail — cover art, formatting, and social media — and analyze what makes for a superior job versus one that is somewhat mediocre as a result of not focusing on only that task.

PERFORCE Its ability to manage not just source code, but all the different media assets involved in modern game development, including art, textures, audio and video, has made Perforce a prized technology in games dev.

Well, wider cultural knowledge is vital to the game industry evolving - a point Warren Spector makes in an interview we'll be putting up on Gama next week, incidentally - because your media diet will radically affect the kind of art you make in your game life.

Secondly the world wide web and all of its new media tools makes it possible to show your work to anyone who is interested in art.

It's not easy to balance your time in the studio and marketing your work on social media, blog, newsletter etc. but this is a business and if we as artist want to make a living on are art sales and not be a starving artist we are going to have to find that balance in our art careers.

I haven't done a study of what types of art sell the most on social media versus what types of art sell most in brick and mortar galleries, but I have yet to see a story about a traditional plein air painter that is making a living off of social media.

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

First exhibiting in 1977, she has been making art since the late 1970s, in various media including painting, performance, sculpture and tape drawing installations.

Occupying every gallery in the new building, designed by Diller Scofidio + Renfro, the exhibition comprises over two hundred works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, made over the past two thousand years.

Working mainly in mixed - media, Van Caeckenbergh is intensely focused on the preparatory process of art - making.

Some are delightfully low - tech, transforming ordinary materials into awe - inspiring visuals, while others make use of experimental new media, fusing art and technology in interactive works that change in response to the viewer.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

In 2013, The Museum of Modern Art, New York organized Genzken's first American museum survey, Retrospective, making it the most comprehensive presentation of her work to date, encompassing all media from the past forty years.

This new work has almost nothing in common with the overblown, space - filling, mixed - media installations that the critic Peter Schjeldahl described in 1999 as «festival art» — made for the commercial art fairs that have proliferated internationally for almost two decades.

The event will feature hands - on art making using water - based media, artist demonstrations of watercolor painting techniques, and interactive tours of the gallery exhibition «2018 Mid-Atlantic Regional Watercolor Exhibition,» on view in the Kay Gallery.

Previous rounds have been broad in scope and concept, ranging from topics of activism to architecture, and including disciplines such as design, media arts, drawing, film, installation, intervention, literature, painting, performance, photography, print making, sculpture, and others, such as scientific field work.

She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Preart and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreArt Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreArt series published by Whitechapel Gallery and MIT Press.

If the Armory Art week in New York generally runs the second weekend in March, ending some time around the 8th or 9th, and the Hong Kong fair launching on March 13th, this means that the New York — Hong Kong flights will suddenly become much more in demand with collectors, advisors, gallery staff, critics, media jetting off to make the next event.

But even looking at the performative that plays out in terms of «70s art - making, video, and other time - based media, it's very interesting to think through what really constitutes performance.

Her long - term goals for ICA are the expansion of its international program, especially of art made in the Middle East (a blind spot for the museum, historically), and a deeper engagement with artists working with technology and new media, inspired by Boston's prominent role in the tech community.

His approach to art making is similar to that of a composer, and the exhibition is conceived as a theatrical score that punctuates and demarcates space, creating interplay among pieces in different media and from diverse bodies of work.

For half a century now, Lynn Hershman Leeson has made pioneering contributions to performance, conceptual art, new media, and film with works whose formal and technical experimentation is matched by her fearlessness in the deconstruction of gendered identity in a misogynist and technologically mediated world.

The institution makes it a goal to include students in the curation and maintenance of the overall site, showcasing (currently) works from far - reaching media including experimental book art, Mexican poster and print work and «monumental» pieces from Indonesia and New Guinea.

Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied images as source material culled from the expanding media of the pre-digital age.

For the most part, however, statement art was represented by one - liner wordplay, such as Alfredo Jaar's neon Teach Us To Outgrow Our Madness, or clever commentary such as Pedro Reyes's instruments fashioned from guns that are «made to be used», and such dubious efforts as Raqs Media Collective's re-enactment of a 1948 scene shot by Henri Cartier - Bresson of a bank robbery in Shanghai.

About Wisconsin Visual Artists Wisconsin Visual Artists (WVA) is a not - for - profit membership - based organization made up of visual artists working in a wide variety of media and supporters of Wisconsin Art.

Andrea Rosen Gallery is thrilled to announce an exhibition of Stan VanDerBeek (d. 1984), whose visionary approach to art making was not only radical in his time, but is also increasingly reflective of a contemporary discourse around the integration of media, technology, and everyday life.

Yu Honglei is one of the few artists of the post-1980s generation who makes art in all kinds of media but insists on describing himself as a practitioner of just one: sculpture.

She moved to the east end of Long Island in 2008 and returned full - time to making art in a variety of media — primarily printmaking, encaustic, watercolor and acrylic.

BRIC Biennial presents artists working in a variety of different media and is curated to demonstrate the significance of Brooklyn as an art making community, according to organizers.

The gallery's program includes: Estates of historically significant Canadian artists, most notably many of the Painters 11 group who established Canada's international reputation for modern abstraction in the 1950s including many of the Painters 11's immediate post-contemporaries who emerged predominantly in Toronto during the 1960s and 1970s, especially those hailing from the legendary Isaacs and Carmen Lamanna galleries; established senior artists working in a wide range of media; recognized mid-career artists from Canada and Europe; and emerging international talents, particularly those exploring the boundaries of media, representation and interpretation within contemporary art making.

The exhibition, which was organized by the Dallas Art Association, showcased 626 works of art made from various media in the Fair Park Fine Arts buildiArt Association, showcased 626 works of art made from various media in the Fair Park Fine Arts buildiart made from various media in the Fair Park Fine Arts building.