Sentences with phrase «meticulously painted surface»

He delivers a meticulously painted surface that contains the history of the many layers of visual decision making contained underneath.

Not exact matches

William Pettet (born in 1942), by 1967 in Los Angeles, was painting minimal, square, monochromatic paintings with meticulously layered and sprayed, acrylic surfaces.

Seliger was equally celebrated for his meticulously detailed abstractions as well as for the techniques he invented and used to cover the surfaces of his Masonite panels — building up layers of acrylic paint, often sanding or scraping each layer to create texture, and then delineating the forms embedded in the layers of pigment with a fine brush or pen.

It radiates from meticulously drawn, plotted, eraser - smudged and redrawn studies for paintings and from the painted, scraped - down, piled up, scratched - into surfaces of the paintings themselves, which betray revisions made to incorporate new formal and technical information that Gorky gleaned from prowling museums, poring over art magazines and talking with artists.

The Los Angeles Times recently described his paintings as «sleek, multilayered, spatially sophisticated compositions», but these words barely scratch the meticulously finished surface.

The heavier, browner palette is found in Wilson's Hammer and Tongs (1972) with its meticulously worked drapery study, and the architectural complexity of the workbench in Stretcher Pliers (1972), which is a damn sight more complicated painting than it seems at first because it balances several planes from foreground to middle ground to a second stage of the middle ground on a tilting shelf surface.

Heavily influenced by number tables that translate visually into meditative patterns of kaleidoscope colors, Eric's work is created by meticulously applying acrylic paint directly from the tube onto surfaces of aluminum and wood panels.

The artist applies paint to the canvas surface, millimeter by millimeter, often taking months to meticulously accumulate brushstrokes into large - scale renderings of marble tile.

Fougeirol reimagines act of painting by removing the presence of the artist's hand, instead influencing the composition on the canvas through the intermediary of imprints — craters left by raindrops, fabric, dust and debris on meticulously primed surfaces.

These works are made from sheets of mirror - finished stainless steel, fitted with a full - length portrait photograph that has been meticulously traced and painted onto its surface (after 1971 the image was silkscreened on).

Meticulously hand - cut tyvek, paper, and canvas surfaces are layered and painted upon.

All of the works, large and small, have meticulously hand - finished surfaces, slowly built up over time with as many as twenty layers of paint, which are then sanded to a satin polish.

The lines are meticulously painted on a smooth panel surface that has been treated with washes of acrylic paint.

The sculptures have an extremely sensuous surface; each is meticulously painted with many layers of color, which are then sanded down to create an incredibly rich, patterned skin.

It is a meticulously ordered surface with all his clippings, fragments and cut - out images, used paint brushes, objects and displays, almost like archaeology, where everything is coordinated to a grid.

It's also possible to see in the «readymade» polish of Ingram's surfaces as a sly comeback to the West Coast «Finish Fetish» artists of the»60s, who turned to the «trick paints» associated with Southern California hot - rod and surfing culture to meticulously buff their canvases to a high - gloss finish.

Almost monochromatic, his paintings have highly finished surfaces achieved through meticulously applied thin washes of paint.

The Mpane exhibition features an elegantly carved, life - sized sculpture; boards transformed into portraits of Congolese youth by meticulously subtracting surface layers; and a large - scale work composed of wood strips, held together by a mesh backing, painted and then broken into pieces resembling tile squares.

The surface of each form has been meticulously, painstakingly, covered by layer upon layer of colored enamel paint, and they sit boldly upon plinths constructed from stacked cardboard boxes painted white.

The duo's multiroom, immersive installations are filled with meticulously constructed architecture, psychedelic paintings, fake books, and artistically textured surfaces.

Instead of pulling a paint - dipped brush across the surface, the artist has meticulously drawn the edges of each streak.

Colour is meticulously distributed and contrasted in sections, creating volume and dimension, and serves as an emotive indicator, while different uses of texture and clear divisions of the painting's surface allow the viewer to enter the psychological depth of his subject matter.