Sentences with phrase «member of the new generation of artists»

In 1959, Kelly was included in the historical «Sixteen Americans» show at New York's Museum of Modern Art, officially recognizing him as a member of the new generation of artists which included Jasper Johns, Robert Rauschenberg, Louise Nevelson and Frank Stella.

Not exact matches

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

A classically trained artist who studied at age eleven in the Leonardo da Vinci Art School, the same atelier that Isamu Noguchi attended, which was created for New York's working poor in Alphabet City, Carone went on to become a member of the first generation of Abstract Expressionists.

A member of the «second generation» of New York graffiti artists, Daze has been hailed as one of the most important artist - writers of his time.

Mondrian became a member of the group and was something of a spiritual mentor to many of them, along with Hans Hofmann, who never joined, but whose inspirational teaching spawned a new generation of like - minded artists.

A New Spirit in Painting also featured members of an older generation, including Francis Bacon, Willem de Kooning, and Pablo Picasso, presenting works that challenged standard notions of these artists» oeuvres.

Levine rose to prominence as a member of the Pictures Generation, a group of artists centered in New York in the late 1970s and 1980s whose work examined the structures of signification underlying mass - circulated images, and in many cases directly appropriated these images in order to imbue them with new, critically inflected meaniNew York in the late 1970s and 1980s whose work examined the structures of signification underlying mass - circulated images, and in many cases directly appropriated these images in order to imbue them with new, critically inflected meaninew, critically inflected meaning.

RELATED ARTS ACTIVITIES Co-Organizer, Onaman Collective (2014 — present) Project Creator / Lead Coordinator, Walking With Our Sisters Touring Exhibit (2012 on - going to 2020) Keynote Address, Indigenous Artists» Symposium: Activism & Education Through the Arts by Sâkêwêwak and the First Nations University of Canada Plains Red Gallery, Regina, SK (Feb 2016) Keynote Address, Education Through Reconciliation Through Education by First Nations, Métis, & Inuit Education Association of Ontario, Brampton, ON (May 2016) Collaboration with The House of Valentino, Milan, Italy (2015) Designer, 2015 Pan Am Parapan Am Game Medals Guest Lecturer, Shingwauk Ginoomagegamig, Algoma University, Sault Ste. Marie, ON (2014) Guest Lecturer, Museum of Contemporary Native Arts & Institute of American Indian Arts, Sante Fe, NM (2013) Lead Organizer, Community Art Collaborative Piece, Seventh Generation Midwives, Toronto, ON (2012) Jury Member, Ontario Arts Council, Aboriginal Arts Awards, Toronto, Ontario (2012) Jury Member, Ontario Arts Council, Visual Arts / Established Artist Program, Toronto, Ontario (2011) Guest Lecturer, Snelgrove Gallery, University of Saskatchewan, Arts Department, Saskatoon, Saskatchewan (2010) Guest Exhibit / Presenter, New Sun Symposium, Ottawa, Ontario (2010) Jury Member, Ontario Arts Council, Northern Arts Program, Toronto, Ontario (2009) Project Creator, Artistic Co-Director & Jury Member, Willisville Mountain Project, Willisville, Ontario (2008) Jury Member, Ontario Arts Council, Visual Arts Program, Toronto, Ontario (2008) Jury Member, Canada Council for the Arts, Aboriginal Peoples Collaborative Exchange Program, Ottawa, Ontario (2008) Jury Member, Ontario Arts Council, Chalmers Awards, Toronto, Ontario (2006)

Recollections of family members and common household mementos of Puerto Rican popular culture have inspired the emergent Chicago - based artist to create this body of work addressing the hybridization of cultural identity in new migrant generations of Puerto Ricans.

The French curator Simon Castets, who is 30 but could be easily mistaken for a cast member of Glee, is part of the new generation of artists, filmmakers, writers, and other creative types emerging in the age of social media.

Fostering «creative sustainability» for future generations of artists seeking non-traditional career progressions, these opportunistic frontiersman have pushed out numerous exhibitions in New York, Los Angeles and Miami and continue to host residencies and exhibitions alongside the facilitation and promotion of work by its key members.

Alice Maher is a member of a new generation of Irish female artists whose interests include effecting changes in what they consider to be a male - dominated establishment (eg.

A leading figure in modern art of the early 20th century, Ernst influenced an entire generation of contemporary Surrealists artists including Salvador Dali (1904 - 89) and Yves Tanguy (1900 - 55), as well as several members of the New York School of abstract expressionism.

Today, the museum's robust programming — bolstered by supportive committee and board members like collectors Corey Baylor and Bernard Lumpkin — is matched by its efforts to nurture a new generation of black curators as well as artists.

While acknowledging the contribution of older American artists like Thomas Eakins (1844 - 1916), Mary Cassatt (1844 - 1926), John Singer Sargent (1856 - 1925), Whistler (1834 - 1903) and Winslow Homer (1836 - 1910), some members of this new generation were interested in creating a new type of art that reflected life in the growing cities across America.

Although the Dallas Nine ceased to operate as a group after its members scattered to pursue careers throughout the state and beyond, artists from that circle continued to do meaningful work and exerted a powerful influence over a new generation of artists through their positions as teachers and museum administrators.

In New York's Greenwich Village, two painters, Milton Resnick and Ad Reinhardt — both first generation Abstract Expressionists and charter members of the artist's «Club» — were disturbed about changes occurring in the art world.

A leading member of a new generation of Vancouver artists, Jungen covers the entire ground floor at the New Museum's transitional location in Chelsnew generation of Vancouver artists, Jungen covers the entire ground floor at the New Museum's transitional location in ChelsNew Museum's transitional location in Chelsea.

Scott also closely aligned himself with members of «The Pictures Generation,» especially those artists exhibiting at Metro Pictures in New York.

He was a «voting member» of the New York Artist's Club from 1951 until its demise in 1957, which places him solidly in the first generation of the New York School, alongside de Kooning, Pollock, Milton Resnick and others, alongside as well their stalwart champion Harold Rosenberg.

A tantalizing exhibition of McNeil's paintings at the Salander - O'Reilly Galleries gives a rough synopsis of his underappreciated career — from founder of the American Abstract Artists group to first - generation member of the New York School to, ultimately, a figurative painter of fierce and joyous power.