Sentences with phrase «memories of long history»

CNN: Temple shooting dredges up memories of long history of bias crimes against Sikhs Immediately after the September 11, 2001, terrorist acts, Sikhs came under attack.

Not exact matches

If God has died in our history then he is no longer present in the Word of faith, and at most he can be no more than a nostalgic memory of an age that is past.

We forget today the long and bitter history of nativist anti-Catholicism, but the memories of it do not die so easily among Catholics themselves.

With the possible exception of Monreal, who to me would be the only defender kept, were I manager and even he would be a squad choice, not first pick, NOT ONE of all the others is remotely near good enough to play for a club of our stature and all of them shame the memory of the greats of our long term history.

Transcultural understanding, cultural cross-fertilization, and historically - based cultural commonality have a long and rich history, one that has been forgotten or downplayed by the Western collective memory, as demonstrated by rhetoric such as that espoused in the framework of the global war on terror.

- Photo slideshow by Adi Talwar The Kennedy Knights boys hoop squad, playing for the Bronx and the memory of fallen teammate Andre «Pops» Davidson who died last summer during a pickup game, could only hold off the Lincoln juggernaut and history for so long.

Ginkgo has a long history of being used in traditional medicine to treat blood disorders and improve memory, and it's best known today as way to potentially keep your memory sharp.

Then, we'll follow a history - related fact as it enters the brain of an average middle schooler, weaving its way towards the blessed long - term memory.

Blending the comfort of a Mercedes S - Class with the style of a Coupe the performance pedigree of Mercedes tuning arm, the all - new S 63 AMG Coupe is a tantalising proposition, It's design offers exclusivity and luxury to match a Bentley Continental GT with the promise of handling and performance to rival the flagship Porsche Panamera, and aims to be the ultimate luxury all - rounder, Despite getting the S - Class name, the new Coupe stands out enough from the limousine on which its based, Sharp creases down the sides, a long bonnet, sloping roof and a neat spoiler integrated into the boot lid do a great job of shrinking the S - Class Coupes large dimension.;;» «MEGA SPEC»»; Our example is finished in magnetite Black and trimmed with Black Nappa leather with white stitching and AMG badges, Walnut Veneer Wood Interior, The car comes with the 360 Camera, Distronic system, Active Park Assist, Lane Assist, Brake Assist Plus, Steering Assist, Blind spot Assist, Night view Assist, Head up display, Lane Change Warning, Burmeister Sound System, Memory Package, Dual Cup Holder, MB Connect, Dynamic Front Seats with Hot / Cold and Massage Seats, Electric Roller Blind, Active Body Control, Eco Start Stop, Dynamic LED Lights, Ambient Lighting, AMG 20» Spoked Wheels, Silver Brake Calipers, Adaptive Air Suspension, AMG Sports Package, Full MB Service History, Heated Seats, Keyless Go, Panoramic Glass Roof, Power Soft Close, Satellite Navigation, Memory Electric Seats, 14 Way Electric Adjustable Front Seats, Air Conditioning, Bluetooth Telephone, Central Locking, Climate Control, DAB Digital Radio, Heated Folding Mirrors, Massage Front Seats, Park Distance Control, Reversing Camera with Guidance Lines, 8 Speed Gearbox, AMG 3 - Spoke Sports Steering Wheel, Multi Function Steering Wheel, Multiple Airbags, Anti Glare Rear View Mirrors, CD Auto changer, Day Time Running Lights, Electric Remote Boot / Hatch / Door Release, Light Design Package, Push Button Start, 2 Former Keepers, Black.

It's about forcing memory to the surface, making it relevant and no longer an element of history as forgotten as an old Chinese dynasty.

Two neighboring families live in a North Dakota community in which many of the Ojibwe are related, memories are long, and the wounds of the war against Native Americans run deep: «Loss, dislocation, disease, addiction, and just feeling like the tattered remnants of a people with a complex history.»

The aim of these programs is to give participants a «hands on» learning experience that creates long term memories, and combines content relevant to Australia — such as lifestyle, culture, history, nature, plants and animals.

I've got a long and emotional history with the Colin McRae Rally series, especially with the first two games, both of which have many happy memories of me and my older brother attached to the...

I've got a long and emotional history with the Colin McRae Rally series, especially with the first two games, both of which have many happy memories of me and my older brother attached to them.

Sure, the joy of either replaying classic memories or experiencing a junk of gaming history for the first ever time will go a long way toward deciding if it's worthy of your money, but really it comes down to whether the gameplay still holds up.

And for those with long memories, you may recall that Microsoft has a bit of a history with Platinum, and they contracted the developer to create Scalebound as an exclusive for the PC and Xbox One in 2014.

Hayashi: The series has had a history this long, so each staff in the development team has very fond memories of Fire Emblem.

The thing, though, is that gamers have short memories, and Konami has incredible franchises - if Konami started treating those franchises with respect, and started putting out brand new games in them that are worthy of the long history of those IP?

These ships of course no longer are surfaced with camouflage and using historic archives, Bangsted meticulously recreates these Dazzle themes resulting in an exquisite image which slyly comments on the authentic and invented, and history versus memory.

She incorporates information from her culture and her culture's history as a way of addressing long - term conceptual dialogue with memory and loss, representing her chronic displacement and longing.

A number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).

The exhibition offers an opportunity to finally examine a decade - long history of creation marked by a witty, insightful treatment of loss, memory, and mortality, a mischievousness concerning the pretenses of the art world, and an original treatment of the construction of identity.

Robert Blanchon (1965 - 1999) was a conceptual artist whose decade - long exhibition history is marked by a witty, insightful treatment of loss, memory and mortality; mischievousness concerning the pretenses of the art world, and an original treatment of the construction of identity.

Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.

14 March, 2012 - The Power Plant begins the year - long celebration of its 25th anniversary with two exhibitions that delve into the concept of memory: the Canadian premiere of new work by Kerry Tribe and an exhibition that activates the gallery's rich history The Spring season at The Power Plant presents two exhibitions that approach the structures and representations of memory: Kerry Tribe: Speak, Memory and Dissenting Histories: 25 Years of The Power memory: the Canadian premiere of new work by Kerry Tribe and an exhibition that activates the gallery's rich history The Spring season at The Power Plant presents two exhibitions that approach the structures and representations of memory: Kerry Tribe: Speak, Memory and Dissenting Histories: 25 Years of The Power memory: Kerry Tribe: Speak, Memory and Dissenting Histories: 25 Years of The Power Memory and Dissenting Histories: 25 Years of The Power Plant.

All the layers of knowing: Histories, impressions, joys, misunderstandings, musings and longings, memories... a kaleidoscope that grows in density over time the deeper the relation.

Their work is an attempt to connect the Western history and memory to the long awaited, fragmented and altered modernities in «other» parts of the world.

2009 British Subjects: Identity and Self - Fashioning, 1965 - 2009, Neuberger Museum of Art, Purchase, New York 2009 A Rebelión dos Xeneros, Centro Torrente Ballester, Ferrol, Spain 2009 Third Moscow Bienniale of Contemporary Art, The garage Center for Contemporary Culture, Moscow, Russia 2009 Persona, Royal Museum for Central Africa, Tervuren, Belgium (April — January 2010) 2009 Perhaps Truth is a Woman, Museum of European Garden History, Düsseldorf, Germany 2009 Unbounded: New Art for a New Century, Newark Museum, New Jersey, USA 2009 Body Memory, Princeton University Art Museum, Princeton, New Jersey, USA 2009 Bodies in Contemporary Art, Norton Museum of Art, West Palm Beach, Florida, USA 2009 Pictures in Series, Fischer Landau Center for Art, Long Island City, New York, USA

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Blanchon's decade - long exhibition history is marked by a witty, insightful treatment of loss, memory and morality executed primarily through photography but also extending to video, mail art and performance.

all hawaii eNtrées / luNar reGGae takes as its starting points Parreno's fascination with different types of convergences — of past, present and future, of fact and fiction, and of memory and history — and his long - standing commitment to collaborative practice and to re-writing exhibition conventions.

Such longing is rooted in our collective memories, the values that Richard Wagner and Karl May idealized remain, even after the end of the Second World War, inseparable from German cultural history.

Ominous, but also beautiful and poetic, the distinctive patterns of the old, worn, decorative headboards also conjured ideas about history and associations with the bed — a place of love, death, sleep, dreams, memories, and the lives of owners long passed.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

«A New American Flag,» Max Protetch Gallery, New York, NY, 1992 «Malcolm X: Man, Ideal, Icon,» Walker Art Center, Minneapolis, MN, 1992; traveled to the Institute of Contemporary Art, Boston, MA; The Valentine, The Museum of Life and History of Richmond, VA; Anacostia Museum, Washington DC; Nexus Contemporary Art Center, Atlanta, GA; Center for the Arts, Yerba Buena Gardens, San Francisco, CA «Mistaken Identities,» University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, 1992; traveled to the Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremenim Forum Langenstrasse, Bremen, Germany; Louisiana Museum of Modern Art, Humlebaek, Denmark; catalogue «Update «92,» White Columns, New York, NY, 1992 «Slow Art: Painting in New York, PS1 Museum,» Long Island City, NY, 1992 «Dream Singers,» Story Tellers: An African American Presence, coorganized by Fukui City Japan, and New Jersey State Museum, Trenton, NJ, 1992; traveled to the Tokushima Modern Art Museum, Tokushima City, and Otani Memorial Art Museum, Nishinomiya City, Japan; catalogue «All Words Suck,» Anders Tornberg Gallery, Lund, Sweden, 1992 «Allegories of Modernism: Contemporary Drawings,» Museum of Modern Art, New York, NY, 1992; catalogue «Doubletake: Collective Memory and Current Art,» Hayward Gallery, The South Bank Centre, London, UK, 1992; traveled to the Santa Monica Museum of Art, Santa Monica, CA; North Carolina Museum of Art, Raleigh, NC; catalogue «Knowledge: Aspects of Conceptual Art,» University Art Museum, University of California at Santa Barbara, Santa Barbara, CA; traveled to the Santa Monica Museum of Art, Santa Monica, CA; North Carolina Museum of Art, Raleigh, NC; catalogue

«We speculate that high productive regions — think tropics — have little or no history of drought, such that when a drought occurs, recovery is necessarily longer than in a system that has an evolutionary memory of drought.»

Jimmy, your long history of getting spanked by me in our every encounter is a pleasant memory for me.

Just as those of us who were long familiar with Lamb's temperature reconstruction smelt a rat when we saw the hockey stick, so climate knowledge from history and anecdote can help us all appreciate recent trends and climate events in the context of a much longer time frame than our short lives and shorter memories.

The rare biosphere of the Lost City microbial community represents a large repository of genetic memory created during a long history of past environmental changes.