Sentences with phrase «metal wall sculptures»

Melvin Edwards's welded metal wall sculptures, part of the Lynch Fragments series, complicated, densely sad, frightening, intractable, are installed alongside Zoe Leonard's Untitled (1994 — 97).

Whether expressed in sprawling kinetic installations or warped metal wall sculptures, Gaudin's work dissects our reliance on and fetishization of technology.

El Anatsui: When I Last Wrote to You about Africa brings together the full range of the artist's work from early wood trays to ceramics and wooden sculptures to the luminous metal wall sculptures that have brought the artist international acclaim.

Mirrored on the opposite wall there are two metal wall sculptures of the same dimensions.

From monochromatic metal wall sculptures to two - tone geometric panels made from upcycled wood, you can choose to display our dimensional abstract art in small groups for a more dramatic impact.

Not exact matches

A large sculpture and an art wall with a coral design continue the aquatic theme, while undulating metal canopies on the dining room ceiling mimic ocean waves.

The graphic effect of the custom metal - studded sculpture work on the fireplace pops against the soft tones and textures of the brick and walls adding interest and drama to the seating area.

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Oregon metal artist Donnie Wanner has created a new wall sculpture titled «Arch Rock», featuring the popular landmark from the southern Oregon coast located between Brookings and Gold Beach.

One of the most intriguing techniques that Jojo incorporates into his work as an artist is a water - pressure - inflation technique, which he uses to shape metals into one - of - a-kind pieces of art, including wall sculptures, chairs, coffee tables, and other pieces of furniture.

French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.

His 2009 wall sculpture A Place To Call Home (Africa - America) is an approximately 8 - foot - high metal map of the outline of North America, with, beneath it, Africa replacing South America.

Edwards uses a diverse palette of metal objects to create his wall - mounted sculptures known as Lynch Fragments.

Two large, free - standing metal sculptures act as anchors amongst the many ceramic wall pieces that surround them.

As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

The main walls to either side have sculpture in dark metal and wood, in the form of shelves, shields, and objects in motion.

The most abrupt transition is to the roiling and (literally) off - the - wall painted aluminium composites, held up only by metal armature that is, itself, sculpture.

For Wynwood Walls Garden, Goldman Properties commissioned the Spanish murals team of Pichi and Avo to create works on discarded, repurposed metal shipping containers, and then stacked them on top of each other to create an installation sculpture.

ELIGIBILITY Craft Hilton Head 2018, 6th National Juried Fine Art Craft Guild Exhibition is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in sculpture, basketry, glass, fiber sculpture and wall hangings (including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the late 1960s.

Sculptures made of corroding metal scavenged from first world war battlefields, and a colourful wall - hanging consisting of ribbons bearing honours that include Nazi medals.

Turning to the other wall, you'll spot Yanko's hanging sculptures made from crinkled metal parts.

Immense and expansive as the emotions and experiences he captures, Hodges» works include fine, complex pieces such as Not for Long (1996); a wall sculpture resembling a spider web crafted from jeweler's metal chains; and No Betweens (1996) a curtain made out of silk flowers; and the billboard - sized Don't Be Afraid (2004), for which Hodges invited members of the United Nations to handwrite the message don't be afraid in their native languages on a large piece of vinyl.

This exhibition brings together 60 works in a variety of mediums, from printmaking (such as lithograph, etching with aquatint, photogravure, linocut, and screen - print), to wall murals, metal sculpture and shadow puppetry.

Thomas will be represented by inflated steel sculptures; Norquist will have steel wall pieces such as Four Green Squares, a painted and powder - coated sculpture from 2016 with an eminently straightforward name; and Morrison will offer Flower, a multi-colored metal cube sculpture made in 2017.

In addition, the exhibition includes a classic fabric and metal wall assemblage by Lee Bontecou as well as several welded metal and glass sculptures by California artist Claire Falkenstein.

Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.

Scattered around were a number of wall and floor pieces — the well - known automobile parts crammed and jammed into muscular, abstract conglomerates, lacquered metal shards, a big twisted urethane foam work from 1966, and a room filled with the newer collapsed galvanized zinc sculptures made from

Hung alongside, in art - historical order, is Judith Lauand's wood, acrylic and metal wall - sculpture Madeira Gravada e Pintada (1956) and Waldemar Cordeiro's Untitled (1958), a deep red oil - on - canvas plotting a landscape via an arrangement of orange and red triangles and blue squares across the centre.

These sculptures, which Chiappa said were partly inspired by Jean Arp's aleatory «dropped paintings» (the holes in the cheese, for instance, were created by unpredictable chemical reactions), lined the walls at Kate Werble's booth, while another metal sculpture by the artist suggesting a basketball without the orange parts sat on the floor.

They bear a certain similarity to the wall - sculptures: constructions of wood or metal, wrapped in foam - filler and coated with plaster or a granular layer of chalk - grey sand - cement, sometimes with applications of greasepaint.

Indeed, one gallery was peppered with the relatively small folded three - dimensional paint and steel pieces of Rana Begum and the shiny metal mirror and wood wall sculptures of Monir Shahroudy Farmanfarmian.

When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs.

This exhibition reveals the broad scale of Ross» work from the large, free - standing, colorful metal sculptures whose simple forms evoke the totemic monuments of an ancient world to the smaller lyrical wall reliefs composed of wood veneers that create a visual extravaganza when placed next to one another.»

Two twigs wrapped around each other find themselves sheathed in a tiny pair of adapted tights crudely assembled with a metal clamp (Twiggy), whereas two wall - based sculptures made by casting collapsed balls of wool in bronze, evoke breast - like forms (Twins).

Thin, wiry sculpture intersected with a doorway; metal rectangles hung on the wall, suggesting windows and empty picture frames; a paper clock told not time, but ideas, ideologies, realities: «politics», one hour read, another «fantasy».

Among the more unexpected choices are shaped canvases by Thomas Downing, a neon sculpture by Keith Sonnier, a cascading graphite wall hanging by Michelle Stuart, and Rafael Ferrer's striking Neon Corner (1970), consisting of a metal pipe leaning in a corner, with a circular white neon shape at the base.

I see similarities between your work and hers, because you often work on a human scale, you incorporate materials like wood and metal, and, in addition to freestanding sculpture, you sometimes hang your sculpture on the wall or from the ceiling.

Soto created mixed - media constructions as wall pieces or as free - standing sculptures that emphasize the textures of cloth, metal, and wood.

Our textile artists use materials such as yarn, fabric, paper, thread, wire, metal, and glass to create unique and original jewelry, wall hangings, clothing, sculpture, accessories, and many other inventive works of art.

The exhibit also includes a wall installation with multiple individual fragments, a very large 3 - panel abstract painting on canvas with fabric, paint, and collaged newspaper clippings about UFO sightings, a ceiling — hung mobile and a stabile (sculpture) on a pedestal made with wood, string and found metal.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Recent new wall mounted sculptures by the highly regarded Chicago - based artist employing wood, metals and paint.

is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in sculpture, basketry, glass, fiber sculpture and wall hangings (including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.

Requiem is a self - contained sculpture suspended between two walls, and features two identical synthesisers pinned apart by metal rods.

Upstairs, Prabhavathi Meppayil incorporates 700 tiny metal tools used by goldsmiths in her native Bangalore into a minimalist wall sculpture that breaks as many rules as it follows.

The exhibit includes anodized aluminum and steel wall sculptures, and new metal block prints.

El Anatsui combines the visual language of painting and sculpture in his draped wall - work Telesma, 2014, which intricately weaves together found objects from across West Africa — discarded liquor bottle caps, wrappers, bits of metal and wood — to reflect his interest in consumption and reuse, and address the region's colonial legacy.

Each sculpture will be lit so that its shadows become the exhibition's subject: wire will become oscillating line drawings and flat metal forms will become independent presences that dance along the walls, ceiling, and floor of the gallery.