Aided by Christopher Blauvelt's sumptuous cinematography, this consistently surprising film slinks along with
melancholic dreaminess, matching the fugue state that plagues its grief - stricken protagonist.
This consistently surprising film slinks along with
melancholic dreaminess, matching the fugue state that plagues its grief - stricken protagonist.
Indiewire's David Ehrlich describes it as a «portrait of grief... too hazy and anesthetized to add up,» but Nick Schager of Variety believes this «consistently surprising film slinks along with
melancholic dreaminess, matching the fugue state that plagues its grief - stricken protagonist.»