By this time, Vigas had created such signature early pictures as Composición IV (Composition IV, oil on cardboard, 1944), with its melding of abstract forms, layered Cubist pictorial space and a palette recalling that of Old Master canvases.
In still other works, such as the adjacent silver circles of Felix Gonzalez - Torres» «Untitled» (1995), kissing surfaces as just one potential reading suggested by the simple meeting or melding of abstract forms.
Through arrangements of (an amalgamation of / a meldingof) anatomical elements, abstractforms and inanimate objects, Teresa explores the relationship between these subjects and our emotional experience of physical reality.