Not exact matches
Normally I would concentrate on the major characters, but most everyone
involved in the deal - gone - bad has at least a couple of
memorable lines and moments.
But the final stretch, which predictably
involves a tedious pursuit through overly dark environs, ensures that Friday the 13th: Part 2 ends on a decidedly underwhelming note, with the film ultimately right in
line with its passable yet far - from -
memorable predecessor.
I can see some of them now as possible poems looking for the discipline of
line, others as the cores of stories whose people want to enact their conflicts explicitly more than repress and simmer with them, but my attempts at managing voice (both dialect and idiolect) and subtext give them a sense of kinship, and I think they have found their right scale and texture, which usually
involves some linguistic quirk, kink, tic, freak, coil, something to make the narrator unique and
memorable but not opaque.
Mediator of copyright dispute
involving allegedly infringing use on babyware of a
memorable line from a well - known movie