Sentences with phrase «media photographic installations»

Not exact matches

Work can be presented in drawings / wordscapes, print, digital, installation, performance, sound or mixed media formats with photographic documentation.

Lyle Ashton Harris to Receive David Driskell Prize This year's David C. Driskell Prize is being awarded to Lyle Ashton Harris, whose diverse practice includes photographic media, collage, installation and performance art.

For almost three decades Lyle Ashton Harris has cultivated a diverse artistic practice, ranging from photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the contemporary social and cultural dynamic.

ZERO, encompasses a diverse range of media including painting, sculpture, works on paper, installations, and archival materials such as publications and photographic and filmic documentation.

Mining her own experiences of visiting her father in prisons for the past 19 years, Smith will present a combined media installation involving video, neon, photographic and textual works to visualize the ways in which an impersonal bureaucratic system of incarceration take effects on the bodies and minds of the extended network of people bound to it.

Some works seem to pay homage to social media, like Mario Petrirena's floor installation of photographic collages encircled by rusted iron rings suggestive of Google Plus's circles.

His video, photographic, and installation works have been presented internationally at such venues as ConFlux2009 and Proteus Gowanus in New York; Para / Site Art Space and the Microwave Media Festival in Hong Kong; Gallery M in Berlin; BaseKamp in Philadelphia; Big Orbit and the University at Buffalo Art Gallery in Buffalo; Impakt Festival in Utrecht; Invideo Festival in Milan; OneTake Film Festival in Zagreb; FLEXFest in Gainsville; and Mess Hall, 7/3 Split, Dogmatic, Video Mundi, Onion City, CUFF, Hyde Park Art Center, and Gallery 400 at the University of Illinois at Chicago.

LYLE ASHTON HARRIS For more than two decades Lyle Ashton Harris (born 1965, New York) has cultivated a diverse artistic practice ranging from photographic media, collage, installation and performance.

For more than two decades Lyle Ashton Harris (born 1965, New York) has cultivated a diverse artistic practice ranging from photographic media, collage, installation and performance.

This is echoed in her wide - ranging practices and media: drawings, books, photographic installations, sculptures etc..

Using a variety of media and a series of photographic processes, Ngyuen creates fantastical, large - scale installations, engulfing the viewer into an otherworldly vortex that fluctuates between representation and abstraction.

Taking this premise as his point of departure, Rondinone creates mixed - media installations that run the gamut of artistic genres and techniques — including landscape drawing, abstract painting, photographic portraiture, realist sculpture, and video — and reflect the belief that

The collection also includes central works from her photographic series of urban spaces, her poster paintings and rubbish bins, as well as elements from larger installations, which shows how Kagge concentrates on collecting across time, formats, media and thematic structures.

Her artistic research moves from the basics of photographic technique, and develops through various media taking different forms according to the places or the stories in which it develops; from b / w photographic printing to site - specific installation, from video to drawing.

She is also interested in installation art that makes use of photographic media.

Its main gallery features solo and group exhibitions of contemporary photographic, media and digital arts, while sound works are presented in its audio art gallery and site - specific installations in its surround gallery, the latter a ten - metre - long glass enclosure that surrounds the main entrance of the facility.

Presentation House Gallery has a mandate to exhibit and disseminate contemporary photographic and media art, including video and installation, film projection, digital and time - based media, as well as historical and experimental photography.

The slide projector, once commonly found in households and academic institutions; and image projections, a display method that predates any photographic process and that constantly endures through time with its prevalence in new media, installation and performance art because of its ability to transform space.

Entries are open for the 2018 edition of the Art Prize, which accepts submissions across a range of genres including Photographic & Digital Art; Three Dimensional Design & Sculpture; Painting, Drawing & Mixed Media and Video, Installation & Performance.

Rarely seen since the 90s, this early gallery work from a pioneering artist seems eerily prescient in the age of a new populist, digitally enabled, right - wing media, installed alongside it's complementary photographic series Cartooned Life, as seen in its original installation in 1995.

While Lawrence employed photography and illusionistic devices in his constructions, Gauthier incorporates photographic enlargements of installations in her mixed - media works, combining these images with encaustic and graphite on wood.

The exhibition will include a site - specific photographic installation and series of complementary photographs by Potsic as well as prints, paintings, and mixed media works by all the featured artists.

The new range of video and photographic imagery has reduced the importance of drawing skills, and by manipulating the new technology, artists (notably those involved in new media, like installation, video and lens - based art) have been able to short - cut the traditional processes involved in «making art,» but still create something new.

For more than two decades Lyle Ashton Harris has cultivated a diverse artistic practice including photographic media, collage, installation, and performance.

With a particular emphasis on photography, but also including other forms of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim Collections.