From the earliest conception of westernised family therapy in
the mid to late 20th century, where directive, structured models dominated practice and literature, to the shift to neutrality and curiosity, where systemic theory started to become more mainstream, through the safe and sometimes unsafe uncertain times of constructionism, to the present day, where appreciation of past and present are coming together, exciting and ultimately useful concepts abound.
From the earliest conception of westernised family therapy in
the mid to late 20th century, where directive, structured models dominated practice and literature, to the shift to neutrality and curiosity, where systemic theory started to become more mainstream, through the safe and sometimes unsafe uncertain times of constructionism, to the present day, where appreciation of past -LSB-...]
It's also why online newspaper archives from
the mid to late 20th century are important, with their stories featuring the likes of Paul R Ehrlich and Lester R Brown promoting the idea of mass sterilisation in the Third World to prevent the great global famines of the 1980s.
This mid to late 20th century ink, graphite, pastel, and gouache abstract on paper is by Paul McCoy.
A mid to late 20th - Century, large American School oil on wood panel of 3 sporting dogs in a landscape setting.
This mid to late 20th century graphite on paper drawing is by San Francisco artist Michael di Cosola (1929 - 2010).
This mid to late 20th century pastel on paper nude drawing is by Santa Fe artist Seymour Tubis (1919 - 1993).
In
the mid to late 20th century, ongoing struggles against repression gave rise to a wave of exploration into the politicisation of the female body — this is a central focus of the show.
«Both collections represent internationally significant artists and open important dialogues with the Sydney and Frances Lewis Family collection of
mid to late 20th - century art as well as the Lewis Art Nouveau and Art Deco Decorative Arts collection.»
While in the past Rafferty used the subject of
mid to late 20th century comedy as an immediate reference point, her new pieces employ images of comedians and entertainers in a rather more open - ended way.
It is this group of Italian artists who crystallised the research into spatial inquiries and the purity of form in
the mid to late 20th Century.
Virginians are very familiar with this movement because of our rich Sydney and Frances Lewis Collection of
mid to late 20th century art.»
The exhibition features a range of drawings and mixed media works on paper from
the mid to late 20th century.
Many of these sites were not discovered until
the mid to late 20th century, and excavation and restoration is an ongoing process.
In his Figure 5 under a section entitled «A New Northern Hemisphere Summer Temperature Record» he shows that
the mid to late 20th century temperature as determined from tree ring analysis is far warmer than any period in the past that his analysis includes (this only goes back to 1400 AD).
Methyl bromide, used in agriculture, and halons, which are used to fight fires, are the principal humanmade sources of the chemical, and their use helped double the amount of bromine in the atmosphere from
the mid to the late 20th century.
Not exact matches
The maps below compare
late 20th century temperatures
to projections for the
mid — 21st century.
In the
20th century, U.S. life expectancy climbed from 47
to its present height of
mid to late 70's, a rise unprecedented in human history.
Our journey starts from the beginning of the
20th century, and includes, inter alia, the famous Pavlovian Conditioning and Skinner's Operant Conditional Theory, continues through the
mid 50s and the first time computers were used in learning environments, the influential Problem - Based Learning inspired by Howard Barrows in the 60s, David Merrill's Component Display Theory, the Cognitive Flexibility Theory in the
late 1980s that aims
to develop the learner's ability
to comprehend multidimensional situations, the introduction of multimedia and CD - ROMs in educational environments in the 90s,
to the development of WebQuest in 1995, and the launch of the Authentic Learning Model in the
late 2000s by Marilyn Lombardi.
Hosseini's stunning debut novel starts as an eloquent Afghan version of the American immigrant experience in the
late 20th century, but betrayal and redemption come
to the forefront when the narrator, a writer, returns
to his ravaged homeland
to rescue the son of his childhood friend after the boy's parents are shot during the Taliban takeover in the
mid»90s.
This exhibition presents works by eight
mid -
to late -
20th century artists represented in the museum's collection (Elizabeth Catlett, David Hammons, Al Loving, Adrian Piper, Betye Saar), juxtaposed with 18 younger contemporary artists whose works will appear for the first time at the museum (Nona Faustine, Ayana V. Jackson, Tschabalala Self, Talwst, Billie Zangewa).
Much of the new wing is filled with what amounts
to a «who's who» of famous
mid -
to -
late -
20th century artists, many of whom became personal friends of the Fishers.
In addition
to site - specific commissions and acquisitions, Landmarks features 28
mid -
to late -
20th - century sculptures on long - term loan from the Metropolitan Museum of Art, including works by Magdalena Abakanowicz, Louise Bourgeois, Deborah Butterfield, Anthony Caro, Jim Dine, Donald Lipski, Beverly Pepper, Antoine Pevsner, Tony Smith, and Ursula von Rydingsvard.
In the three years since her last solo exhibition at the gallery, Rafferty has been pushing forward her dialogue with materials and strategies of making while continuing
to engage themes that have been preoccupying her in her work
to date:
mid -
to late -
20th - century media culture and the proliferation and subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjection.
Born in Chicago, Golub (1922 — 2004) occupies a singular position in the history of
mid -
to late 20th - century art.
This exhibition of research by Annette Warner, School of Ecosystems & Forest Sciences, University of Melbourne presents diverse archival material relating
to the influential practice of
mid ‐
to late 20th Century landscape designer Gordon Ford.
The show's title evokes a very particular historical moment, specifically American racial segregation against blacks in the
late 19th
to mid 20th centuries.
Nevertheless, the curator thinks the pair wound up with a collection of extraordinary depth and range representing many of the most significant artists of the
mid -
to late 20th century.
With its new $ 305 million Snohetta - designed building, SFMOMA has nearly tripled its exhibition space (
to a capacious 170,000 square feet), grown its collection by some 3,000 pieces through an ambitious Campaign for Art program and opened with a 270 - object showcase of the blue - chip Fisher Collection of
mid -
to late -
20th century art by such seminal figures as Andy Warhol, Chuck Close, Roy Lichtenstein and Agnes Martin.
A pivotal contribution of artists of the
mid -
to late -
20th century was
to debunk the exclusivity of fine art through printmaking.
The museum mostly focuses on the
late 19th
to mid 20th century design.
Fixtures on the coffee tables of countless black families across the country, Ebony and Jet served as cultural barometers, vital news resources and bibles of aspirational imagery in their
mid -
to late -
20th century hey days.
Francis was one of the great abstract painters of the
mid /
late 20th century, an artist who grew up in the traditions of modern art but who also contributed
to contemporary art.
When Rawls claims the early -
mid 20th century solar changes are responsible for
late -
20th response, it occurs
to me, given all the different timescales in the system, most of which I don't know the values for, that I don't have a feel for what the response
to a pure - solar forcing might look like (leaving energy balance questions aside — just what is the shape of the curves?)
Those who understand the science also realise that the increase of temperature in the
mid 20th and in the
late 20th century were similar, that the current rate of sea level rise is similar
to rates at other times in the
20th century.
We can sample the two regimes we know most about —
mid 20th century cooling and
late century warming — and may or may not attribute the difference
to greenhouse gases in the period that they started
to grow strongly.
Re: «Natural climate variations caused
mid 20th century cooling and added
to late century warming.