From a linguistic point
of view his work can be read as a development, a personal «derivation»
of sculptural processes that arise from the geometric shapes
of Minimal art and from the more archetypal ones
of Arte Povera, from a thematic point
of view his
pieces are often the translation
of formulae and
numbers linked to those facts or histories from which they originate.»
Fastened to
pieces of driftwood or mounted to segments
of old lumber, the
pieces seem to capture the lifelike essence
of the robins, owls, and sea creatures they represent despite a
minimal number of components.