Sentences with phrase «medium value works»

Law department's primary task was deciding which law firms got what work and on what terms, while law firms did the vast majority of high and medium value work (and a fair amount of low value work).

Not exact matches

His 1875 work, «Money and the Mechanism of Exchange,» defines the four functions of a currency: as a medium of exchange, a measure of value (or unit of account), a standard of deferred payment, and a store of value.

While I might only use the tweezer in an eyebrow emergency situation, it's a great value kit and the color options — light to medium and medium to dark — are both excellent color options that are neutral enough to work on nearly every skin tone or hair color,» said Gafni.

A huge mix of medium to large budget films seem to have got extra production value from using Vancouver for location and stage work, I'm sure they'll be able to do the same for Deadpool.

Also, he works dark on dark, or light on light, to create subtle contrasts of hue and value and allow the visceral quality of the medium, and the physicality of the line's edge, to be as important as investigations of hue, value and form.

This year the selected artists have explored themes of gender, labour, value and consumption in new work of every medium.

On view from May 14 — September 3, 2017, it features works by artists including Duchamp, Cory Arcangel, John Baldessari, Sophie Calle, Judy Fiskin, Sherrie Levine, Jeff Koons, Jorge Pardo, Francis Picabia, Julian Schnabel, Andy Warhol, Kara Walker and others in a variety of mediums that address issues of beauty, value and judgment.

The works appropriate corporate value (of a piece with the global financial system) as an artistic medium.

These works, Sotheby's six panel version is above, are particularly market friendly as they combine the artist's ideas about authorship with a sturdy medium and the gold tone that has come to be associated with some of his most valued works.

The Frank Juarez Gallery exhibits and supports the works of artists who value innovation, technical discipline and artistic excellence in their chosen medium.

Steiner calls iconography into question across 12 works of watercolor on paper, two oil paintings on medium - density fiberboard, and a new piece within his celebrated «Anti-Paparazzi» series — from their resonance and value to the very idea of trademarking.

EXPORT's iconic work Touch Cinema (1968), in which she constructed a Styrofoam box and placed it over her chest, inviting passersby to reach in and touch her breasts, still resonates for its shock - value and use of experimental mediums.

While focusing on works on paper, a medium that Dan Shaw - Town exhibited almost exclusively from 2008 until 2011, he became preoccupied with «flatness as a physical condition rather than an assigned value.»

Saatchi has never previously collected or even promoted video work in the past, a difficult medium to value and to show.

His latest show at Matthew Marks Gallery presented works that all pointed, to some extent, to the subject of time, not only suggesting art's connection to «currency» as a value and medium of exchange, but also to how art objects transition from a marker of «the now» to an antique collectible.

And like Ligon, many modern and contemporary artists and designers have also recognized the aesthetic value of neon and are using the medium in their work.

This limitation helps guarantee the work's value on the market, but operates against one essential character of the photographic medium.

Louisa Stude Sarofim and Janie C. Lee appreciated the value of drawing decades before many people considered that kind of work integral to an artist's creative thinking, much less a medium worthy of its own museum.

A theme explored in a number of entries is the act of painting itself, with several works exploring the significance, challenges and value of this medium.

The results muddied the conventional approach of highly valuing unique works that display the artist's touch, instead celebrating print multiples as a medium for experimentation.

Chung's methodical and introspective approach to painting aligns his work with Tansaekhwa values, as he explores the power of his medium to invoke contemplation while probing the identity of an art object defined by a disciplined devotion to craft.

This meant coming up with a way of defining relative values for different kinds of work, and establishing a medium of exchange.

(i) BMO reducing its roster of firms from about 800 to 200 with further reductions planned; (ii) the clients of seven sister firms hiring me to help them get control over their legal spend and forge stronger and more value based relationships with their firms; (iii) the many small and mid-sized businesses who hire accountants to do all of their tax and structuring work because it is cheaper than dealing with lawyers; (iv) firms hiring me to help them figure out how to budget, set and meet client expectations without losing money; (v) «clients» who never become clients at all as they do their own legal work based on precedents that friends share with them; (vi) the various forms of outsourcing that are now prevalent (from offices in India to Tory's office in Halifax); (vii) clients hiring me to figure out how to increase internal capacity without increasing headcount in order to reduce external spend; (viii) the success of firms like Conduit, SkyLaw and Cognition (to name a few) who are taking new approaches to «big» and «medium law» work; (ix) the introduction of full time project managers in many firms; and (x) the number of lawyers throughout the profession who regularly don't docket chunks of their time in order to avoid unpleasant fee conversations with their clients.

The Network, working closely with its sister companies, Nextlaw Labs and Nextlaw Ventures, curates and identifies cutting edge technologies of value for small to medium sized law firms.

The eat - what - you - kill systems tend to be favoured by small or medium - sized firms and may be weighted in various ways to reflect the relative value the firm places on bringing work in, actually doing the work and billing for it, or passing the work on to others within the firm.

The work [Axiom does] covers a spectrum of sophistication: at the high - end, we are displacing the use of law firms in a given area; at the mid - high / medium point on the spectrum, we are doing work that used to be done by senior company lawyers; and we will also handle the lower - end work if it is a part of the same value chain.

She works with medium to large organisations, interested in helping employees unearth their own unique value proposition / differentiated brand.