Sentences with phrase «meet the artists whose»

Fiona Maddocks meets the artist whose star is shining late in life.

Mix - and - mingle receptions were held in the afternoon, giving attendees the chance to meet artists whose work was on view.

Her Royal Highness will tour the gallery and meet artists whose works are in the exhibition.

Not exact matches

Meet Dan Gunn, the 30 - year - old artist whose unusual approach to painting has caught the attention of an increasing number of Chicago curators and gallery owners.

This week Garance meets up with French makeup artist, Violette, whose road to success proves that hard work and trusting yourself will take you far.

Anyone whose been on a no strings attached dating site for more than a month has probably met more than a few con artists.

One filmmaker I was very excited to meet was Ray Harryhausen, the great stop - motion animation artist whose many film works brought realistic dinosaurs and a variety of other gigantic, threatening creatures to the big screen, many of them wreaking havoc on American shores, during the 1950s,»60s and»70s, as well as one last extravaganza in the early 1980s.

Adding cosmopolitan flair to the setting, the cast also includes Elisabeth Moss and Dominic West; she a journalist who awkwardly beds the classy Christian, only to unleash a neo-feminist inquisition the following day when he appears to have forgotten her name; and West, an esoteric artist whose sympathetic personality masks a deep conviction of self - importance that unravels in the film's over-the-top «performance art» set piece, involving a human anthropoid, programmed to conclude an important black tie donors» dinner, a set - up where Marx brothers jiggery - pokery meets the cruelty of Lars von Trier.

In The Red Book, her touching, provocative, whip - smart romp of a novel where The Big Chill meets Mary McCarthy's The Group, Kogan begins with the Red Book entries for a group of roommates from the class of 1989 who are all headed for their 20th reunion weekend just as the financial and professional walls are crumbling around them: a self - made, childless securities broker, recently pink - slipped, eager to conceive a baby before her fertility window closes; a blue - blood «artist» and former lesbian, married to a writer's - blocked male novelist, living disingenuously and beyond their means off a no - longer - viable trust fund; a former actress, the star of every school production, who has become the stay - at - home wife to a famous Hollywood director; the adopted war orphan, now a foreign correspondent clinging to her dying industry, whose war journalist husband has recently been killed.

Nash, whose interest in Diebenkorn was sparked after meeting the artist and his family in 1976, added, «I knew Richard Diebenkorn, and so it is an absolute privilege and honor to be elected to this position.We will strive to bring greater recognition and understanding to Richard Diebenkorn's remarkable output over a lengthy and highly productive career, and we will continue to support public exhibitions and foster new scholarship about the artist and his time.»

That's how it was when California artist Tom Everhart met Schulz, whose works would become his biggest inspiration.

Opening: «Kerry James Marshall: Mastry» at Met Breuer This mid-career survey, one of the most hotly anticipated New York museum shows of the year, focuses on the work of Kerry James Marshall, the Chicagoan painter whose paintings and drawings, for the past 35 years, have focused on the position of black artists in art history.

BRAMOWITZ: Since joining Jack Shainman Gallery, are there other artists whom you've had an opportunity to meet and whose work has informed what you're doing?

Among Pictures artists from CalArts were Salle, Goldstein, James Welling, Matt Mullican and Barbara Bloom, whose 1972 «advertisements» of steel windows for modernist homes, Crittall Metal Windows (1972), are the earliest works in the Met show.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

In 1954, after a stint in Japan during the Korean War, he settled in New York and met artist Robert Rauschenberg, who introduced Johns to John Cage and Merce Cunningham, whose practices would have a strong impact on Johns's artistic development.

On 12 February, I attended a meeting at the gallery 356 Mission convened by the Artists» Political Action Network (APAN), a newly formed group whose founding committee included LA - based artists Kathryn Andrews, Andrea Fraser, Charles Gaines, Liz Glynn, Tala Madani, Monica Majoli, Laura Owens, and architect Kulapat YantArtists» Political Action Network (APAN), a newly formed group whose founding committee included LA - based artists Kathryn Andrews, Andrea Fraser, Charles Gaines, Liz Glynn, Tala Madani, Monica Majoli, Laura Owens, and architect Kulapat Yantartists Kathryn Andrews, Andrea Fraser, Charles Gaines, Liz Glynn, Tala Madani, Monica Majoli, Laura Owens, and architect Kulapat Yantrasast.

The best known is 41 - year - old Dublin - born artist Duncan Campbell, whose previous work has included fact - meets - fiction biopics.

«Working in a studio is actually a bit isolating; this is a chance to meet and interact with artists and art appreciators in my area,» said Scally, whose paintings include stark, wild landscapes emblazoned with vivid images of man - made things and people.

He soon met Piero Manzoni, an avant - garde artist three years his junior, whose mercurial temperament was the opposite of Mr. Castellani's reserve.

But he didn't go into the Boetti, where the late embroideries on view were getting their first public exposure, or the Paglen, where he could have met a living artist whose photographs were etched onto a golden disc and launched into space last November, on a satellite now orbiting the Earth.

Other artists take a slightly less head - on approach, like Bougatsos, whose mesmerizing print The King's Virgin holds a story that's far greater than what meets the eye.

Like Noguchi, Paris - based, Austrian designer Robert Stadler (b. 1966) is a category - defying artist whose work comes from a place where conceptual, aesthetic, functional, and material considerations meet.

Key figures within «No Wave», a short - lived avant - garde scene in the late 70's in New York led by a collective of musicians, filmmakers and artists, Dick and Goldin met during this time and became life - long friends whose work richly influenced each other.

A wall of his small steel sculptures features pieces reminiscent of those by Brazilian artists like Lygia Clark or Lygia Pape, whose fantastic retrospective is now on view at the Met Breuer.

This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).

Over cocktails in the garden meet 6018North's artists whose work will be on view.

While living in Cambridge, Mr. Stone met the artist Robert S. Neuman, whose work he admired so much that, after moving to New York to practice law, he spent much of his working day trying to get Neuman exhibitions and giving free legal advice to artists like Elaine de Kooning.

Grey Art Gallery Director Lynn Gumpert says, «In the early 60s, when Abby Weed Grey set out to collect non-Western modern art, she was intent on meeting, as she later wrote, artists who were «breaking with the past to cope with the present,» and whose «works best mark the advance from tradition to a contemporary view.»

In recent news, the gallery has become the exclusive representative of the work of Marcel Storr, a previously unknown French artist whose 2012 solo exhibition at the Pavillon Carré Baudoin in Paris drew unanticipated crowds and was met with exceptional praise from critics.

-- For art, the photographer and conceptual artist Sophie Calle, whose earliest work, the Suite Venitienne (1979), in which she followed — and photographed — a man throughout the streets of Venice after meeting him at a party in Paris, sets the tone for her unique approach to documenting her personal experiences.

The exhibition brings together eight artists whose work explores the meeting place between the artist, the performance and the audience and demonstrates how time - specific events might be meaningfully exhibited in the gallery over a multi-week period.

At ROOM gallery, the group met with Johannesburg - based artist Kitso Lynn Lelliott, whose solo show I was her and she was me and those we might become articulated ideas of subjectivity through the motif of the «ghostly» and explored notions of becoming through making erasure visible.

Summer: At the Café du Dôme, a meeting place for artists and their dealers, Calder recognizes American painter Arthur Frank, an acquaintance from New York, and meets British printmaker Stanley William Hayter, whose wife he knew from the Art Students League.

Edmonson's sudden visibility follows the template that has governed so many self - taught artists who meet with renown — the sculptor, whose career making tombstones had begun only in his fifties, was «discovered» by an influential tastemaker, whose validation catapulted him from the margins to the center.

Embrace this opportunity to meet the inventive and visionary artist whose art is exhibited in over 0 museums throughout the world.

This piece from «East Meets West,» his most famous series, is an iconic work by an artist whose reputation is on the rise.

Curator Ian Alteveer of the Metropolitan Museum of Art credits Rollins for his «support of some of the most compelling and engaged artists from South and Southeast Asia,» and notes that the gallery introduced him to the works of Tiffany Chung, Pinaree Sanpitak, and Sopheap Pich, whose sculptures were shown at the Met in 2013.

Enjoy a rare opportunity to meet this inventive and visionary artist whose art is exhibited in over 50 museums throughout the world.

Greeff spent many hours of his boyhood painting with his mother and meeting her many artist friends, including the legendary Jackson Pollock, whose studio he visited with her.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

The new building and sculpture garden will be free to all visitors, and the opening show features some of the most celebrated artists today, including Philip Guston (the exhibition of his work at the Venice Biennale was extraordinary), Carolee Schneemann (who has a stunning retrospective up at MoMA PS1), and Kerry James Marshall (whose amazing retrospective is on view at MOCA LA right now, coming from The Met and MCA Chicago).

The Museum's curator Isolde Brielmaier presided over a discussion between Kimberly Drew, a writer, curator, activist and social media manager at The Met; Natalie Frank, an artist whose works address the female body and desires; and Amy Richards, an activist, writer, producer co-founder of Third Wave Foundation.

Well, if the critics or curators visit Spanierman Modern on East 58th Street, they can take a look at Judith Godwin's Echoes, No. 2 (1954), a smallish and dense abstraction of bold red and blue strokes whose movements could well echo those of Martha Graham, a friend and mentor to the artist since their meeting in New York in the 1950s.

Perceiving critical dialogue to be a crucial component toward meeting their mission, the organization funded the ACAC Writing Fellowship for Art Practical, which creates a platform for emerging writers and aims to encourage critical thinking and writing on Asian contemporary art practices in the Bay Area.6 The inaugural fellow is Ellen Yoshi Tani, a graduate student at Stanford University, whose research centers on «work of transnational artists, attending to how they activate sites of difference or sameness, using race and / or identity as medium rather than positioning it as subject.»

With diverse bodies of work that address democracy and the disenfranchised, these two artists, whose respective histories have seen them confront censorship and embrace celebration, meet over a shared practice of social concern.

At Rutgers University in New Brunswick, N.J., he met Allan Kaprow and other artists whose audience participation performances came to be called Happenings.

ARTIST TALK: CHRIS MCCAW / Sunday, September 22, 2:30 PM / Meet photographer and Cassilhaus Artist - in - Residence Chris McCaw, whose work was part of the recent Nasher Museum exhibition Light SensARTIST TALK: CHRIS MCCAW / Sunday, September 22, 2:30 PM / Meet photographer and Cassilhaus Artist - in - Residence Chris McCaw, whose work was part of the recent Nasher Museum exhibition Light SensArtist - in - Residence Chris McCaw, whose work was part of the recent Nasher Museum exhibition Light Sensitive.

He met the 77 - year - old artist last year when the International Sculpture Center, on whose board FitzGibbons sits, bestowed its Lifetime Achievement Award on King.

While in Paris, he immersed himself in the paintings of Cezanne (1839 - 1906), and attended the salon of Leo and Gertrude Stein, where he met modern artists from the Ecole de Paris (Paris School), including Pablo Picasso (1881 - 1973), the Cubist theorist Juan Gris (1887 - 1927), and Marcel Duchamp (1887 - 1968) whose Cubist painting Nude Descending Staircase (1912, Philadelphia Museum of Art) caused such a scandal at the 1913 Armory Show in New York.