An open -
minded viewing of the film will give you an entertaining evening, especially now that the words «neighborhood watch» are safe to utter again.
Not exact matches
It was that old story that came to
mind recently after I had spent two hours and 40 minutes
viewing the controversial
film The Last Temptation
of Christ.
I found the
film to be an experience unlike any
film in recent memory (though a grad - school
viewing of «The Seventh Seal» c. 1990 comes to
mind), and if it seems rote or (Chrissakes!)
The record
of his visit to the nearby Klan stronghold
of Cottonwood, for instance, consists mostly
of brooding shots
of trees — their past use was much on his
mind, and he didn't expect the people would want to be
filmed — followed by a
view of the two - lane blacktop along which he fled after two boys approached him, called him by name, and instructed him to wait because some people were coming to see him.
Part wish fulfillment and part social moralizing, the
film never resolves its point
of view, but a few
of the apocalyptic images stay in the
mind.
Upon first
viewing «Alice Sweet Alice» it comes across like you average Italian Gaillo / Slasher type
film but as it slowly unfolds you begin to realize that it's an indictment
of how religious fanaticism can effect the
minds of those who are not that stable to begin with.
Illustrated by astounding color and black - and - white images, the book presents the best
of this
mind - bending genre, detailing through insightful commentary and behind - the - scenes stories why each
film remains essential
viewing.
While the majority
of Irish
films of recent years have been photographed beautifully, it is my
view that, with a few notable exceptions (One Hundred Mornings and Garage leap to
mind), they have suffered from undeveloped scripts.
The
film certainly has quite a few problems (Lin Shaye's voice dubbing in the prologue and frequent lazily - written exposition dumps spring to
mind), but on a repeat
viewing I realized that it does plenty
of things right (everything Patrick Wilson, the time travel reveal and the climax).
With Krieps on board, it also somehow feels like the Hitchcock movie Audrey Hepburn didn't get to make but clearly channeled through the unique
mind of Anderson, a
film - savvy writer - director responsible for such fever dreams as Boogie Nights, Magnolia, Inherent Vice, and
of course There Will Be Blood, his previous adventure with Day - Lewis that also felt like a movie stitched together out
of something not easily explained on first
viewing.
However, when it does work, it works well, touching all
of the required bases in order to pay homage to the men and women
of the Coast Guard, restoring its reputation in the
minds of anyone that
views the
film that it is much more than a place to avoid more dangerous military service.
The primary reason the
film works so well as horror is the same reason it works as the study
of a deteriorating
mind: Kent's dedication to the subjective point
of view of the protagonist.
The ride to here has been somewhat uneven — keeping in
mind that my
views of each
of the
films seem to differ from the consensus — but this flick certainly couldn't exist without that which has come before.
I am not sure how a
film of this kind may be
viewed by the public though, as you need to be very open -
minded for that, but....
Keeping in
mind that this
film has obviously gutted many
of the bells and whistles that make reading a Rowling work such a pleasure for millions, as a movie —
viewing it solely as a standalone cinematic work, rather than a mere adaptation — it's probably the most successful
of the series thus far.
Parallax
View is a loose collective
of like -
minded professional
film writers in the Seattle area.
That, combined with the fact that over the years I've become unable to separate it in my
mind from «Notting Hill», deemed it well worthy
of another watch from my own point
of view (although strangely, having now watched it another couple
of times, I'm still struggling to pick out some
of the differences between the two
films).
I really hope that you and others like you (Jeffrey Wells comes to
mind), will have some effect in giving this
film a strong theatrical life, both here and abroad — it really deserves a bigger audience than
films of this «size» usually get, in my
view.
When
viewing the
film, students should keep in
mind that the purpose
of the
film was to encourage American Jews to visit Poland.
From its inception, where you're sitting in a chair, presumably a patient, waiting to
view a
film projection that is part
of your therapy, Rise
of Insanity takes you on a thrilling and
mind bending journey filled with enough atmospheric horror and tension to keep you on the edge
of your seat.