Today, one can earn an advanced degree in literature without having to associate with actual novelists or poets, or a degree in art history without bothering to
meet practicing artists.
Not exact matches
TALK April 24: Ethiopian - born American painter Julie Mehretu discusses her
practice with Karen Milbourne, a curator at the Smithsonian's National Museum of African Art, for the
Meet the
Artist series at the Hirshhorn Museum.
In 1954, after a stint in Japan during the Korean War, he settled in New York and
met artist Robert Rauschenberg, who introduced Johns to John Cage and Merce Cunningham, whose
practices would have a strong impact on Johns's artistic development.
In April, Mehretu discussed her
practice with Karen Milbourne, a curator at the Smithsonian's National Museum of African Art, for the Hirshhorn's
Meet the
Artist series.
Science - Fiction Expressionism is a term the
artist coined to describe his painting
practice in which dark humor
meets with blazing colors and loose brushstrokes.
Meet The
Artist on Friday, November 27 from 12 to 8p: Join Cuboids artist, Wojciech Gilewicz, and curator, Bartek Remisko, at Cuchifritos Gallery to learn more about the artist's work and practice before the exhibition closes on Sunday, Novemb
Artist on Friday, November 27 from 12 to 8p: Join Cuboids
artist, Wojciech Gilewicz, and curator, Bartek Remisko, at Cuchifritos Gallery to learn more about the artist's work and practice before the exhibition closes on Sunday, Novemb
artist, Wojciech Gilewicz, and curator, Bartek Remisko, at Cuchifritos Gallery to learn more about the
artist's work and practice before the exhibition closes on Sunday, Novemb
artist's work and
practice before the exhibition closes on Sunday, November 29.
Meet the
artist / curator: Ashley Jude Jonas By Eva Buttacavoli Photo: Ashley Jude Jonas, «Buffalo Husband» As artistic
practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the
artist and -LSB-...]
«Mastry» features more than 70 paintings and is presented with «Kerry James Marshall Selects» a concurrent exhibition of works from the
Met collection that have inspired the
artist's
practice.
The last couple of months have been spent researching George Hallett pre-exile photography
practice in 1960s South Africa, visiting the 13th Sharjah Biennial (read the review on Contemporary And) and Reunion Island as part of the Frac (Fonds Régional d'Art Contemporain), which was also an occasion to
meet artists across the island and give a talk at the Ecole Supérieure d'Art.
To help our
artists prepare for these
meetings, we asked Almitra Stanley, a veteran consultant and past advisor to our
artist recipients, to share some tips and best
practices for getting the most out of their consultations.
Meet the Austrian
artist changing the status quo of photography through an experimentation - based artistic
practice and digital post-production processes.
The two mixed media
artists met five years ago during a residency at the Vermont Studio Center where they made a connection through their shared philosophy and
practice.
The
artist also talks about
meeting King in Montgomery, Ala., using photography in his
practice, the influence of «Bill» de Kooning, and the 12 - foot - wide tool he created to rake the paint across the canvas of «Asa's Palace.»
«However, I get to hang out with great participating
artists, have wonderful conversations with those who stop by to see the shows; and running the project space has allowed me to
meet people in the art world I probably wouldn't have with just my studio
practice.»
Tabitha Steinberg
met with London - based
artist, Duncan Loudon to discuss his
practice.
While living in Cambridge, Mr. Stone
met the
artist Robert S. Neuman, whose work he admired so much that, after moving to New York to
practice law, he spent much of his working day trying to get Neuman exhibitions and giving free legal advice to
artists like Elaine de Kooning.
After selecting the opera that they were most drawn to from the seven operas that will be presented by the Israeli Opera this upcoming season, delving into its libretto and music, and
meeting with the opera's artistic team, each
artist set off to formulate and offer his or her personal interpretation to the opera, in their unique artistic
practice and language.
To be eligible,
artists need 20 or more years investment in their
practice, live in Houston or an adjacent county, and
meet specific criteria such as contributing to the community as an educator and / or social activist, having maintained long term affiliations with an arts organization, and more.
in5 will hold an open studio on Saturday, March 10, from 12:00 - 16:30 pm, offering the public the opportunity to
meet the
artists, see their work in progress and learn more about their
practice by engaging with them directly.
Each year, Pallas Projects invite a number of peers —
artists, writers, educators, curators — to review and nominate a number of art
practices, selected via an editorial
meeting.
Open Studio Day Offering the public the opportunity to
meet the
artists, see their work in progress and learn more about their
practice by engaging with them directly.
Beginning with Sharjah Art Foundation's annual March
Meeting in 2014, SB12 has engaged
artists in a conversation about the place, the project, and each others»
practices.
Larger Than the Sum of Its Parts September 9 - October 4, 2014 Ten women
artists with individual
practices have
met monthly for over six years to craft their careers as thoughtfully as they create their art.
The Sharjah Art Foundation announces the fourth annual March
Meeting, a three - day symposium featuring presentations by 42 institutions,
artists and art professionals on artistic
practice and production in the Middle East, North Africa and South Asia (MENASA) region and beyond, to take place in Sharjah from March 13 to March 15, 2011.
The technologically informed
practices of these
artists reveal new potential
meeting points about the time and space in which we equally reside.
A
meeting place for
artists, photographers, graphic designers, curators, artistic directors a.o. Offprint Paris focuses on high - end and emerging
practices, offering a unique selection of
Curated by Juan Roselione - Valadez as well as Mera and Don Rubell, the exhibition is the result of repeated visits by the Rubell family to Brazil, where they have been building and fostering relationships with the
artists on view over time: «Going to Brazil,
meeting artists, and experiencing their work, we were particularly intrigued by certain
artists who engaged a more intuitive and spiritual approach to their
practice,» tell Mera and Don Rubell.
You are invited to
meet our current
artists - in - residence and our Queens College MFA student group (Social
Practice Queens / SPQ) during the lunch break (11:30 - 12:30) on May 12th and May 13th.
She has been invited to various
meetings, forums and discussions on contemporary art, curatorial
practices and creative processes of various
artists in Spain and Guatemala.
The presenting organizations — of which there were eight — all
met a determined and focused criteria that included: a focus on community building; educational programming for
practicing artists; and commitment to international dialogue through residency programs and exchanges.
Over the course of six «seasons,» the museum will feature videos of
artists reflecting on the
artists and works in the
Met's expansive and historic collection that inspire their own
practices.
Notable participants include: choreographer and dancer Kyle Abraham; poet Elizabeth Alexander; performer Eric Berryman; performance and installation
artist Tania Bruguera; urban revitalization strategist Majora Carter; innovator James Burling Chase; actress and playwright Eisa Davis; architect Elizabeth Diller; The
Met's Kimberly Drew; photographer John Edmonds; juvenile justice reformer Adam Foss; writer and performance
artist Malik Gaines; social
practice artist Theaster Gates; filmmaker Tony Gerber; FLEXN dance pioneer Reggie (Regg Roc) Gray; trombonist, painter, and composer Dick Griffin; dancer and choreographer Francesca Harper; trombonist Craig Harris; vocalist Nona Hendryx; playwright Branden Jacobs - Jenkins; cinematographer Arthur Jafa;
artist and cultural worker Shani Jamila; trumpeter JAWWAAD; gaming pioneers Navid and Vassiliki Khonsari; NYU Professor and musician Jason King; philosopher Gregg Lambert; composer and Bang on the Can co-founder David Lang; novelist, filmmaker, and curator Ernie Larsen; Wooster Group founding member and director Liz LeCompte; Harvard Professor Sarah Lewis; journalist Seamus McGraw; poet Aja Monet; jazz pianist and composer Jason Moran; performance studies professor Fred Moten; visual
artist Shirin Neshat; playwright Lynn Nottage; professor of contemporary rhetorical theory Kendall Phillips; doctor Jeremy Richman; poet Carl Hancock Rux; performance
artist Alexandro Segade; writer and activist Tanya Selvaratnam; guitarist and composer Marvin Sewell; playwright and actress Anna Deavere Smith; conceptual
artist Hank Willis Thomas; performance
artist Carmelita Tropicana; puppeteer Basil Twist; theater director Roberta Uno; vocalist and composer Imani Uzuri; and Wooster Group founding member and actress Kate Valk, among others.
Local students benefit from the opportunity to
meet face - to - face with contemporary
artists from all over the world, and the exchange will offer insight into contemporary art - making processes and will help demystify contemporary art
practices.
What these two share is a life - long artistic
practice with a prodigious production that bears witness of the necessity to express oneself through art — often despite a lack of recognition from society at large or the art establishment, or an ability to make ends
meet as an
artist.
Likening Manet's process to his own video / performance art
practice, Kalup Linzy shared his thoughts on the painter's matador portraits for The
Met's
Artist Project.
IMMA25
Meets... Duncan Campbell, 30th January 2014 IMMA25 hosted this event where young people had an opportunity to talk with acclaimed Irish
artist and most recent Turner prize winner Duncan Campbell and ask questions about his
practice, education and story as an
artist.
Hailing from both Nassau and Suffolk Counties, the Critique Group of Long Island is a group of 12 independent
artists who
meet monthly to discuss artistic
practices and professional goals in the context of art history and contemporary exhibitions.
Per common
practice at the
Met Breuer, works by
artists who influenced Hartley, including Albert Pinkham Ryder and Winslow Homer, hang alongside his own.
The Sculpture Park and
Artist Residency create a space for
artists and experimentation to
meet on the mountain in which the
artists»
practices are challenged to create cutting - edge contemporary art in relation to place.
I wanted to create opportunities for students to
meet and talk with living,
practicing artists — to be inspired by them and to learn from their processes.
Perceiving critical dialogue to be a crucial component toward
meeting their mission, the organization funded the ACAC Writing Fellowship for Art Practical, which creates a platform for emerging writers and aims to encourage critical thinking and writing on Asian contemporary art
practices in the Bay Area.6 The inaugural fellow is Ellen Yoshi Tani, a graduate student at Stanford University, whose research centers on «work of transnational
artists, attending to how they activate sites of difference or sameness, using race and / or identity as medium rather than positioning it as subject.»
As part of Frieze Projects and the ICA off site program over Frieze Week, the Dominican
artist will discuss her
practice and her new «occasions»: a term coined by Lewis herself to describe a celebratory and sensory gathering of things, people, plants, music, dance and smells, a social
meeting place that situates itself somewhere between a bar, a lecture and a salon.
The text «I love Nic» recounts how the curator and the
artist met, how Guagnini insisted on the review being printed and distributed on to the gallery floor as a protest to the know - towing of
artists to the White Cube, and delves into affectionately humorous details of the
artist's cerebral
practice.
With diverse bodies of work that address democracy and the disenfranchised, these two
artists, whose respective histories have seen them confront censorship and embrace celebration,
meet over a shared
practice of social concern.
ARTISTS PANEL MEET + GREET Saturday, November 7, 2015 2 — 4 pm @ The ARC Participating artists will discuss the relevance of race in their practice and what role art plays in transforming society
ARTISTS PANEL
MEET + GREET Saturday, November 7, 2015 2 — 4 pm @ The ARC Participating
artists will discuss the relevance of race in their practice and what role art plays in transforming society
artists will discuss the relevance of race in their
practice and what role art plays in transforming society today.
IT is rare indeed to chance upon that hybrid
artist / activist / community organizer: that gem of a person who not only successfully runs their own
practice, developing thgeir work as a formidable
artist, but also finds time to initiate and organize community
meetings and projects on the side, supporting scores of other creative types on the up - and - up in the process.
Joan Jonas (b. 1936) has inaugurated a new research program at the Wattis in which, over the course of an academic year, a group of CCA faculty members holds monthly
meetings to discuss a particular
artist's
practice, and also program a monthly public event inspired by the
artist's work.
This would prove to be a pivotal
meeting in Aubertin's career, as Klein's blue monochromes inspired the younger
artist to adopt a monochromatic
practice.
SAWCC presents an opportunity for emerging visual
artists with an intensive all - day seminar geared toward helping female South Asian visual
artists who are committed to their
practice to
meet established
artists, curators, and arts professionals; participate in a slide slam; receive individual portfolio reviews; and tour
artists» studios.
Space out 17 November The worlds of photography and sculptural
practice are
meeting head on in the site - specific installation «Not the Actual Site», by Dutch photographic
artist Marleen Sleeuwit at LhGWR in The Hague this weekend.