Inspired by the flat East Anglian landscape with its big skies, Norfolk Broads and rivers, and by 17th century Dutch Realist painters such as Meindert Hobbema (1638 - 1709) and Jacob van Ruisdael (1628 - 82), Norwich School artists included amateurs as well as professionals, many of whom practised the avant - garde
method of plein air painting.
Not exact matches
This must - see exhibition reassesses the work
of the English painter and explores his
method in extraordinary detail, comparing vibrant en
plein air sketches, full - scale
paintings and later mezzotint prints.
Thus, when he came to write his «Letters on Landscape
Painting», Durand deftly sidelined Cole's mature but melodramatic style, and advocated instead a straightforward
method of plein -
air sketching shorn
of most philosophical content.
For a review
of traditional
methods and styles, see:
Plein -
Air Painting in Ireland.
It was Monet, however, who adhered most closely to the practice
of plein -
air methods, continuing to refine his painterly techniques (even when plagued with failing eyesight) in his monumental series
of water lily
paintings completed in his garden at Giverny, until in death in 1926.
The early years
of the 19th century witnessed the Golden Age
of English landscape
painting, led by Turner and Constable, and also the development
of plein -
air techniques by the Barbizon school, and later by Monet's style
of French Impressionism -
methods greatly facilitated by the invention
of portable collapsible tin
paint tubes in 1841, by American painter John Rand.
During his stay at the artists» colony, he took to landscape
painting in the open
air as he absorbed the ideas and
plein -
air methods of the Barbizon and Impressionist landscape school, all
of which were high fashion at the time.
One
of the many appealing qualities the series demonstrates is a resistance to that aspect
of categorizing that can demote
plein air painting from a
method to a style.