It takes issue with the commonly held view of drawings as
mere preparatory work for something else, as a stage along the way to an artwork rather than as a final statement.
Not exact matches
Both exhibitions subscribe to a broadened conceptually - geared view of drawing: drawing is not understood as a secondary medium to the
work of the artists a
mere preparatory sketch, but as hierarchically equal and autonomous media within which the conceptual and creative basis of an artistic position is articulated.
Working directly on canvas with no
preparatory drawing, Essenhigh's imagery is often triggered by random associations to find the most «convenient» narrative, with entire paintings emerging from the
mere hint of a shape.