Sentences with phrase «migrants wait»

Migrants wait for access to request asylum in the U.S. at the El Chaparral border crossing point in Tijuana, Mexico, on Monday.

So we will make migrants wait longer, to show they really are in a genuine relationship before they can get settlement.

The boats set sail from Libya, where a main base of the traffickers is located, and migrants wait in sordid conditions, often for months, for the opportunity to be crowded into the boats after paying thousands of dollars.

As a result, they are due to agree that the U.K. will speed up the process of asylum application for those migrants waiting at the French border and will increase contributions toward transport security.

Not exact matches

Canadian authorities released 74 migrants from the first ship while they waited for immigration hearings and 51 disappeared «presumably for the United States.»

As a caravan of Central America migrants makes camp in Tijuana waiting to seek asylum, concerns grow about the spread of diseases in such close quarters.

Finland announced a plan to deport 20,000 of the 32,000 migrants it took in last year, and Germany proposed a law that would speed up the asylum process, streamline deportation, and make protected refugees wait two years before bringing their families to join them.

UKIP leader Nigel Farage says migrants should be made to wait five years to claim benefits, as a survey suggests Britons want to see immigration cut.

In an interview with the Sunday Times, the work and pensions secretary, Iain Duncan Smith, said EU migrants should wait for up to two years before being able to claim benefits rather than the current period of three months.

With migrants spending months and years waiting for their cases to be heard, one of the few reliefs comes in communicating with the outside world.

Journalists waiting at Heathrow airport last week struggled to find any Romanian or Bulgarian immigrants arriving in the UK, with one paper finding just one genuine new migrant.

In a speech in the West Midlands, the Prime Minister said migrants would have to wait for four years to claim allowances such as tax credits or child benefit.

May 1, 2018 • Before the highly publicized caravan of Central American migrants arrived in Tijuana seeking asylum in the U.S., dozens of other asylum seekers had already been waiting in line at the border.

Waiting for August (Unrated) Child abuse documentary, set in Bacau, Romania, revolving around a 14 year - old girl left in charge of her half - dozen siblings while their migrant worker mother spends the winter and spring employed elsewhere.

Waiting to be shipped out, in a shed abutting the kitchen, her new commissions for Quack Quack, as the new Serpentine show is called, draw on memories from her time in Kensington as a child during the blitz, as well as observations of the park's present - day visitors — a mix of fighter planes, cavorting dogs and resting migrants.

His curatorial work includes: The West Indian Front Room (Geffrye Museum 2005 - 06), The Beauty Shop (198 Contemporary Arts & Learning 2008) The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor 2012), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort 2012) My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013).

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSmigrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSMigrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSmigrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSMigrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

We are hopeful that this new money will reduce these wait times, and ease the hardship and stress for refugees and other vulnerable migrants who are left in limbo,» said Lobat Sadrehashemi, President of CARL.

It was recently announced that the UK government is calling for migrants to have to wait four years before they can...