Focusing on humankind's obsessive relationship to computers and other virtual platforms, the works in this exhibition are
microcosmic scenes that convey the varied nature of these relationships, such as obsession, escapism, isolation and sexual fetish.
There's a neat
scene at a family picnic, for instance, wherein the camera abruptly leaves to follow a rat into a hedge, where we see a
microcosmic drama of death and regeneration enacted with birds and maggots.