Sentences with phrase «midfilm funeral scene»

Responding, I assume, to Don't Forget Stalin, our friend Dimitri Cavalli sent the link to a newspaper article from 1953 giving Bishop Fulton Sheen's modernization, read on his television show, of the funeral scene from Julius Caesar — modernized to refer to Stalin.

Take, for example, the funeral scene of the frog king.

You'll recognize that fingerprint when you see it... We've seen it in the funeral scenes in SAVING PRIVATE RYAN and SCHINDLER»S LIST.

It was a heart - breaking ending, especially the funeral scene in the closing act.

On paper, the jump from an emotional funeral scene to a frantic attempt at shower sex during a party might seem like a shock of humour, but on - screen, it's rather unbalanced.

A strong supporting cast and a tear - jerking funeral scene give the film extra heart.

The funeral scene is my favorite, but I've said enough.

Newell's direction switches smoothly between affecting intimacy and sequences of rowdy chaos; perhaps the film's trump card, however, is its emotional honesty, particularly in the poignant and sobering funeral scene.

A casting call for Avengers 4 indicates that a funeral scene will take place, though it's currently unknown who will die.

In the 1080p «Someone Marry Barry» trailer, the reds popped off the screen, particularly in the flowers in the funeral scene.

Not exact matches

Most Christian funerals allude to these words or this scene.

I would not hesitate to go to a wedding, funeral, graduation, retirement party, baby shower, ballgame, courtroom, birthday party, family reunion, public hearing, town parade, school play, or other social function due to the presence or lack of a 1 - 2 minute prayer from a pastor, priest, rabbi, imam, valedictorian, mayor, police chief, council member, or 3rd grader who will play the Tree in the school spring play, nor would I feel it appropriate or necessary to make a social scene just so everyone could hear my opinion on the matter.

In another development, the Invisible Forces of Nana Akuffo Addo nearly lynched on Aboagye a loyalist of Alan Kyeremanteng at the funeral grounds.Aboagye's crime is that he has been offered a contract by the new administration.The Invisible Forces acting upon the orders of one of Nana's henchmen who attended the funeral, pounced on Aboagye and gave him some slaps but was saved by the security operatives of Former President Kufour who rushed to the scene to intervene and whisked him away.

While other elected officials rushed to the scene of the murders over the weekend, it took the mayor more than 24 hours to issue a written statement on the killings, and a full two days before he addressed the community, during funeral prayers for the two men.

One of the most impactful scenes comes from Kate (Chrissy Metz) who, still having not processed her own father's death, is the most emotional at William's funeral.

With the influence of the internet over our lives in all things, starting from education to arranging a funeral cortege online, it's only natural that when it comes to dating, the scene is no different.

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

In one scene the brothers might be snorting coke with the Shitz lead singer Davy Coppens (Boris Van Severen), only to be called to a funeral (but whose?)

It's the chemistry between the women and the droll scene - stealing wit and wolfish pessimism of Anna Chancellor that makes this «Two Weddings and a Funeral» fun.

In the final scene, after taking leave from his rich friend's funeral, Chauncey wanders through the woods, faintly recalling former President George W. Bush on his ranch.

It is never made unequivocal that either of these are in fact the offspring of the pair, but the framing of the opening funeral in one scene, and later, the way MacBeth applies war paint to the boy - soldier, firm but delicate, laced with unspoken pride, seems to imply such.

Good scenes, such as the one in which Gray flees the funeral for a moment of solitude, are more than counterbalanced by sequences that don't work or are embarrassing (Dennis» admission to Gray, the «give back the ring» request, Fritz's overhearing Gray's lie about their relationship).

Adding to the suspense, Pearce is very clever having his entire cast act a little unhinged, whether it's the scene at one of the girls» funerals, Pascal having dinner with Moll and her family, or Moll being interrogated by a particularly intense female investigator.

As long as this August stays claustrophobic and «stagebound,» the film retains some of the original's acid touch — notably in a lengthy dinner scene in which chief Gorgon Violet (Meryl Streep) upbraids the men for their relaxed dress code: «I thought we were having a funeral, not a cockfight.»

If I am not mistaken, this is the same Director who did not film the funeral of Dumbledore in HBP - surely a massive scene thats fans wanted to see.

Plus, a popular YouTube series is casting background actors for funeral and party scenes, a student film about a fraternity hazing seeks male talent, and a spy movie needs black tie guests.

Violence: A scene details the cosmetic preparation of a body for a funeral.

Other notable cast in the series includes John Hannah («The Mummy», «Four Weddings and A Funeral»), Peter Mensah («300», «The Incredible Hulk»), Manu Bennett («30 Days of Night»), Nick E. Tarabay (TV's «Crash»), Dustin Clare («Underbelly»), Dan Feuerriegel («Home and Away»), Simon Merrells («The Wolfman»), Todd Lasance («Cloudstreet»), Cynthia Addai - Robinson («FlashForward») and the scene - stealer and still smoking hot Lucy Lawless («Xena: Warrior Princess», «Parks and Recreation»).

Jackie has many well - mounted scenes, especially the forlorn first lady stripping off the blood - stained pink dress she wore on her ill - fated ride into Dallas, and the pageantry of JFK's full - dress funeral.

As with most dysfunctional family movies, there is a dinner table scene... this one occurring after a funeral.

The elderly uncle character provides the same graphic bathroom scene as in the original, which is just as unnecessary now as it was then; «Death at a Funeral» is at its most appealing when it's daring and a little bit kinky, and doesn't need to appeal to the lowest common denominator in this manner.

Not only did they find a way to include Peggy in both Captain America sequels — albeit the latest saw her character's funeral — but they managed to bring her back for a cameo in Avengers: Age of Ultron as well as the opening flashback scene for Ant - Man.

We'd be foolish not to give some sort of shout out to other terrific scenes throughout the year, like the hilarious funeral sequence in Li» l Quinquin, which had us doubled over from laughter; both the border crossing and night vision sequences in Sicario; the ending of Carol, which should get an emotional response out of even the coldest souls; the opening long take in Buzzard, a painfully funny experience much like Entertainment; the bonkers final act of Jauja; a scorching scene from The Fool where the town mayor lays into her corrupt staff; everything that happens at Mamie Claire's house in Mistress America; the intense argument between Gerard Depardieu and Jacqueline Bissett in Welcome to New York; the tightrope sequence in The Walk, and much, much more.

Eight «Behind the Scenes» clips (34:44) explain how the movie pulled off its gags (or didn't): the funeral, the estate sale, the convenience store ride, the crashed wedding, the biker bar drop off, and so on.

Picking up exactly where The Force Awakens left off — with a recreation of that film's final scene and the proper funeral for a fallen hero — Episode VIII sees Rey (Daisy Ridley) continue her journey alongside Finn (John Boyega), Poe (Oscar Isaacs) and Uncle Luke (Mark Hamill).

There are eight scenes altogether and they include some debauchery in Colonel Figueroa's office, a scene of Major Max being advised by a fashionable American woman, a scene of Doctor Rock with a teenaged prostitute (who resurfaces later), a party and a funeral.

Which brings me to the heart of the film, a big family meal, served up gradually, scene by scene, as each of the characters interact in smaller portions — sisters and daughters, mothers and children, in - laws and insignificant others — gathered around a bottomless well of tragedy: breakdowns, blow ups, betrayals and a funeral.

But the whole thing, though never inspired or particularly amusing, is pretty harmless, even down to an inane final scene funeral fakeout.

This footage, which is longer than the film itself, includes excerpts from interviews with presidential adviser George Ball, broadcast journalist David Brinkley, French journalist and historian Philippe Devillers, and political activist Tony Russo; additional excerpts from General William Westmoreland's interview; additional audio excerpts from presidential adviser Walt Rostow's interview; and scenes from a funeral and a military hospital in South Vietnam.

The Funeral, while not a great film, did haunt me with its final scene that appears to come out of nowhere.

series of scenes: Sam (Kevin Kline), in the midst of a forty - year marriage, is living the retired life in Florida, though he has a burst of energy in him that suggests he may not be relishing the aimlessness of post-work life; Archie (Morgan Freeman), also retired, is coming off a stroke, and finds himself tediously recuperating in the New Jersey home of his too - vigilant, married - with - a-kid son (Michael Ealy); Paddy (Robert De Niro) is the only one still living in Brooklyn, though he spends his days cooped up in his ragged apartment, mourning the death of his cherished wife, Sophie (from the prologue); and Billy (Michael Douglas), a successful, high - priced Malibu attorney, has taken the unprecedented step of proposing marriage to his much - younger girlfriend while presenting the eulogy at his mentor's funeral.

From the moment her husband is shot, to the swearing in of Lyndon B. Johnson (John Carroll Lynch) as president, to the whispers, the funeral procession arrangements, and having to deal with everything behind the scenes while Robert Kennedy (Peter Sarsgaard) assures her that everything will be done to her liking, Jackie is a part of it all.

Also some scenes of a big funeral, possibly for Yip Man's relatives.

The opening scene in God's Pocket, a funeral that follows an untimely death, is all the more poignant for one of the chief mourners being played by Philip Seymour Hoffman.

Special Features — Deleted and Extended Scenes Prologue (Extended) Walter in Greenhouse Oram and Daniels (Extended) Walter Visits Daniels Daniels Bedroom Flashback Jacob's Funeral (Extended) Ledwards Fall Crossing the Plaza (Extended) Daniels Thanks Walter Rosenthal Prayer Walter Reports Back Stairs to Eggroom (Extended)-- USCSS Covenant Meet Walter Phobos The Last Supper — SECTOR 87 — PLANET 4 The Crossing Advent David's Illustrations — Image Gallery — Master Class: Ridley Scott — Documentary on the making of Alien: Covenant — Director Commentary by Ridley Scott — Production Gallery

Thankfully, she shared a photo from behind the scenes that shows the scene she would have been part of, and it features her dressed as Joan of Arc, tied to a funeral pyre.

- Deleted Scenes (with optional Commentary by Director McG): Trish & Lauren Chat / Shooting Range, Jonas» Funeral, Post Pizza, Ex-Girlfriends, Visiting Joe and Lauren Freaking Out

The film eventually abandons the experiential horror of the early scenes in favor of agonizing over funeral plans, references to the King Arthur stories (the Broadway hit «Camelot» gets not one, but two airings), and one too many speeches about legacy, as Jackie works out her fears and anxieties in conversation with a priest (John Hurt, exceptional), an anguished Bobby Kennedy (Peter Sarsgaard), and a loyal confidante (Greta Gerwig).

«We got to write entirely new scenes for the book: Han Solo's funeral, Rose and Paige Tico together and further explorations of the far - spanning world of Canto Bight, just to name a few.»

It's this scene alone — in which John Hannah reads WH Auden's poem «Funeral Blues» — that cast the greatest influence over audiences.