Sentences with phrase «media installation reflecting»

Works of sculpture, photography, video, and mixed - media installation reflect how political transition in each... Read More

Not exact matches

Besides new abstract installation work, Holland's «Visual Orgasms» series, a collection of looped moving images that «reflect popular media's pressured attempt to make sex visually consumable,» according to a release, will also be included.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

«A new series of outdoor paintings by Julian Schnabel that will transform the Legion of Honor's courtyard into a temporary gallery, a major film production by DIS commissioned for the de Young's atrium and a new media installation by Lynn Hershman Leeson that reflects the particular history of the museums, put us at the center of artistic production and institutional reflection.»

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

They belong to a vibrant generation of Indian artists who work across a range of artistic media from painting, sculpture, and photography to installation and video art, reflecting on India's role as an important player within the global economy.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Yet the artist never addressed this diverse range of interests directly, instead they are filtered and reflected back and froth through the wide - ranging media she employs, not least performance, drawing, film, video, sculpture and sound, often together in a single cacophonous installation.

A certain reminisces of Minimal Art and Post Object art is notable, yet this selection, which ranges in media spanning from video, performance, sculpture, photography, painting to installations, reflects an apparent interest of the curator in conceptual and formal approaches of the artwork itself.

Taking this premise as his point of departure, Rondinone creates mixed - media installations that run the gamut of artistic genres and techniques — including landscape drawing, abstract painting, photographic portraiture, realist sculpture, and video — and reflect the belief that

This is Jester Jaques inaugural show entitled «Jeunesse» reflects their youthful expressionism, be it installations, contemporary paintings or mixed media.

Having got that off my chest, here's what the Hermann Park Conservancy has come up with for Art in the Park: five commissions, including Trenton Doyle Hancock's mixed - media installation for the park's train tunnel; and four loans, most notably Louise Bourgeois's monumental bronze Spider (1996), which will spend the summer seeming to float menacingly above the Mary Gibbs & Jesse H. Jones Reflecting Pool.

It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.

Students reflected on conflicts they witness in their community with a mixed media installation at Open Source Gallery, on view June 15 - 17, 2012.

Using the media of paint, performance, installation and video, his work reflects the variety of skills that he experienced throughout his life: Florian first studied media design, until he eventually entered the art academy in Düsseldorf and studied with Peter Doig.

The variety of media used by the four short listed artists reflects the diversity of work being made in the UK today, often exhibited globally, from film and video to performance, collaborative working, printmaking and installation.

The live reperformances are included in a chronological installation of the artist's work reflecting the different modes of representing, documenting, and exhibiting her ephemeral time - and media - based works.

Comprising diverse media, including drawing, painting, video and sculpture, these installations reflect a range of thought processes, from the meditative to the chaotic.

The variety of media used by the four shortlisted artists this year reflects the diversity of work being made in the UK today, often exhibited globally, from film and video to performance, collaborative working and installation.

The series will reflect Perry's holistic investigation of race, class, abstraction, and representation through the use of video and computer - based media installations and performances.

Drawing on his training as an architect, Jose Dávila reflects on the failure of utopian, modernist architectural principles in his assemblages, mixed - media works, photography, and installations.

Working across a variety of media, including painting, sculpture, photography, video and installation, Owanto's projects reflect upon concepts of identity, transformation and the evolution of existence.

The New Zealand - born, Berlin - based artist, Simon Denny, reflects on the changing media economy through complex documentary installations.

Celebrate at the opening party on Saturday, May 19th of Oakland Cemetery's first outdoor exhibition, Golden Hour, and its eleven installations by an impressive lineup of local and regional artists who have created site - specific works, including sound, light, and mixed media installations to reflect on the theme: The Golden Hour.

His work reflects on mythology, historic narrative, media cultures amongst many themes and is manifested in installation, photography, performance, tapestry, video, large sculpture, works on paper and painting.

They are pieces produced for CAAM that reflect the three medias most used in her work: painting, sculpture, drawing and site - specific installations, the three languages that sustain her artistic production.

Cramer, whose works often suggest a subjective perception of the world surrounding us, brings to this exhibition a combination of thoughts represented through a variety of media — from his intimate artist books to site - specific installations such as Empty Room, where for the duration of the exhibition, a room in a house somewhere in the countryside of Portugal is kept completely empty, making one reflect on ideas of presence, absence and the human collective unconscious.

Laura Tanner Graham's mixed media drawings and installations explore the history of pattern and printed textiles and the ways in which they reflect social and political agendas.

In Arabic, «Sajjil» means the art of recording, a title which exemplifies the subject matter of more than 240 paintings, sculptures, and mixed - media installations on display as they reflect pieces of Arab history and culture over the last century.