Sentences with phrase «media rich world»

In the media rich world we live in, reading... Continue reading «5 Tips For Keeping the Kids Reading All Summer»

Not exact matches

While the Google logo is one of the most recognizable online logos in the world, even Google switches up their logo with rich media sometimes to increase engagement with visitors.

In 2017, China South Publishing and Media Group, the sixth largest publisher in the world, published Rich Habits in simple Chinese.

The evolution of social media has given cash - rich Chinese buyers the ability to easily buy property around the world that are worth millions — all with just a click or... Per saperne di più >

World's richest woman Gina Rinehart is enduring a media firestorm over an article in which she takes the...

Why do you think every financial journal or wealth assessment tool places us squarely within the top tier of richest teams in the footballing world or do you think that is just another example of the elaborate conspiracy on the part of all media institutions bent on bringing down the 6th place team in the EPL, as Wenger and his most ardent supporters would have you believe.

I don't see how any true fan can be happy about the situation we are in The club goes backwards each year but still fans on here and other social media outlets think that the club are doing great, how can you be happy when we see the same thing year in year out, scrabble for 4th, get champions league place, scrabble out the group then get turned over by the next big team For me this is not how a big club should be run (7th richest club in world football) Why don't we act like it.

Manchester United, the richest football club in the world, are the undisputed champion when it comes to English outfits with the largest presence on social media.

«For decades, the Post's billionaire owner Rupert Murdoch has used his corporate cash and media platforms (including the Post and Fox «News») to make the world a better place — for rich people.

This isn't just a fictional conceit; we live in a world where the rich and powerful use the media to keep the poor and underclass at each others» throats, divided by false racial lines or cultural boundaries.

Bob Balaban's film about Doris Duke, «the richest girl in the world,» and her gay butler, is a fascinating deconstruction of the straight gal / gay guy pairing that so often defined LGBT media representation from Will & Grace onwards.

Said Anand Mahindra, Vice Chairman and Managing Director of Mahindra Group, «Our entry into Media and Entertainment is positioned to create a rich resource for Independent Filmmakers and to encourage original storytelling from all parts of the world in line with the Mahindra Group's global foot print.

For the past seven years, the On Story Project has shared these rich and entertaining conversations about the power of storytelling with audiences around the world for free on public media.

Even one of the largest companies in the world has seen the impact of rich media.

We work with private - sector companies, media organizations, and federal agencies like NASA, Jet Propulsion Laboratory, and the National Science Foundation to create research - and standards - based, media - rich materials that bring the outside world into the classroom and ignite students» imaginations.

Real - time reporting against standards, rich media - driven portfolios, a vibrant collaborative learning experience, top - notch unit plans from teachers around the world, and much more.

Lyfta is a rich media learning experience from Finland that invites pupils to have memorable, immersive experiences with real human stories from around the world.

And because learners have shorter attention spans in an increasingly media - rich world (again, changes in technology), gamification can give learners the instant gratification they crave through real - time feedback loops.

Digital Bytes teaches teens digital citizenship through student - directed, media - rich activities that tackle real - world dilemmas.

I could find only one publishing enterprise supported by Brian Rich's Catalyst, F+W Media, the force behind Digital Book World and Writer's Digest (and many other communities).

The incredibly rich 2013 speaker list ranges from bestselling authors like Malcolm Gladwell, Sylvia Day, and Jennifer Armentrout; media masters like Brad Stone of Bloomberg Businessweek, Laura Hazard Owen of paidContent, Jeremy Greenfield of Digital Book World, and Phil Sexton of F+W Media; top executives from the Big 6 houses; the Author's Guild and the US Department of Justice; top children's and educational publishers like Scholastic, Cengage, and Houghton Mifflin Harcourt; industry visionaries, such as Matt McInnis of Inkling, Allen Lau of Wattpad, Kristen McLean of Bookigee, Richard Nash of Small Demons, Corey Pressman of Exprima Media, Mark Ury of Storybird, Hugh McGuire of PressBooks, Craig Mod, John Ossenmacher of ReDigi, Anne Kubek of InScribe Digital, Josh Schanker of BookBub, and more; and finally, industry giants Barnes and Noble, Kobo, and Gomedia masters like Brad Stone of Bloomberg Businessweek, Laura Hazard Owen of paidContent, Jeremy Greenfield of Digital Book World, and Phil Sexton of F+W Media; top executives from the Big 6 houses; the Author's Guild and the US Department of Justice; top children's and educational publishers like Scholastic, Cengage, and Houghton Mifflin Harcourt; industry visionaries, such as Matt McInnis of Inkling, Allen Lau of Wattpad, Kristen McLean of Bookigee, Richard Nash of Small Demons, Corey Pressman of Exprima Media, Mark Ury of Storybird, Hugh McGuire of PressBooks, Craig Mod, John Ossenmacher of ReDigi, Anne Kubek of InScribe Digital, Josh Schanker of BookBub, and more; and finally, industry giants Barnes and Noble, Kobo, and GoMedia; top executives from the Big 6 houses; the Author's Guild and the US Department of Justice; top children's and educational publishers like Scholastic, Cengage, and Houghton Mifflin Harcourt; industry visionaries, such as Matt McInnis of Inkling, Allen Lau of Wattpad, Kristen McLean of Bookigee, Richard Nash of Small Demons, Corey Pressman of Exprima Media, Mark Ury of Storybird, Hugh McGuire of PressBooks, Craig Mod, John Ossenmacher of ReDigi, Anne Kubek of InScribe Digital, Josh Schanker of BookBub, and more; and finally, industry giants Barnes and Noble, Kobo, and GoMedia, Mark Ury of Storybird, Hugh McGuire of PressBooks, Craig Mod, John Ossenmacher of ReDigi, Anne Kubek of InScribe Digital, Josh Schanker of BookBub, and more; and finally, industry giants Barnes and Noble, Kobo, and Google.

In our over-connected, media - rich world, this has never been less effective.

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, The Media - Rich World of the Library User, The Library Borrower as Buyer, The Library Ebooks Users, Drivers and Barriers, and What Patrons Value.

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If you really want print / media exposure, I would either look to: a) a cash rich / zero debt companies in the developed world — and hope they can churn out cash / earnings / dividends, and / or diversify their assets, or b) companies in / exposed to the emerging markets — probably cheap also, but still offer some growth potential.

John Finlayson, Commercial Director of Columbus Travel Media: «The World Travel Guide will occupy a unique space in the market, combining all the content of a publishing company with a rich heritage and the tools and functionality that the modern traveller demands.

In the 2017 Internet Advertising Competition World Nomads submitted Extraordinary Experiences 2016 in the category of Best Rich Online Media Campaign for financial services and we're delighted to announce the spectacular crystal trophy now sits in our Sydney, Australia office.

With a broad set of experience from various corners of the media industry in animation, design and programming coupled with a fiery passion for the world of video games and all that is associated with it we aim to set the bar for what is expected from a mobile gaming experience; relatable characters, rich graphics, infectious sound design and most importantly of all - addictive, refreshing gameplay that, for any audience, is easy to pick up yet hard to put down.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

In the intervening fall and spring semesters, students engage in required, rich - media online coursework from all over the world.

Bearded and bespectacled, wearing a crumpled tweed jacket that one might well associate with a geography master and wearing a hat to conceal his self - confessed bad hair day, Starling hardly looks the winner of the sexiest, most media - friendly, sponsorship - rich art prize in the world.

The Deepwater Horizon disaster in the gulf is an MTV moment... Because it is on the doorstep of the richest country in the world, the worlds media spotlight is on the area.

«Social media companies are some of the biggest & richest in the world, they have huge power & reach.

The relatively rich and privileged political - media world that almost entirely missed Brexit and the reasons for it has largely swallowed this comforting meme and spent two years talking, as usual, mainly to themselves.

In the largely unregulated world of bitcoin and cryptocurrency, fraudsters are getting rich by deliberately spreading false information to affect the price of their holdings using social media, scam news sites, and private chat apps.

Its narrative is slowing emerging from polarizing mainstream media stories such as its use by either dark web criminals or of tech nerds striking it rich, (with the Big Bang Theory episode taking the latter approach) that now it can't be denied that a wider narrative is emerging as Bitcoin sparks innovation in the general Fintech sector and gains a grudging acceptance by the traditional investment world not wanting to see a good opportunity go to waste.

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