Sentences with phrase «media wall piece»

«Short Stories» — Installation, A mixed media wall piece comprising 41 individual, hanging assemblages to be hung at the Frazier Rehab Hospital, Louisville.

African Dream by artist Pascal Pierme is a contemporary red and brown sculpture mixed media wall piece that measures 40 x 40 and is priced at $ 6,000.

Behind a sofa sculpture that you can climb into the back are mixed media wall pieces next to paintings depicting what looks like a tabloid cover.

Painter Matthew Ritchie and Katy Schimert, who makes delicate mixed - media wall pieces, raid cosmology, brain science and psychoanalysis for words and figures to make their own origin myths.

Mixed media wall pieces and jewelry meticulously created and inspired by the systems and minutia of visual life, objects and nature.

Not exact matches

«Five years ago,» says Richard Greenfield, a media and technology analyst at BTIG who happens to be Netflix's most vocal proponent on Wall Street, «we wrote a piece saying that the networks shouldn't license to Netflix because they were going to unleash a monster that would undermine their business.»

SEPTEMBER 26, 2011: Katrina Orlowski pens a Tyee piece wondering why Big Media refuses to take seriously an emerging movement called Occupy Wall Street.

Driven by his passion to raise awareness of those issues, Rich has appeared on CNN, Fox, ABC, NBC, and PBS, and written pieces for the Wall Street Journal, The Washington Post, The Huffington Post, and other media outlets.

Nate Silver had a great piece in the Times over the weekend, looking at how clashes with police seem to have driven mainstream media coverage of the Occupy Wall Street protests (a classic example of the principle of «if it bleeds, it leads»).

Also published on HuffingtonPost Nate Silver had a great piece in the Times over the weekend, looking at how clashes with police seem to have driven mainstream media coverage of the Occupy Wall Street protests (a classic example of the principle of «if it bleeds, it leads»).

In one of his posts on social media, Blakk Rasta who got the opportunity to tour Zimbabwe after his concert noted that he visited the Great Walls of Zimbabwe and saw the walls, which reminded him of a piece of our hisWalls of Zimbabwe and saw the walls, which reminded him of a piece of our hiswalls, which reminded him of a piece of our history.

It feels entirely of a piece with what we see of Abundant Life, every detail of which — the enormous red - carpeted sanctuary, the state - of - the - art media equipment, the hip modern cafeteria with its artfully Scripture - adorned walls — feels ruthlessly accurate and almost comically alienating.

Other works include: a John Chamberlain sculpture, sexy photographs by Carolee Schneeman, two Bruce Conner pieces, a Lee Bontecou on the wall, a Cy Twombly, five Ray Johnson collages, a Wallace Berman, an Edward Kienholz, three mixed media works by Jess, a sculpture by Frederick Keisler, photographs by Minor White, Aaron Siskind, Harry Callahan, Robert Frank, William Klein, and Roy DeCarava, and three Romare Bearden collages.

For No borders in a wok that can't be crossed, Marten has created a group of works which interweave the diversity of her work in terms of media — from sculptures to wall pieces and floor works — in a comprehensive installation including many new works created specifically for the CCS Bard exhibition.

The exhibition likewise includes a wall work consisting of two recesses in green Plexiglass and various pieces of furniture that exemplify the closeness of Judd's formulations across different media.

The pieces are often staggering in scale and sensually arresting, frequently employing food and drink as media: one ton of ribs with honey dripping on them from the ceiling; 2,000 hard - boiled eggs with a pile of latex gloves nearby to pick them up; 1,521 doughnuts hanging on a free - standing wall; a room - sized cell padded with 1,800 cones of pink cotton candy.

Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.

When his pieces were initially exhibited by Castelli Gallery in the 1960s, Sonnier set a precedent for abandoning the rules of traditional sculpture, forgoing the pedestal to create wall - based works and trading traditional media such as bronze and marble for unconventional and psychologically loaded materials, such as cloth and latex.

Soto created mixed - media constructions as wall pieces or as free - standing sculptures that emphasize the textures of cloth, metal, and wood.

Edward and Nancy Reddin Kienholz, 76 J.C.s Led the Big Charade (detail), 1993 — 94, mixed media, 76 wall - mounted pieces.

Her expansive piece «The Privilege of Conveyance» (2016, mixed media on paper) wrapped around the main surface of the gallery wall to inhabit the wall's side as two dimensions turned into three, both on the surface of her paper and in space.

Anna Masters is a mixed - media artist whose practice incorporates wall - based pieces, three - dimensional works and site - specific installations.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

The exhibition encompasses a broad range of media to include site - specific work, wall drawings, sculptural pieces and film and animation alongside more traditional approaches.

The installation, Le Magasin Monumental, is composed of mixed - media pieces, «reliefs au mur» constructed out of discarded materials (wire, weathered wood and stories) and installed on the wall among circles painted in pale, pastel colours.

Here, a felted, undulating wall piece at R & Company, a minimal hushed meditation of a piece by Minjung Kim, «Insight» mixed media on mulberry hanji paper and a painting by Sung Hy Shin, «'' Entrelacs» acrylic oil on canvas, both at @galleryhyundai Next a collage work (detail more interesting than piece which harkens to Bradford) by Akexandre Farto aka Vhils «Mishap # 6, advertising posters hand carved and laser cut.

For her next solo show at Regen Projects in Los Angeles, Ms. Larner will present ceramic and epoxy wall pieces, a mixed media work made of steamed, bent and painted paper on an aluminum armature, and a free - standing sculpture in mirror - polished aluminum, further establishing her reputation as a master of hybrid forms.

I would love to bring in lighter pieces of furniture to contrast the dark media center, wall paint, flooring, ceiling fan and mirror.