Not exact matches
The
subplot involving Bishop's stepson Ryan (Gerard Kearns), who falls in with a sociopathic gangster, manages the difficult feat
of being both lurid and boring; and the way Bishop finally extricates the boy from the
mess is so raucously unbelievable that what no doubt was meant to be a crowd - pleasing finale comes across instead as crowd - annoying.
As all
of the most unfairly scathing reviews from Cannes pointed out, Ismael's Ghosts is kind
of a
mess: a scattershot drama that abandons its compelling central narrative for discursive
subplots.
Scripters Simon Boyes and Adam Mason attempt to liven things up by sprinkling the proceedings with distinctly oddball
subplots, including an assassin dying
of a terminal illness, but, like everything else contained in this
mess of a screenplay, such digressions wind up going absolutely nowhere (ie there's no satisfactory payoff for anything here).