Not exact matches
In this way Jones has assumed the mantle
of Pollock's late
paintings such as Portrait and a Dream and The Deep,
mining the unconscious shared meaning between gesture and
image.
Her
images convey a sense
of timelessness, as though they could depict scenes from a brothel in an abandoned
mining town as readily as an artist's loft in Brooklyn, and often feature a thick, red X loosely
painted over the composition.
That many
of his landscape
images, from Spanish dryland farms to New Mexico copper
mines to Chinese rice terraces, evoke abstract
painting isn't lost on Burtynsky or his dealers.
Her family lived in Enugu, a former coal
mining town, and she spent weekends and summers in her grandmother's rural village —
images of which factor heavily into her
paintings.
Trees in Contemporary Art Altana Kulturstiftung, Bad Homburg Animal Mineral Vegetable Andrew Kreps Gallery, New York Allegory
of the Cave
Painting Extra City Kunsthal, Antwerp Alchemy NEST, The Hague Size Matters Foundation for Art Fort at Vijfhuizen, Vijfhuizen Picture This SALTS, Birsfelden Halftone: Through the Grid Galerie Max Hetzler, Berlin Beating around the bush Episode # 1 Bonnefantenmuseum, Maastricht Objects in mirror are closer than they appear Lugar a Dudas, Cali RE:
Painted S.M.A.K., Ghent video screening 25 Zero, Milan Amnesia Nadácia - Centrum súčasného umenia, Bratislava 2013 Behind
Images Garage Rotterdam, Rotterdam (catalogue) Traces Stedelijk Museum, s - Hertogenbosch Agora 4th Athens Biennale, Athens On the Road to... Tarascon, Adrian Ghenie and Navid Nuur Plan B, Berlin Passion de l'Art en Finistère / Collection # 4 Centre d'art contemporain de Quimper (T) HERE Bonnefanten Hedge House, Wijlre Flex - Sil Reloaded Kunst Halle St. Gallen, St. Gallen Casey Kaplan, New York The
Image in the Sculpture Centre Pompidou, Paris (curated by Christine Macel and Navid Nuur) Time, Trade and Travel Stedelijk Museum Bureau, Amsterdam Small Gestures MU / Strijp S, Eindhoven Mesures et disparition / Over maat en verdwijning Institut Néerlandais, Paris It wasn't there yesterday Raster Gallery, Warsaw 2012 This Title is an Artwork
of Mine Motto Charlottenborg, Copenhagen (curated by Mikkel Carl) The Castle in the Air.
The
images are from
paintings of mine and support the idea that kids and pets belong together.
This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group
of 14 large - scale works rephotographed from press
images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects
of Desire (1983 - 88) and Renaissance
Paintings (1991), which continued Charlesworth's trenchant approach to
mining the language
of photography; Doubleworld (1995), which probes the fetishism
of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).