Reconstruction II, 2002, Mixed
Media Installation Courtesy Rojas + Rubensteen Projects
Pictured above: Autobiographical Confessions through effigies, idols, saints and Martyrs A journey through the stages of a life: sex, love, marriage, childbirth, betrayal, rage, revenge, illness, healing and redemption, 2010 - 17 Mixed -
media installation Courtesy of the artist
Vila Velebita, 2003 CD - ROM, mixed
media installation Courtesy of the artist
Not exact matches
Elham Rokni, Khalili Sisters
installation view, 2013 - ongoing, 8 × 12 inches each, mixed
media on paper,
courtesy of Liat Elbling
Anthony Burdin, VOODOO ROOM, OSLO, 2005 Mixed
media,
Courtesy of the arist and Maccarone inc., New York,
installation view
LIU WEI Green Land 绿地, 2014 - 2016 Mixed
media Dimensions variable
Installation view at Aichi Triennale, 2016 Photographer: Jackal Lau,
Courtesy Liu Wei Studio
AA Bronson in collaboration with Mark Jan Krayenhoff van de Leur and Adrian Hermanides, with an audio component titled FIELD by Ebe Oke, Folly (Detail / detail), 2015/16, mixed
media installation,
installation view KW Institute for Contemporary Art, photo: Frank Sperling,
Courtesy the artist and Esther Schipper, Berlin
AA Bronson in collaboration with Travis Meinolf, Tent for Healing, 2013, Mixed
media installation,
installation view KW Institute for Contemporary Art, photo: Frank Sperling,
Courtesy the artist and Stedelijk Museum, Amsterdam
«aewan # 1019», 2004 c - print of
installation made of polymer clay, instant noodle and mixed
media h: 125.5 x w: 169 cm (size of each sculpture is 0.7 x 1.5 x 1 cm) image © the artist
courtesy PKM gallery, seoul
Joseph Strau, title forthcoming, 2010, mixed
media installation with floor lamp and two paintings, dimensions variable,
Courtesy the artist and Elizabeth Dee, New York
Courtesy Karma International, Zurich and Los Angeles © Sylvie Fleury The exhibition spans art in multiple
media, from the Renaissance to the present day, with paintings, sculptures,
installations, prints and watercolours, photographs, films, costumes and armour by some sixty artists: two hundred pieces testifying the many ways artists have viewed, commented and shaped the world of fashion through the centuries.
Installation view (detail) of Yuki Kimura's mixed - media installation titled Inhuman Transformation of New Year's Decoration, Obsolete Conception or 2 at CCA Wattis Institute of Contemporary Arts; courtesy the artist and Taka Ishii Gallery; photo: Jo
Installation view (detail) of Yuki Kimura's mixed -
media installation titled Inhuman Transformation of New Year's Decoration, Obsolete Conception or 2 at CCA Wattis Institute of Contemporary Arts; courtesy the artist and Taka Ishii Gallery; photo: Jo
installation titled Inhuman Transformation of New Year's Decoration, Obsolete Conception or 2 at CCA Wattis Institute of Contemporary Arts;
courtesy the artist and Taka Ishii Gallery; photo: Johnna Arnold.
Courtesy Charlie James Gallery; Jeremy Dean, Back to the Futurama (2010), -LCB- CTS -RCB- Creative Thrift Shop
installation view; Bill Smith, detail of magnetically stabilized, air driven, computer interfaced, chaotic emu egg pendulum (2010), PPOW Gallery; Anthony Lister, Red Spots, 2010, Acrylic and mixed
media mural.
Conversation with Bernd Krauss Bernd Krauss Hortus Conclusus
installation view Installation view: Bernd Krauss Hortus Conclusus, 2010 Mixed media Courtesy of the artist Photo: Mia O.
installation view
Installation view: Bernd Krauss Hortus Conclusus, 2010 Mixed media Courtesy of the artist Photo: Mia O.
Installation view: Bernd Krauss Hortus Conclusus, 2010 Mixed
media Courtesy of the artist Photo: Mia O. Photography
«Altered Destiny» (detail) studio
installation view summer 2007, by Radcliffe Bailey, mixed
media installation,
courtesy of the artist and Solomon Projects.
(1) Mark Bradford The World Is Flat, 2007 Billboard paper, photomechanical reproductions, acrylic gel medium, twine, wrapping paper, carbon paper, acrylic paint, and additional mixed
media on canvas 101 1/4 x 142 1/2 inches Collection of Rachel and Jean - Pierre Lehmann Photo: Bruce White (2) Mark Bradford Potable Water, 2005 Billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed
media 130 x 196 inches Collection of Hunter Gray Photo: Bruce White (3) Mark Bradford Untitled (Shoe), 2003 Billboard paper, acrylic gel medium, and additional mixed
media on canvas 30 x 31 1/2 inches The Speyer Family Collection Photo: Bruce White (4) Mark Bradford Pinocchio Is On Fire, 2010 Multimedia
installation Dimensions variable
Courtesy of the artist and Sikkema Jenkins & Co., New York Photo: Sven Kahns
Mixed
media Installation View: Aichi Triennale 2010
Courtesy of Ota Fine Arts, Tokyo / Singapore; Victoria Miro Gallery, London; David Zwirner, New York; and KUSAMA Enterprise.
Ernst Caramelle, «Video - Ping - Pong,» 1974, Two - channel, video
installation, 2 monitors, 2 media players, metal shelves, ping pong table, paddles, and ping pong balls Reconstruction tale, metal - racks and technical equipment: Ernst Caramelle with Generali Foundation, 2000, Courtesy Generali Foundation Collection, Permanent Loan to the Mueum der Moderne Salzburg, Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter H
installation, 2 monitors, 2
media players, metal shelves, ping pong table, paddles, and ping pong balls Reconstruction tale, metal - racks and technical equipment: Ernst Caramelle with Generali Foundation, 2000,
Courtesy Generali Foundation Collection, Permanent Loan to the Mueum der Moderne Salzburg,
Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter H
Installation view «Before Projection: Video Sculpture 1974 - 1995,» MIT List Visual Arts Center, 2018, Photo: Peter Harris Studio
Mohamed Ahmed Ibrahim Mixed
Media Installation dimensions variable
Installation view: Sharjah Art Foundation, 2018 Image
courtesy of Sharjah Art Foundation
mixed
media installation (found objects, cut photograph, Xylene transfer, glass, ink, printed Mylar and archival tape on paper), 28 × 43 cm each,
installation view at BALTIC Centre for Contemporary Art, Gateshead
Courtesy of the artist, Photo by Colin Davison
Both works: Untitled, 2014, mixed
media,
installation view, nature after nature, Kunsthalle Fridericianum Kassel, 2014 (
courtesy: Croy Nielsen, Berlin, High Art, Paris & Galerie Fons Welters Amsterdam)
Diana Thater Still from Science, Fiction (Two), 2015
Installation for two video projectors,
media player, and lights Dimensions variable
Courtesy David Zwirner, New York
«Love after Love,» 2016, found objects and mixed
media,
installation at Clamp Light Studios.Photo
Courtesy of Alyssa Danna.
Previous
installation of Endless Dreams and Water Between at the National Maritime Museum, Greenwich, «Space Poem 2,» Renée Green, 2008, photo
courtesy of Free Agent
Media and the artist.
Installation view of «Africans in America» Wangechi Mutu, Flower head, 2015, Mixed
media 111.8 x 81.3 x 33 cm,
Courtesy the Artist and Victoria Miro, London
Universal Collection: A Mark Dion Project, 2016, Mixed -
media site - specific
installation Painting on top right wall: Laura Battle, How long is your past, how far is your future, 2015 oil and mixed
media on canvas
Courtesy of the artist