Sentences with phrase «metal drawings in space»

Five tabletop redwood sculptures are rough contemporaries of, and kin to, David Smith's metal drawings in space.

Not exact matches

Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.

Inspired by the idea and reliant on the money, Basquiat prepared for New York / New Wave by producing more than 20 drawings and paintings in a very short space of time, using a wide variety of surfaces: metal, rubber, paper, canvas and wood.

In contrast to the compressed energy of the block works, Clearing, a three - dimensional drawing in space is five kilometers of arcing metal rod which turns the Main Gallery into a vast energy chamber contesting the architectural definition of space and making the viewer its subjecIn contrast to the compressed energy of the block works, Clearing, a three - dimensional drawing in space is five kilometers of arcing metal rod which turns the Main Gallery into a vast energy chamber contesting the architectural definition of space and making the viewer its subjecin space is five kilometers of arcing metal rod which turns the Main Gallery into a vast energy chamber contesting the architectural definition of space and making the viewer its subject.

Alice Channer was one of the participating artists in Drawing Sculpture, Drawing Room London and Leeds City Art Gallery touring show (2012), Contemporary Collection Display: The Space Between, Tate Britain, London (2012), The London Open, Whitechapel Gallery, London (2012), Caroline Achaintre, Sara Barker, Alice Channer, Eastside Projects, Birmingham, UK (2012) and Hard Metal Body, Art on the Underground Central Line Series commission for Notting Hill Gate tube station, London (2012) among many others.

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 19in a Niche» 1930

«Drawing in Space: The Evolution of Direct Metal Sculpture in the 1950s Work of Seymour Lipton, Ibram Lassaw, and Richard Stankiewicz»

In the exhibition situation, the steel sculpture Siamese Metal # 4 and these wall drawings, reflecting in their two dimensionality, with their permeable, amorphous structures seem to serve as mediators between the wood sculptures, between Still Water (Talking the Talk)-- which suppresses space — and Walking the Walk, which appears almost in a process of dissolutioIn the exhibition situation, the steel sculpture Siamese Metal # 4 and these wall drawings, reflecting in their two dimensionality, with their permeable, amorphous structures seem to serve as mediators between the wood sculptures, between Still Water (Talking the Talk)-- which suppresses space — and Walking the Walk, which appears almost in a process of dissolutioin their two dimensionality, with their permeable, amorphous structures seem to serve as mediators between the wood sculptures, between Still Water (Talking the Talk)-- which suppresses space — and Walking the Walk, which appears almost in a process of dissolutioin a process of dissolution.

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