Not exact matches
Art galleries,
bars playing live afro - cuban music, cigar shops, colorful murals,
men playing dominoes and the ever - present aroma of Cuban coffee are all
scenes of the daily life
in Little Havana.
Im not into the
bar / club
scene, have no time for games or liars, Im a real
man that lives
in the real world.
I don't have time to meet women normally, and I definitely don't like the
bar scene with its» head games and lack of quality
in both
men and women.
I am not a shy girl, but when it comes to meeting a
man at times its a bit akward for me... I do nt like the
bar scene and feel that the person Im going to try and get to know will not be
in that type of setting, I do like to have a drink of wine or irish tea... he he... lets what else im...
There are still a few single women who look for
men in the traditional dating
scene like
in a
bar or club.
I am a young
man who has grown tired of the dating
scene nor do I have much time to spend
in bars etc..
This one's for the older
men who might have recently returned to the dating
scene:
in your past dating days, you may have had a best friend or a «wingman» who would help you catch the eye of the cutie at the
bar.
local singles
in Barre to get crazy
men know that the
bar scene is over, singles from Barre, Vermont are hooking up for casual encounters on HookupCloud.
The traditional dating
scene when American girls go to the
bars at night and mingle
in front of
men is no longer existed, or at least retired.
As most of you would agree, there's not much out there
in the way of meeting other single
men and women
in this age bracket, especially if you're not into the
bar scene or wanting to go the route of online... a Christian and have my own...
An unhappy
man drinks alone at a
bar, and on the job
in another
scene.
Shortly into the adventure the two ladies run into some would - be hunks at a
bar, Bobby (Mark Duplass) and his father Earl (Gary Cole),
in a
scene that ultimately proving Pearl can still catch a
man's attention.
Like the
scene where Pyle is pelted with
bars of soap wrapped
in towels by his fellow
men in his unit, he feels the pain, but the outrage, the anger, the viciousness of their actions is muted by the impersonal nature of it — Kubrick's piece is equally painful but impersonal.
The
scenes between these
men, staring at each other across a table
in a
barred room
in the prison, work, not so much as intellectual debates (because anyone with a shred of decency will know that Blomfeld is wrong), but as a study of patience and the willingness to find some understanding with another human being — even a
man as monstrous as Blomfeld.
The result is a picture that's surprisingly restrained
in regards to gratuitous cheesecake (shower
scenes are more effective
in men - behind -
bars films, anyway) and which actually tries to address issues like prison violence, corrupt administrations, and a flawed legal system.
Jeremy Irons plays an author / journalist who has lived on Hong Kong for fifteen years, scribing such works as «How to Make Money
in Asia» (scratching out the «Make», and replacing it with «Lose» during a brief book - signing
scene) He is
in love with a karaoke -
bar - owning woman played by the ever - radiant Gong Li, who has locked herself into an extremely complex relationship with a
man about to gain political control of Hong Kong (Michael Hui).
Le
Mans (1971) set the
bar for racing
scenes higher than any other film has reached, especially
in the digital age when ever..
His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a
scene of seedy
bars, run - down cheap hotels, and small
men with big dreams doomed to bitter failure.
In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart's reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses
in cars, movie houses, and shadowy corners of parks.
Stevovich's images depict ordinary
men and women
in everyday situations and locations —
in restaurants and
bars, at the beach, on public transportation — but their gestures and expressions confused the overall logic of the
scene, creating a sense of mystery and allowing for a a variety of readings.
Some heterosexual women report kissing other women as part of the college social
scene or for
men's attention, while others do so to experiment or explore potential same - sex desires.1 A 2012 study found that both women and
men perceive women who kiss other women
in heterosexual spaces (for example, bars that heterosexual individuals frequent) as more promiscuous than those who kiss a man, and that women and men perceive such women as more likely to be heterosexual than bisexual or lesbian.2 In some ways, this last finding may suggest that women and men do not always perceive female - female kissing as necessarily an expression of women's same - sex desir
in heterosexual spaces (for example,
bars that heterosexual individuals frequent) as more promiscuous than those who kiss a
man, and that women and
men perceive such women as more likely to be heterosexual than bisexual or lesbian.2
In some ways, this last finding may suggest that women and men do not always perceive female - female kissing as necessarily an expression of women's same - sex desir
In some ways, this last finding may suggest that women and
men do not always perceive female - female kissing as necessarily an expression of women's same - sex desire.