Sentences with phrase «media presents these images»

Finally, just because the media presents these images positively does not mean that they represent women's empowerment.2

Not exact matches

Jeff Sieh @jeffsieh Pinterest Manage at Social Media Examiner Presenting: Building Better Pinterest Pin Images: Tools, Tips and Hacks and How Businesses Use Pinterest to Drive Traffic and Profits

This state of affairs can be only partially encouraging, however, for the increasing worldwide popularity of TV has been accompanied by a steady decrease in reading (and in nations where the literacy rate is low, television can have an instant impact on people who have never read a newspaper or magazine) At any rate, recent research has concluded that of all media, newspapers do the best job of presenting a satisfactory image of aging.

In his first public comments on the scandals, Pope Benedict was both humble and sensible, saying they «brought sadness» to his heart, while affirming his faith they would be overcome, and rebuking the «entirely gratuitous» speculation of the media which was presenting a «completely unrealistic image of the Holy See.»

A Slice in the third undergraduate edition of the RELEVANT Magazine College Guide discusses the importance of students making sure their Twitter, Facebook and other social media profiles present the image they want prospective schools to see.

She will be presenting workshops at #NASMOptima 2017 on: 1) social media's impact on body image and the fitness message, and 2) social media marketing for fitness professionals.

They're a fun, colorful way to present information in a way that is easy to absorb and also easy to share (which is important, given the emphasis on images placed by such social media channels as Facebook, Pinterest and Instagram).

The diagram also takes into account the ways in which the more innovative kinds of digital books — by which I mean those that go well beyond presenting just writing and images — also draw inspiration and conventions from other types of media.

Frances Caballo presents Create Social Media Images with Canva and Pablo posted at BookWorks Blog, saying, «BookWorks Social Media Expert Frances Caballo shares two of her favorite apps that authors can use to create social media images; Canva and Pablo.&rMedia Images with Canva and Pablo posted at BookWorks Blog, saying, «BookWorks Social Media Expert Frances Caballo shares two of her favorite apps that authors can use to create social media images; Canva and Pablo.&Images with Canva and Pablo posted at BookWorks Blog, saying, «BookWorks Social Media Expert Frances Caballo shares two of her favorite apps that authors can use to create social media images; Canva and Pablo.&rMedia Expert Frances Caballo shares two of her favorite apps that authors can use to create social media images; Canva and Pablo.&rmedia images; Canva and Pablo.&images; Canva and Pablo.»

This panel will discuss the opportunities and challenges of accessible multimedia, presenting Benetech's DIAGRAM Center, an initiative to create tools and processes for publishers to build in image accessibility for a full range of media types.

As a forward - thinking pet business owner, you have seen the light in the social media tunnel and the unique opportunities it presents to engage and attract new customers, boost your presence in the community, enhance your image, get information for your customers and, most importantly, increase retail sales.

New York - based artist KEVIN BEASLEY presents mixed - media sculptures inspired by two very different cultures and time periods — Bernini's 17th century Baroque alter piece in Rome and an iconic image of Black Panther Huey P. Newton.

Presented by dinca.org, Vision Quest is a three - day festival celebrating the most innovative contemporary moving image and media art culture.

Beyond the Image Wars in Science, Religion and Art, ZKM / Center for Art and Media, Karlsruhe, Germany Embracing the Present, Portland Art Museum, Portland, USA Multiples.

Recent work combines images of transsexuals with that of overtly sexual symbols: snakes, cacti and jellyfish amongst others, highlighting the ever - present threat of commodification that commercial media brings to the human body.

Taking it's cue from the popular hashtag #currentmood, which Cory often uses to share his browsing habits on social media, the show brings together new works that present something like a «listicle» image dump self - portrait of Arcangel.

Chelsea NY: Viridian Artists is pleased to present «RECEIVED IMAGES», a solo exhibition of mixed media works by the artist ELIZABETH FEATHERSTONE HOFF.

«New Photography 2010 presents four artists — Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross - Ho — whose photographs mine the inexhaustible reservoir of images found in print media and cinema.

For its 36th Edition, The Photography Show features 86 fine art photography galleries presenting images ranging from 19th century photographs to modern and contemporary photographs plus photo - based art, video and new media.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Constructing Realities: Photography, Film, Video, and the Internet follows six artists from the 1960s through the present as they create new images using the ever - widening range of technological media available today to create six entirely diverse landscapes of the real.

Galerie Lelong will present the internationally renowned artist Alfredo Jaar and his provocative work The Sound of Silence, a sculpture - and - film installation that addresses difficult questions about the human response to the suffering of others, the responsibilities of the witness, and the ownership of images that serve as witness in the media.

The LUMA Foundation is also pleased to present a symposium titled «The Human Snapshot,» which brings together many of today's leading thinkers to discuss the effect of the photographic image, its distribution through new media, and its impact on human rights.

Presenting a translation of the artist's imagination into perceptible experience through a combination of moving image, performance, and painting, Warboys» practice spans across a range of media and, intentionally, she has not settled on one fixed mode of working.

For her solo exhibition, in medias res (t), on view at the Downtown café March 29th through May 16th, Stevens presents a scrolling patchwork extending over seventy feet, as well as enlarged prints, all created with appropriated images from news outlets and popular mass media.

Image: Anselm Kiefer Des Meeres und der Liebe Wellen [Detail] 2011 Mixed media and gynaecological instrument on photographic paper © the artist Photo: Charles Duprat Courtesy White Cube White Cube Hoxton Square is pleased to present a new exhibition by the internationally acclaimed artist Anselm Kiefer.

The Interrogative Imperative in Durational Media Drawing on the recent record - setting survey of Pipilotti Rist's work at the New Museum, Sutton's talk presents a close reading of Rist's work arguing that the distinction between analog and digital image media is not ontological, but rather scalular — registered in degrees and subject to increases in speed, volume and spMedia Drawing on the recent record - setting survey of Pipilotti Rist's work at the New Museum, Sutton's talk presents a close reading of Rist's work arguing that the distinction between analog and digital image media is not ontological, but rather scalular — registered in degrees and subject to increases in speed, volume and spmedia is not ontological, but rather scalular — registered in degrees and subject to increases in speed, volume and spread.

Bringing together more than fifty paintings, the exhibition Better than de Kooning will extend over the entire upper floor of the Villa Merkel and retrace the interaction between painterly deformations of the human figure and mass - media images from 1961 to the present.

Crumb also offsets the bawdy images with breathless pseudo-high-falutin'texts which send up the artist's own desires, academic commentaries on art, and how the media present women.

Another recent exhibition, BitStreams (2001), co-curated with Debra Singer, presented projects that harness digital media to achieve new dimensions of artistic expression through the transformation of images, space, data, and sound.

In installation, photography and video, the authoritative fixity of representational media is betrayed as those bodies presumed to be contained — as ghosts, as pop culture signifiers one step removed from the referent — return to haunt the image as desiring bodies, as spectres, as present absences that make even the quotidian an uncertain experience.

When you hear the phrase «women photographers» you probably imagine a series of images depicting the female body, some important event or a theme of modern third - wave of feminism women empowerment ever - present in the media.

Rather than attempting a definitive history, the publication posits an alternative approach to the myriad questions and debates associated with representation, presenting its technological history as inextricable from the social history of media, and staging this through the complex and multivalent relationship between the photographic image and the body, whether it be the body of the viewer, or that of the depicted.

This may seem a mouthful, but really what it means is that the viewing experience is unlike any you've ever encountered; between the 3 - channel video installation, the photographs, and the apps, the images Syms presents and the way in which they are revealed asks us to reconsider our relationship to media such that we become acutely aware of the presence of our own bodies in time and space.

Finding Prospect in Myth features photography, painting, sculpture, archival images, and mixed - media works by nine artists who investigate how culture and environment affect our lives through the interplay between the past, present, and future.

While her contemporaries staged the relations between painting and photography, Sillman chose instead to look at other mass media forms of image making, selecting the diagram as her lever to open the historical nature of painting to the present.

The exhibition presents images of mirrors in a variety of media.

An earlier exhibition, Cinema Remixed and Reloaded: Black Women Artists and the Moving Image (2008), which she co-curated with Andrea Barnwell Brownlee, was nominated for the prestigious AICA (International Association of Art Critics) award in the digital media, video or film category and was later presented at the 11th Havana Biennial in 2012.

The Infra - structural Image: Urban Projections from the Bay Area and Vancouver is an exhibition and two evening film series which will present new media installation, video and experimental short film that explore the relationship between film, memory and perception in relation to the Bay Area and Vancouver urban environments.

In recent years, applying techniques of composition to various media, he has presented images, sounds, 3 - dimensional works, and installations, given solo exhibitions and organized many other projects.

Her project, Landscape Sublime, presents hybridized scenes of tabletop collages, and forms a distinct and multi-layered interrogation of photographic aesthetics, online media, and our image saturated culture...

New Series of Photographs by Laurie Simmons To Premiere at the Jewish Museum in March 2015 Images Explore Methods of Self - Expression in a Social Media - Driven World Through Online «Doll Girls» Subculture New York, NY — The Jewish Museum will present a series of recent photographs by artist Laurie Simmons, on view from March 13 to August 9, 2015.

Collía presents images borrowed from mass media to criticize the unstable social and political situation in his country.

Such engagement strongly shaped his ideas for art at a time when the electronic image and media - based technologies were also becoming increasingly present in everyday life.

In the last 15 years, Herman Asselberghs has built a modest but precise and internationally presented body of audiovisual work, in which he explores the borders between word and image, world and media, poetics and politics.

I am presenting images we see in media, images the viewer could easily scroll through on a phone.

Unburdened by complex narratives the artist's work presents us with our own identities filtered through the lense of media intervention, it is in fact the way that we now present our own image to ourselves.

Since the 1980s, Minter has doggedly rendered shocking images that call attention to the violent aspects of pornography, misogyny, and mass media present in American culture.

«I've become used to that dopamine release from likes and comments,» Cortright admits.And even if Prince's social media feed feels like an endless stream of schadenfreude — when the artist, who is in his 60s, printed his Instagram images onto canvas and presented his «New Portraits» at Gagosian Gallery in uptown Manhattan last year, a younger artist tweeted, «Watching Richard Prince do Instagram is like watching your dad try to rap» — it's notable that even he has embraced the idea that much of what is worth viewing in the art world is available online.

In addition, as a Creative Partner of the Main Line Art Center's «Panorama 2016: Image - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital mImage - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital mimage and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital media.