Every good movie should be able to show emotions with
minimal use of dialogue.
Not exact matches
Similar to Drive, one
of my favorite films
of Cannes 2012, the power
of The Rover is in its silence, and it
uses that silence (and
minimal dialogue) very effectively to convey so much, to speak loudly without being loud.
Expressive cinematography, brooding sound design, and
minimal use of spoken
dialogue help create a surreal cinematic examination
of the human condition in conflict with death.
There is very little
dialogue in the film and Tsai
uses long takes with
minimal camera movement to emphasize the boredom and unhappiness
of the characters.