Sentences with phrase «min color film»
Not exact matches
Single channel film installation (16 mm film transferred to HD video, color / sound), 3:29 min.
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Mathias Poledna, Substance, 2014 35 mm color film with optical sound, 6:40 min 35 mm frame enlargement Courtesy of the artist and Galerie Buchholz, Cologne / Berlin; Galerie Meyer Kainer, Vienna; Richard Telles Fine Art, Los Angeles
Poledna 1 Mathias Poledna, Substance, 2014 35 mm color film with optical sound, 6:40 min 35 mm frame enlargement.
16 mm film transfered to video (color, silent), 18 min.
Wide - screen HD film, 5.1 surround sound, color; 468 min.
STAN VANDERBEEK Poemfield No. 1, 1967 16 mm film transferred to HD video color, silent, 5:00 min.
16 mm film transferred to HD video, sound, color; 38 min.
Gillian WEARING Self Made 2010 color film with sound 84 min Still of Lesley Robinson Photo Credit Dean Rogers © Self Made Prod.
Dennis Oppenheim, Objectified Counterforces, 1971 2:06 min, color, silent, super 8 mm film Objectified Counterforces records a drawing of the upright body's movement upon the earth.
35 mm film transferred to video, color, sound; 29 min.
16 mm film (color, sound), 14:30 min.
Carolee Schneemann, Meat Joy, 1964 6 min, color, sound, 16 mm film Untrained performers writhe on the ground in furry bikinis while raw meat and paint fall into their midst as orgiastic excess is drawn from carefully directed actions.
Nathaniel Mellors, The Sophisticated Neanderthal Interview, 2014, 35 mm film transferred to HD video, sound, color; 23:19 min, Commissioned by the Hammer Museum with the support of The Mondriaan Fund and Temple Bar Gallery, Dublin, Courtesy the artist; the Box, Los Angeles; Matt's Gallery, London; Monitor, Rome; and Stigter van Doesburg, Amsterdam
From «The Chittendens,» five or six channels shot on 16 mm film transferred to video and projected as digital media, color, sound, variable length per channel (total length: 2 hours 13 min)
16 mm film (black and white and color, sound), 204 min.
16 mm film transferred to video, color, silent, 56 min.
Three components, 16 mm film, color, sound; 58 min.
16 mm film, color and black - and - white, sound; 13:31 min.
Double - screen projection, 16 mm film transferred to video, color, sound, 7 mins.
1972 Automation House, Video and 16 mm film, black and white, sound, 32 min Freshkill, 16 mm, color, sound, 12 min 48 sec Open House, Super 8, color, silent, 41 min Profiles
Sigmar Polke, German, 1941 — 2010, Still from Soot Paintings (Rußbilder), 1990, 16 mm film transferred to video (color, silent), 42:12 min.
16 mm film, color, sound; 52 min.
Sigmar Polke, German, 1941 — 2010, Still from Quetta's Hazy Blue Sky (Quetta's blauer dunstiger Himmel) / Afghanistan — Pakistan, c. 1974 — 76,16 mm film transferred to video (color, sound), 34:33 min.
35 mm film installation, 4:48 min (loop), color.
(1994; Animated film transferred to video; Color, 8 min.
Digital film, color, sound 60 min.