Sentences with phrase «middle passage»

When, a decade after the completion of Middle Passage, Bowling was approached by Marlene Smith — at the time a Birmingham - based school pupil researching an A-Level essay — it revealed how he was one of only a handful of black artists visible in the UK.

Middle Passage Law Series «What's in a name?»

In Windward Coast — West Coast Slave Trade (2009 - 2011) a crescendo of piano keys swell in turbulent waves, recalling the lives lost in Middle Passage.

The somber monument is inspired by the 1962 poem Middle Passage by Robert Hayden.

An artist well represented in said collection is Bowling, whose painting Middle Passage (1970) is another highlight of the Tate exhibition.

Model for Middle Passage Monument is one of Hunt's yet - to - be fabricated public sculptures.

However, it is in the heraldic use of colour that Middle Passage establishes an even wider set of aesthetic and conceptual connections.

However, Middle Passage floats just outside the realm of formal abstraction.

The exhibition then shifts gear to consider «East Coast Abstraction», where we find Bowling's vast Middle Passage alongside canvases by Sam Gilliam, Jack Whitten and William T. Williams.

Almost midway through the thoroughly researched and visually arresting «Soul of a Nation» hangs Middle Passage (1970) by Frank Bowling.

Most immigrants to the Americas have a much more pleasant journey than Kunta's Middle Passage voyage, but face just as strong xenophobia.

Ainsley Brown will be doing a special series on the «middle passage law,» addressing specific areas of diversity in the law.

From this perspective, the issue is not what specific African elements survived the Middle Passage.

The specific focus is religious practices and Christian engagement during the «Middle Passage,» the horrific middle leg of the slave triangle when Africans were tightly packed in slave ships and shipped to the Americas.

The experience of capture, enslavement, the middle passage, and being sold to Anglo owners is not analogous to that of Europeans leaving their homes for better economic opportunities in the Western Hemisphere.

The men and women were herded together in much discomfort and many died in the course of making the so - called «middle passage».

Like Magneto, another comic - book character who is a creation of historical trauma — the Holocaust instead of the Middle Passage — Killmonger's goal is world domination.

The middle passages spin their wheels somewhat, hurrying about to establish events and places not absolutely essential.

Nyong» o noted that the main characters in the film actually form a family unit, even in the case of Killmonger, the estranged family member who — much like generations of African - Americans brought across in the Middle Passage — has «been lost across the ocean.»

But some of its middle passages have been saggy and exhausting, only coming back to some of its old energy in the past two «episodes» (The Force Awakens and Rogue One)

It's in this middle passage of the film that The Fault in Our Stars succumbs most to triteness, thanks to an overly moralistic twist that sends Hazel and Augustus into an emotional tailspin.

Lesson includes ppt, worksheet and differentiated activities on the Middle Passage, as well as video clip links.

It is the second lesson I have planned on the Middle Passage as the students really get into this area of the topic.

The lesson incorporates a storyboard, audio clip for analysis and some source analysis on the middle passage.

In history class, students choose from two dozen topics to brainstorm, such as the Middle Passage (the longest section of the trans - Atlantic trade triangle), field work, beatings, and biracial children.

Additional Search Terms: social studies • geography • civics • map skills • nonfiction • informational text • cash crop • John Smith • Powhatan • John Rolfe • Pocahontas • Starving Time • Lord Baltimore • plantation agriculture • Middle Passage • James Oglethorpe • Mayflower Compact • Squanto • Plymouth • Great Migration • Massachusetts Bay colony • Roger Williams • Anne Hutchinson • William Penn

It's been more than a month since the Daily News broke a story about a white teacher in the Bronx who, in a lesson on slavery and the Middle Passage, made Black students in several classes lay face down on the floor and even stepped on a female student while asking «see how it feels to be a slave?»

Accessible free verse and dramatic acrylic - and - watercolor illustrations combine in this unique perspective on the Middle Passage, told from the point of view of a blacksmith whose son becomes one of the Taken.

The one that comes to mind actually is The Middle Passage by Tom Feelings... this is more about FEELING and when I pick this book up I have to go into a sad and scary part of my imagination... this helps me truly appreciate all of the work that has been put into building this history of ALL people.

Accessible free verse and dramatic acrylic - and - watercolor illustrations tell the story of the Middle Passage from the point of view of the Africans left behind.

Unable to stop the attackers, Earth and Fire report to Dinga that Musafa has become one of the captives, and Water follows Musafa's ship through the horror of the Middle Passage.

29:50 - Robyn's work early in her career on the Middle Passage, how she came to create that work and its place in her career

Museum exhibitions confront amnesia, restore lost narratives, and consider the legacy of the Middle Passage Read More

Presented on the National Mall, America's vaunted swath of democracy and culture, Marshall's paintings (including «Our Town») evoking the Middle Passage and the themes of immigration, class mobility, and aspirations central to the American Dream, were given the ultimate context.

Similar to Marshall's many other paintings featuring water, the image in «Plunge» references the Middle Passage.

Similar to Marshall's many other paintings featuring water, the image references the Middle Passage.

This exhibition spins, weaves, twists, and loops through the ancient lens of the popular Ghanian folk hero Kweku Anansi who also traveled during the Middle passage to the Caribbean and southern regions of the United States.

The midi piano's chords, the leering lights of the Cheshire cat / minstrel show lips (Cheshire, 2008), the shadow cast by the Obama / MLK sculpture (Passage, 2009), and the horrific imagery of the Middle Passage — a diagram of the Whydah reimagined as the petals of a lotus flower (Lotus, 2007)-- all haunt the airy space with beauty and tragedy.

Through ceramics, Leigh references vernacular visual traditions from the Caribbean, the American South, and the African continent, as well as the black diasporic experience dating from the Middle Passage to the present.

The Middle Passage stares down luxury consumers, like those who hang around with Chelsea galleries and emerging artists.

Leigh's sculptural works in ceramic and other materials reference vernacular visual traditions from the Caribbean, the American South, and the African continent, as well as the black diasporic experience dating from the Middle Passage to the present.

It also references the colours used in the work of AfriCOBRA artists Carolyn Lawrence and Gerald Williams, who attempt to reconnect with an Africanist aesthetic that unravels the loss and violence of the «middle passage» of the Atlantic slave trade from which the title of Bowling's work is derived.

The tobacco container in this visual context, however, quickly calls forth narratives of the slave trade and middle passage.

Since then, they have dedicated themselves to pursuing a research / pedagogical mission that is threefold: 1) to put a match to the plantation penitentiary structures in the English language that repress the growth of free black thought 2) to establish a cross generational dialogue extending from the present moment to the Middle passage, and 3) quoting Dan Freeman, the protagonist of Sam Greenlee's novel The Spook Who Sat by the Door, to «mess wit» whitey».

In Great America, Marshall represents the Middle Passage as a haunted theme park ride, indirectly suggesting instead of specifically depicting the slave trade.

The Middle Passage was the middle leg of the triangular trade of manufactured goods, crops, and human cargo between Europe, Africa, and the Americas during the colonial era through the 1850s.

This painting reimagines a boat ride into a haunted tunnel at an amusement park as the Middle Passage — the forced journey of slaves from Africa to the Americas.

On view are new paintings and drawings that explore histories of the Black Atlantic and Middle Passage.