Sentences with phrase «media narrative works»

Deb Rumer, mixed - media narrative works.

Not exact matches

Social media and mainstream reporting are both shaping dangerous and misleading narratives that, in the long run, are slowly causing the erosion of the real work of journalism.

The media narrative prior to embiid playing last year was that the process was a disgrace and would never work, and people cited Embiid's injuries in particular as a reason why it was a failure.

I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision

A lengthy, well - researched, and powerful article in the Spring 2015 issue of the NCAA's Champion magazine, not only reports the belief of many top concussion experts that the media narrative about sports - related concussion trace has been dominated by media reports on the work of Dr. Ann McKee, which was the centerpiece of PBS Frontline's League of Denial, but Dr. McKee's, however belated, mea culpa that «There's no question [that her autopsies finding evidence of CTE in the brains of most of the former athletes were] a very biased study,» that they involved «a certain level of... sensationalism», that there were «times when it's overblown» and went «a little too far.»

Even though The Amina Profile works as a cyber-thriller of sorts, I think it's much more wide - reaching than that, a story about online identity, but also about the danger of media - constructed narratives, one that manages to salute both citizen journalists, but also establishment outlets like NPR.

The Labs are the centerpiece of the Institute's year - round work with narrative feature filmmakers and are part of 24 residential labs the Institute hosts each year to discover and foster the talent of emerging independent artists in film, theatre, new media and episodic content.

With an understanding of business objectives and an eye for drawing out key narratives, Nicole Ellan James works closely with her clients to provide stories and articles, photography, social media campaigns, creative direction, branding, content creation and social media management across a range of different platforms.

Embracing multiple narrative media ensures that you're not just building «enhanced» content — you're learning new creative and artistic skills, which will improve your life and work.

This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?

If I was working in fiction publishing, then I would want a small unit dedicated to second guessing the future — be it multiple media, narrative choice for the reader, the future of smartphone as a narrative platform or any of the other emerging network options for telling stories to each other.

The group show will engage a dialogue of the themes and narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, recycled materials as well as mixed media.

The group show will engage a dialogue of the themes and narratives resonating amongst sculptors today through works in mediums such as metal, stone, clay, wood, glass, recycled materials as well as mixed media.

Co-curated by Christopher Bedford, BMA Dorothy Wagner Wallis Director and Commissioner of the U.S. Pavilion, and Katy Siegel, BMA Senior Programming and Research Curator and Thaw Endowed Chair of Modern American Art at Stony Brook University, Tomorrow Is Another Day is a multilayered narrative of new and existing work by Bradford in a variety of media — painting, sculpture, installation art, and video.

Lamelas» conceptual practice has produced a diverse body of work shifting focus from Pop Art sculpture in the late 1960s to video work that parodies mass media television and examines the building blocks of narrative film.

If you're unfamiliar with Kiel Johnson's work, his work, he creates transmorphic drawings, paintings and sculpture that seem to synthesize the ever - expanding media explosion through a kind of personal narrative.

With this knowledge you can then create an authentic personal narrative to more effectively present yourself and your work in your marketing materials, website, social media, and in - person communications.

His epic works delve into racially charged narratives and natural disasters in American history, as well as the media's representation of these events.

A conceptual artist who works across a variety of media; themes of energy, nature, technology, history and perception occur throughout his practice as he examines narratives of places, people and objects.

Omer Fast's probing, storytelling video work interweaves personal accounts with media narratives.

He bridges various narratives and geographies, working with different media.

Following major acquisitions by the Metropolitan Museum of Art in New York in 2014 and the Fine Arts Museums of San Francisco earlier this year, these acquisitions draw from the Foundation's extensive collection of works across media in this genre to promote increased scholarship and understanding of an important and often - overlooked perspective in the narrative of American art history.

Following major acquisitions by the Metropolitan Museum of Art in New York in 2014, these acquisitions draw from the Foundation's extensive collection of works across media in this genre to promote increased scholarship and understanding of an important and often - overlooked perspective in the narrative of American art history.

The exhibition, which takes its name from the iconic publication, presents works that not only reflect on the fugitive figure in American popular culture, but also interrogate how narratives constructed by the media influence our understandings of lawlessness and otherness and directly inform our views on innocence, safety, and normalcy.

Golding's work questions states of reality, challenging notions of narrative and the act of perceiving through the deployment of sonic and visual fragments, and the reworking of the bare components of audiovisual media such as light, substrate, and amplification.

«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.

The production unit is a network and a critical forum for artists working with investigative journalism, media criticism and narrative experiments.

Omer Fast's video works conflate factual and fictional narratives at the intersection of memory, history, and media.

His work involved the uncanny culture that has developed on the West Coast of the United States: an aesthetic that turns kitsch of mass media and invents narrative devices where performance and theatricality are subverting the codes of contemporary art.

His work eschews representation, narrative, illusion, and conventional understandings of realism, instead exploring the material and compositional qualities offered by his media.

Often without formal training, and facing economic insecurity and racial discrimination, these artists created profound works from both conventional art media and cast - off materials, giving visual power to a highly developed vernacular tradition that enriches an alternative to conventional narratives of modern art.

As an examination of the uses of narrative in contemporary art by women, the exhibition featured works in drawing, painting, video and new media reveal the continued power of storytelling in art today, and the myriad forms it takes.

He creates narrative - based works utilizing various media including video, sound, sculpture, installation, and performance.

Two other powerful works, Weems's stunning, red - curtained, mixed - media installation, a magic show based on holograms called Lincoln, Lonnie and Me — A Story in 5 Parts (2012), at the McKenna Museum of African American Art, and Fraser's masterful performance at NOMA reenacting a New Orleans city council hearing from 1991 probe racism, both subtle and overt, in vivid, unsettling narratives.

Following his 2015 retrospective at Nasher Sculpture Center in Texas, the exhibition introduces three - dimensional mixed - media works in which utilitarian and labor - related materials such as tools, chains, and barbed wire blend and form narratives on identity, heritage, and belonging.

Glass, neon and mirrors; paintings, sculptures, installations and film screenings: all these elements and media can be found in the narrative or demonstrative, formalist or poetic works of artists Gwenaël Bélanger, Philippe Favier, Claudie Gagnon, Wyn Geleynse, Claude Hamelin, Jacques Hurtubise, Mario Merz, Stephen Schofield and Catherine Widgery.

Exploring the conventions and rhetoric of the images in the mass media, operating both on the gallery wall and the printed page in poster, book and magazine form, Burgin revels in straddling the boundaries between «visual art» and «theory», «image» and «narrative», in a way that makes reader and text interact, work together and create constant and engaged dialogue.

Concluding, Robert Treat states «My photography and mixed media work relate with a similar visual language: structure, distilled simplicity, intimacy, memory, eros, and ambiguity of narrative».

Artists in the exhibition work variously in illustrational, folkloric and narrative styles, while some reinvent traditional craft media, work in abstraction, or employ photography and video.

I worked as media officer at the Human Rights Media Centre in Cape Town though my studies and through the work was exposed to the importance of oral history, particularly to highlight the grassroots voices often discounted by the grand narrative of hismedia officer at the Human Rights Media Centre in Cape Town though my studies and through the work was exposed to the importance of oral history, particularly to highlight the grassroots voices often discounted by the grand narrative of hisMedia Centre in Cape Town though my studies and through the work was exposed to the importance of oral history, particularly to highlight the grassroots voices often discounted by the grand narrative of history.

Her work often involves systematic and repetitive interventions into different media (texts, books, photographs, painitngs, etc.) to re-code their existing narratives.

Visual Communications graduate Reem Falaknaz currently works for the Dubai Media Incorporated group, allowing her to travel around the Emirates, where she collects and documents narratives from the city's inhabitants.

You will get insight into the process of making our newest projects we worked on in the last months, such as the developing installation Felling Times targeting media narratives, and project Home in a Home focusing on the theme of domestic integrity we created during our recent ISCP Summer Residency.

The work comprises oil paintings, acrylic portraits, narrative mixed - media works and collage.

Alongside subjective experiences, the works reference religious martyrdom, contemporary news media, historical Western portrait painting, the narratives of Dante's Inferno and Sartre's No Exit.

Working across a wide range of media, Connor used iconic imagery and footage in experimental films, challenging the viewer to contemplate the saturation of cultural narratives in our daily lives.

Amy Cutler employs the power of narrative, the media, popular culture, fairytales, and her own experiences to investigate women's work and the complex lives of women in her enigmatic drawings.

Although the artists will present autonomous bodies of work, they share an approach all work with a variety of media, exploring signs and codes, and playing with (dis) associations, meanings and hidden narratives.

«Skin and Stories» at Ten Gales contains works in photography and other media, where we encounter peculiar and monstrous characters situated within entropic minimalist narratives.

Collectively, the exhibition presents 90 paintings, sculptures, mixed - media and works on paper in nine thematic narratives.