Sentences with phrase «media than painting»

As he suggests, some of the best looks back have come in other media than painting.

Not exact matches

This data focused way of finding users is far more effective than traditional media advertising, where potential audience members are painted with the broadest of strokes.

Is it completely different than how my media - filled brain has painted it?

Twin Peaks: The Return By Aliza Ma David Lynch's latest mass - media experiment was much more than «season three» of a beloved series — it pushed the filmmaker into new realms of the dark arts Plus: Installations, paintings, and Peaks by Violet Lucca

Now, more than just a media company, China Personified is a «social enterprise» that through sharing people's stories — in first - person blogs, podcasts, video profiles, and more — paints a vivid picture of China, building a greater understanding of the country's people and culture.

Now we have a media that is sometimes known to lie through its teeth and paints misleading narratives far worse than before, «fake» media sites that thrive on controversy and lies, internet commentators and social media users in full on delusional filter bubble mode and all manner of other stuff besides.

I see painters using paint to sell their artwork, seemingly selling a «painting» more easily than a piece of not so popular media art, that of a «textile» piece of artwork.

The vibrant mixed - media painting sold for $ 78,000 ($ 97,500 including fees), more than twice the high estimate and, according to Swann Auction Galleries, a record for the artist.

The mixed - media painting sold for more than $ 4.5 million (including fees) at the Post-War and Contemporary Evening Auction last night, setting a record for the British - born Ofili.

Laid out according to subject rather than chronology, the effect is that of a forensic case study, tracing a path from the everyday objects she called her «models» to her «portraits» — incisive studies she made across media — to her paintings, where the original subject is less abstracted than obscured by the history of her experimentation and transformations.»

Sharon Brant has produced conceptually and aesthetically rigorous abstract paintings and drawings for more than four decades that commonly blur the lines between media.

Media are mixed, but most of the artists seem more interested in riffing and exploring the fringes of their medium of choice (textile and painting are favorites) than in eliminating boundaries between mMedia are mixed, but most of the artists seem more interested in riffing and exploring the fringes of their medium of choice (textile and painting are favorites) than in eliminating boundaries between mediamedia.

Besides new media, though, their rallying cries turn on something else: they were aspirational rather than factual, since they challenged the dominance of painting.

Created in 2013, the mixed - media painting sold for 3,778,500 pounds ($ 5,743,320 including fees) nearly twice the high estimate of more than 4 million pounds.

The exhibition includes more than two - dozen modestly scaled drawings, paintings, pastels and mixed media works, dated between 1966 and 2000, depicting cityscapes, mountains, and farmland.

Comprising more than 100 artworks from public and private collections, the retrospective will include a range of media from five decades — video, performance, painting, sound, works on paper, and graphics.

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

Despite her use of conventional media, Abts» Turner Prize win in 2006 has paved the way for a hipper assessment of her work than most painting generates in a climate that favors improvisational, site - specific installation projects.

His winning gambit was to use black enamel and acrylic paints, unusual media that have the feel more of viscous printing ink than of paint.

Despite a career of more than seven decades, which encompassed an extraordinary output of work in all media — painting, drawing, printmaking, sculpture and installation — Louise Bourgeois (1911 - 2010) is irrevocably associated with one particular form: the spiders, often enormous, that she sculpted throughout the 1990s.

A mixed media painting is one which combines different painting and drawing materials and methods, rather than only one medium.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

35 VSA Wisconsin 1709 Aberg Ave, Ste 1 • 608.241.2131 • vsa.org Visual Expressions: A Call for Art Exhibition featuring more than 200 works by Wisconsin artists with disabilities including paintings, drawings, mixed media and sculpture.

The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection — comprising more than 19,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 2,900 artists — contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty - first centuries.

It might seem newly relevant, now that painting is back, but less as formal exercise than as a hybrid of styles and media.

Organized in collaboration with the Brandywine River Museum of Art, the exhibition will feature more than 200 artworks, including more than 70 from the High's permanent collection, and encompass a wide range of media and makers — from paintings and photographs to murals and sculpture, by trained and self - taught artists, modernists and regionalists.

Since its establishment more than fifteen years ago, Lehmann Maupin has organized and curated hundreds of exhibitions for some of the world's most celebrated contemporary artists working in painting, sculpture, photography, video and new media.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media including drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media, including collages, drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

LOCATION: New York, New York SPECIALTIES: Computer art; visual narrative; photography, video, and related media; fine arts (painting, sculpture, printmaking) TUITION: $ 36,500 TIME TO DEGREE: 2 years NOTABLE FACULTY: Mark Tribe, Marilyn Minter, Laurel Nakadate NOTABLE ALUMNI: Inka Essenhigh, Barnaby Furnas, Keith Haring, Andrea Fraser, Sarah Sze, Sol LeWitt BIGGEST SELLING POINT: SVA is more than the snazzy ad campaign you may have seen plastered around New York's subway system.

With more than 85 new works in diverse media, including painting, drawing, sculpture, photography, video, digital animation and mixed media, Frequency exemplifies the non-thematic, non-linear climate of contemporary art today.

More than 3,500 entries in a wide variety of categories, including painting, drawing, mixed media, photography, sculpture, graphic design, film, fashion, as well as senior art portfolios were judged by a panel of judges over the course of several days.

The featured artists were selected from among more than 2,500 who entered the competition, submitting portraits in a range of mediums from painting, drawing, prints, photography, textiles, and sculpture to digital media and video.

More than 2,500 entries in a wide variety of categories, including painting, drawing, mixed media, photography, sculpture, graphic design, film, fashion, as well as senior art portfolios are judged by a panel of judges over the course of several days.

She might have said that she paints to heal herself from the traumas of her mother's breakdown and her father's suicide, yet the drawings, paintings and mixed - media sculptures she shows here are more uplifting and humourously spirited than indulgently confessional or depressive.

Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.

- Equips students with technical and research resources from a state - of - the - art, digital Creative Media Center to the Visual Resource Center and its vast database including the archive of the Skowhegan School of Painting and Sculpture's distinguished lecture series spanning more than fifty years.

This show presents work by more than a dozen artists (all of whom are also curators, and / or have run or currently run spaces of their own) in a range of media that covers several bases: conceptual and abstract art, figural painting and drawings, and political pieces.

This masking and obscuring of time combined with the multiple references to media builds more questions than answers, giving someone a place to investigate and question both the history of painting and its relationship to modern life.

by more than a dozen Academy alumni and current students including: Torey Akers (Painting» 16), Molly Aubry (Print Media» 18), Eric Broz (Sculpture» 17), Jim Bullard (Print Media» 17), Rachel Deboard (Painting» 17), Mark Dineen (3D Design» 13), Sabastian Duncan - Portuondo (Fiber» 18), Lorena Cruz Santiago (Photography» 19), Rachel Ferber (Fiber» 18), Margaret Hull (Fiber» 16), Rachel Pontious (Painting» 17), and Anjuli Wright (Ceramics» 17).

Mostly paintings in oil but also other media, plus drawings and several sculptures this intriguing exhibit made clear the challenge of self - portraiture to achieve more than a likeness captured in a particular moment and move towards a fuller revelation of self and the essence of one's work.

[69] The largest solo exhibition Hockney has had, with 397 works of art in more than 18,000 square feet, was curated by Gregory Evans and included the only public showing of The Great Wall, developed during research for Secret Knowledge, and works from 1999 to 2013 in a variety of media from camera lucida drawings to watercolors, oil paintings, and digital works.

SJMA's permanent collection of more than 2,000 20th - and 21st - century works of art includes paintings, sculpture, installation, new media, photography, drawings, prints, and artist books.

The exhibition includes more than 40 paintings and works on paper, ranging from the monumentally scaled mixed media on canvas Anything To Fill In The Long Silences, 1998 and Where Speech Could Have Been Transcribed, 2001, to intimately scaled paintings on paper from the 2000 series «What Makes a Writer Great.»

Bringing together more than fifty paintings, the exhibition Better than de Kooning will extend over the entire upper floor of the Villa Merkel and retrace the interaction between painterly deformations of the human figure and mass - media images from 1961 to the present.

Featuring painting, sculpture, photography, drawing, video and installations by more than 40 artists, Lifelike is the first publication to address the recent history of artists using these strategies across media.

Herald Street, London, until 11 May 2014 So various are the works of London - based artist Djordje Ozbolt — Pop - inspired sculpture, weird paintings of nature, Primitivist - style constructions — that his sense of humour is a more common thread than media or method.

He seems less drawn to transgressing the physical boundaries of media — although he does combine drawing and painting — than in expanding art's capacity for direct emotional expression and radical vulnerability.

The Current Exhibition, Moulin Rouge, features over 50 pieces of art by more than 30 local artists and includes paintings, fiber art, mixed media and photography.

She added: «Rather than rely on the endless flood of photos from social media, I use oil painting as a means to force myself and the viewer to slow down and dissect these moments of group interaction / disconnection.